Love And Marriage In Shakespeare

"Shakespeare's treatment of love & marriage, and other essays" by C. H. Herford. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

In the lively town of Padua, the wealthy Baptista Minola seeks suitors for his two daughters, Bianca and the sharp-tongued Katharina, known as the shrew. Desiring to marry Bianca, several men vie for her hand, but Baptista insists that Katharina must marry first. Petruchio, a brash gentleman from Verona, arrives seeking a wealthy wife and sets his sights on Katharina. Despite her fiery resistance, Petruchio employs unconventional methods to »tame« her, leading to a tumultuous and comedic battle of wills. The Taming of the Shrew presents a contentious portrayal of gender roles and relationships, inviting scrutiny and debate. While its central premise of a woman being »tamed« has drawn criticism for its patriarchal overtones, the play's complex characters and witty dialogue continue to captivate audiences. Over the centuries, interpretations of the play have evolved, with modern adaptations exploring themes of power dynamics, consent, and the nature of love. WILLIAM SHAKESPEARE [1564-1616], born in Stratford-upon-Avon in Warwickshire, England, is known as the greatest playwright of all time, with his name attached to a long line of immortal plays, including Othello, Romeo & Juliet, Hamlet, King Lear, and Macbeth.

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The complex and sometimes contradictory expressions of love in Shakespeare's works—ranging from the serious to the absurd and back again—arise primarily from his dramatic and theatrical flair rather than from a unified philosophy of love. Untangling his witty, bawdy (and ambiguous) treatment of love, sex, and desire requires a sharp eye and a steady hand. In Shakespeare on Love and Lust, noted scholar Maurice Charney delves deeply into Shakespeare's rhetorical and thematic development of this largest of subjects to reveal what makes his plays and poems resonate with contemporary audiences. The paradigmatic star-crossed lovers of Romeo and Juliet, the comic confusions of couples wandering through the wood in A Midsummer Night's Dream, Othello's tragic jealousy, the homoerotic ways Shakespeare played with cross-dressing on the Elizabethan stage—Charney explores the world in which Shakespeare lived, and how it is reflected and transformed in the one he created. While focusing primarily on desire between young lovers, Charney also explores themes of love in marriage (Brutus and Portia) and in same-sex pairings (Antonio and Sebastian). Against the conventions of Renaissance literature, Shakespeare qualified the Platonic view that true love transcends the physical. Instead, as Charney demonstrates, love in Shakespeare's work is almost always sexual as well as spiritual, and the full range of desire's dramatic possibilities is displayed. Shakespeare on Love and Lust begins by considering the ways in which Shakespeare drew upon and satirized the conventions of Petrarchan Renaissance love poetry in plays like Romeo and Juliet, then explores how courtship is woven into the basic plot formula of the comedies. Next, Charney examines love in the tragedies and the enemies of love (Iago, for example). Later chapters cover the gender complications in such plays as Macbeth and The Taming of the Shrew as well as the homoerotic themes woven into many of the poems and plays. Charney concludes with a lively discussion of paradoxes and ambivalences about love expressed by Shakespeare's word play and sexual innuendoes.