Love And Poetry In The Middle East

Love has been an important trope in the literature of the region we now call the Middle East, from ancient times to modern. This book analyses love poetry in various ancient and contemporary languages of the Middle East, including Akkadian, ancient Egyptian, Classical and Modern Standard Arabic, Persian, Hebrew, Turkish and Kurdish, including literary materials that have been discovered and highlighted for the first time. Together, the chapters reflect and explore the discursive evolution of the theme of love, and the sensibilities, styles and techniques used to convey it. They chart the way in which poems in ancient poetry give way to complex and varied reflections of human sentiments in the medieval languages and on to the modern period which in turn reflects the complexities and nuances of present times. Offering a snapshot of the diverse literary languages and their relationship to the theme of love, the book will be of interest to scholars of Near and Middle Eastern Literature and Culture.

"Love has been an important trope in the literature of the region we now call the Middle East, from ancient times to modern. This book analyses love poetry in various ancient and contemporary languages of the Middle East, including Akkadian, ancient Egyptian, Classical and Modern Standard Arabic, Persian, Hebrew, Turkish and Kurdish, including literary materials that have been discovered and highlighted for the first time. Together, the chapters reflect and explore the discursive evolution of the theme of love, and the sensibilities, styles and techniques used to convey it. They chart the way in which poems in ancient poetry give way to complex and varied reflections of human sentiments in the medieval languages and on to the modern period which in turn reflects the complexities and nuances of present times. Offering a snapshot of the diverse literary languages and their relationship to the theme of love, the book will be of interest to scholars of Near and Middle Eastern Literature and Culture."--

In the long literary history of the Middle East, the notion of 'the beloved' has been a central trope in both the poetry and prose of the region. This book explores the concept of the beloved in a cross-cultural and interdisciplinary manner, revealing how shared ideas on the subject supersede geographical and temporal boundaries, and ideas of nationhood. The book considers the beloved in its classical, modern and postmodern manifestations, taking into account the different sexual orientations and forms of desire expressed. From the pre-Islamic 'Udhri (romantic unrequited love), to the erotic same-sex love in thirteenth century poetry and prose, the divine Sufi reflections on the topic, and post-revolutionary love encounters in Iran, Egypt and Saudi Arabia, The Beloved in Middle Eastern Literatures connects the affective and cultural with the political and the obscene. In focusing on the diverse manifestations of love and tropes of the lover/beloved binary, this book is unique in foregrounding what is often regarded as a 'taboo subject' in the region. The multi-faceted outlook reveals the variety of philological, philosophical, poetic and literary forms that treat this significant motif.

Love has been an important trope in the literature of the region we now call the Middle East, from ancient times to modern. This book analyses love poetry in various ancient and contemporary languages of the Middle East, including Akkadian, ancient Egyptian, Classical and Modern Standard Arabic, Persian, Hebrew, Turkish and Kurdish, including literary materials that have been discovered and highlighted for the first time. Together, the chapters reflect and explore the discursive evolution of the theme of love, and the sensibilities, styles and techniques used to convey it. They chart the way in which poems in ancient poetry give way to complex and varied reflections of human sentiments in the medieval languages and on to the modern period which in turn reflects the complexities and nuances of present times. Offering a snapshot of the diverse literary languages and their relationship to the theme of love, the book will be of interest to scholars of Near and Middle Eastern Literature and Culture.

Time out.. In a multicultural atmosphere we meet with good people...who we like...but from a different culture...we seem to get along...but again...we seem not to...we ought to keep trying.... I feel I am secure... I got my own own thoughts.... when my thoughts starts to flow.... It's not my time to go..... I thank you that is sure.... I take my own time pause.... I always dive deep in....then i fly back real out... And when my mind is clear...good photos pour right out..... Where is it that is missing to prove us as a plus....... It's just a new beginning...but not such good response.... You can not always judge...but you can always doubt..... My judgment must go public...a hearing will be loud...... Email, meeting or call...efforts did not yet vain.... Jewels are hard to find...its always worth the pain.... I hope in me and you....you find all what you want... My human soul did shine...when good approach got found... Let me tweet this is to you.... I lead and lead...the truth.... A student takes a lead when teacher is on leave... And gates can only close when guests are safe back in..... Please tell me who is who... The teacher "you" or you... I shall turn back my face.... And go in after you......

An extensive collection of contemporary Asian and Middle Eastern poetry includes the work of four hundred contributors from a variety of backgrounds, in a thematically organized anthology that is complemented by personal essays.

First published in 2005. Routledge is an imprint of Taylor & Francis, an informa company. By far the most popular poet of the Arab Word, popular in the true sense of the word. The late Nizar Kabbani's selected poems appear here in English for the first time. So popular is he that one of his poems is the greatest love song in the Arab world, recorded by the legendary Egyptian singer Um Khalsoum and played on virtually every taxi's radius across the Middle East.

This bilingual anthology, edited by Christophe Ippolito, contains Samuel Hazo's complete translation of Lebanon: Twenty Poems for One Love and Paul B. Kelley's selections from the never-before-translated Sentimental Archives of a War in Lebanon. The Francophone poet Nadia Tueni has devoted readers in Lebanon and elsewhere in the Middle East and has quickly achieved poetic distinction in France. The fluency of her poetic language and motifs—reflecting Tueni's love of her people and country—is illuminated in Ippolito's introduction: "She chose to create a new poetic language that captured the fragile essence of her troubled country and exposed the many crises of identities present in the war. By identifying with her country, she placed herself beyond all parties and created a sacred river that irrigates her poems." Drawn from two collections that were published during the civil war in Lebanon in 1979 and 1982, these poems are haunted by the Lebanese war: some transcend famous Lebanese locales as the symbolic incarnations of the land's eternal essence; others, illuminated at first by nostalgic memories, take on a prophetic tone. Tueni's work merges the poetic with the political landscape of her country. She writes: " I belong to a country that commits suicide every day, while it is being assassinated." The languages of Rimbaud, Lautreamont, and surrealist poetry have had a decisive influence on Tueni's poetry. But she also owes a great debt on the Arabic side to the avant-garde poets, for example, the celebrated Adonis. Like many Lebanese writers, Tueni was active in political circles, particularly after the war in 1967. Her poems tell of suffering—"memories of an abandoned garden slip away"—of her own life slipping away, and in the end, the reader is invited to reflect on the mimesis of identity: identity of a country, identity of a woman, each echoing the other.