Louis Wains Cats

'Louis Wain invented a cat style, a cat society, a whole cat world'. Broadcast in 1925 by H.G. Wells, these words characteristically foretold the future of the Wain cat which has, once more, become the century's most recognisable image in cat art. During their heyday, in the time before the First World War, Louis Wain's cats, dressed as humans, portrayed that stylish Edwardian world having fun: at restaurants and tea parties, going to the Race and the Seaside, celebrating at Christmas and Birthdays, and disporting themselves with exuberant games of tennis, bowls, cricket and football. This is a titillating world of cats at play, uninhibited and slightly dangerous, with most group activities likely to turn into mishap, mayhem and catastrophe. This is Wain's world, funny, edgy and animated: a whole cat world. The first comprehensive exhibition of Wain's work was held at the Victoria and Albert Museum in London in 1972 and, since then, Louis Wain has steadily become more fashionable, and collected worldwide. This biography contains 300 plates of richness and variety, all of which are reproduced faithfully from the original artwork. This book is jointly published by Chris Beetles Ltd and Canongate Books.

Perhaps the best loved illustrator of comic cats of the twentieth century. Born in 1860 Wain became a household name for his cat illustrations in the 1890s. 65 colour & 105 b/w illustrations

An in-depth biographical study, rare essays by and about Wain, and 60 of his best-loved illustrations make this a must-have for fans of the cult cat artistWith a wealth of Wain's most famous drawings, as well as rare writings by and about the artist, this is an ideal book for both Wain fans and cat-lovers in general. Louis Wain drew cats: cats playing poker, boxing, playing cricket, and doing almost any human activity. His pictures are widely available today as decorative motifs and popular prints, but in his day, the man dubbed the "Hogarth of cat life" was a celebrity who sold thousands of drawings and paintings to an insatiable public. From humble beginnings, Wain became a hugely successful popular artist, creating the Louis Wain Annual series and the first ever animated cat character, later acknowledged as the inspiration for Mickey Mouse. But after he lost his fortune, he lost his mind. He ended up in a provincial asylum, sketching psychedelic cats that were more fiend-like than feline. When his fate was discovered in 1925, the Royal Family and the Prime Minister joined a national campaign to rescue Wain. The artist never entirely recovered his health, but he was eventually moved to a better home, where he continued to draw and paint almost until his death in 1939.

Based on the life of the illustrator's pet cat.

Ulysses chronicles the peripatetic appointments and encounters of Leopold Bloom in Dublin in the course of an ordinary day, 16 June 1904. Ulysses is the Latinised name of Odysseus, the hero of Homer's epic poem Odyssey, and the novel establishes a series of parallels between the poem and the novel, with structural correspondences between the characters and experiences of Leopold Bloom and Odysseus, Molly Bloom and Penelope, and Stephen Dedalus and Telemachus, in addition to events and themes of the early twentieth century context of modernism, Dublin, and Ireland's relationship to Britain. The novel imitates registers of centuries of English literature and is highly allusive. Ulysses' stream-of-consciousness technique, careful structuring, and experimental prose — full of puns, parodies, and allusions — as well as its rich characterisation and broad humour, made the book a highly regarded novel in the modernist pantheon. Joyce fans worldwide now celebrate 16 June as Bloomsday.

Markets, Households and City-States in the Ancient Greek Economy brings together sixteen essays by leading scholars of the ancient Greek economy. The essays investigate the role of market-exchange in the economy of the ancient Greek world in the Classical and Hellenistic periods.

This book is intended not to raise fears but to record facts. We wish to describe with pen and pencil those features of England which are gradually disappearing, and to preserve the memory of them. It may be said that we have begun our quest too late; that so much has already vanished that it is hardly worth while to record what is left. Although much has gone, there is still, however, much remaining that is good, that reveals the artistic skill and taste of our forefathers, and recalls the wonders of old-time. It will be our endeavour to tell of the old country houses that Time has spared, the cottages that grace the village green, the stern grey walls that still guard some few of our towns, the old moot halls and public buildings. We shall see the old-time farmers and rustics gathering together at fair and market, their games and sports and merry-makings, and whatever relics of old English life have been left for an artist and scribe of the twentieth century to record.