Love And Ruin Tales Of Obsession Danger And Heartbreak From The Atavist Magazine

Extraordinary stories of crime, passion, and adventure from The Atavist magazine, the trailblazing leader in longform narrative writing. Since its inception, The Atavist Magazine has been a pioneer of today’s longform journalism renaissance. Now, Love and Ruin brings ten of the magazine’s most astonishing stories into print for the first time. These writers have taken reporting to the extremes of nature, turned inward to explore what makes us human, and burrowed deep into archives in search of mysterious figures and events more surprising than anything in contemporary fiction. What unifies these nonfiction masterpieces is the keen eye with which their writers capture the details of human experience, and their knack for hooking us into a story and never letting go. With stories by: James Verini • Leslie Jamison • Vanessa Veselka • Jon Mooallem • Cris Beam • Brooke Jarvis • David Dobbs • Adam Higginbotham • Evan Ratliff • Matthew Shaer

The year's best travel writing, as chosen by series editor Jason Wilson and guest editor Alexandra Fuller.

Sy Montgomery, New York Times best-selling author and recipient of numerous awards, edits this year's volume of the finest science and nature writing. New York Times best-selling author of How to Be a Good Creature, The Soul of an Octopus, The Good Good Pig, and more, Sy Montgomery, selects the year's top science and nature writing from writers who balance research with humanity, and, in the process, uncover riveting stories of discovery across the disciplines.

New York Times best-selling author and renowned science journalist Ed Yong compiles the best science and nature writing published in 2020. "The stories I have chosen reflect where I feel the field of science and nature writing has landed, and where it could go," Ed Yong writes in his introduction. "They are often full of tragedy, sometimes laced with wonder, but always deeply aware that science does not exist in a social vacuum. They are beautiful, whether in their clarity of ideas, the elegance of their prose, or often both." The essays in this year's Best American Science and Nature Writing brought clarity to the complexity and bewilderment of 2020 and delivered us necessary information during a global pandemic. From an in-depth look at the moment of the virus's outbreak, to a harrowing personal account of lingering Covid symptoms, to a thoughtful analysis on how the pandemic will impact the environment, these essays, as Yong says, "synthesize, evaluate, dig, unveil, and challenge," imbuing a pivotal moment in history with lucidity and elegance. THE BEST AMERICAN SCIENCE AND NATURE WRITING 2021 INCLUDES - SUSAN ORLEAN - EMILY RABOTEAU - ZEYNEP TUFEKCI - HELEN OUYANG - HEATHER HOGAN BROOKE JARVIS - SARAH ZHANG and others

Begged, Borrowed, & Stolen is a collection of true stories detailing the different icons, historical documents, art, patents, ideas, and more that have been stolen throughout US history. Drawing upon years of research and an extensive collection of photographs, the author sheds light on how land, art and treasures, ideas, and even bodies and elections were stolen from right under our noses!

PLEASE NOTE: This is a summary and analysis of the book and not the original book. If you'd like to purchase the original book, please paste this link in your browser: https://amzn.to/2HOedOQ Evan Ratliff perfectly conceptualizes a mystifying Paul Le Roux, vying for recognition, wealth, and power in a warped identity crisis. Facts are inadequate in unravelling the enigma of the computer-obsessed teenager turned master criminal, but his story is truly fascinating. What does this ZIP Reads Summary Include? - Synopsis of the original book - Key takeaways from each chapter - A guide to the key players - Shocking details from the mastermind's illegal operations - The timeline of events leading up to his capture - Editorial Review - Background on Evan Ratliff About the Original Book: Paul Le Roux had an insatiable appetite for power and wealth. Surprisingly, the unassuming international criminal also had the technical savvy to engineer it. A blunt account of swirling decline into the underworld, we see a genius in his own right—an evil one, but awe-inspiring, nevertheless. As each baffling part of Ratliff’s puzzle falls into place, it’s a wonder the complex behemoth operated at all. DISCLAIMER: This book is intended as a companion to, not a replacement for, The Mastermind. ZIP Reads is wholly responsible for this content and is not associated with the original author in any way. Please follow this link: https://amzn.to/2HOedOQ to purchase a copy of the original book.

The incredible true story of the decade-long quest to bring down Paul Le Roux—the creator of a frighteningly powerful Internet-enabled cartel who merged the ruthlessness of a drug lord with the technological savvy of a Silicon Valley entrepreneur. “A tour de force of shoe-leather reporting—undertaken, amid threats and menacing, at considerable personal risk.”—Los Angeles Times NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Evening Standard • Kirkus Reviews It all started as an online prescription drug network, supplying hundreds of millions of dollars’ worth of painkillers to American customers. It would not stop there. Before long, the business had turned into a sprawling multinational conglomerate engaged in almost every conceivable aspect of criminal mayhem. Yachts carrying $100 million in cocaine. Safe houses in Hong Kong filled with gold bars. Shipments of methamphetamine from North Korea. Weapons deals with Iran. Mercenary armies in Somalia. Teams of hit men in the Philippines. Encryption programs so advanced that the government could not break them. The man behind it all, pulling the strings from a laptop in Manila, was Paul Calder Le Roux—a reclusive programmer turned criminal genius who could only exist in the networked world of the twenty-first century, and the kind of self-made crime boss that American law enforcement had never imagined. For half a decade, DEA agents played a global game of cat-and-mouse with Le Roux as he left terror and chaos in his wake. Each time they came close, he would slip away. It would take relentless investigative work, and a shocking betrayal from within his organization, to catch him. And when he was finally caught, the story turned again, as Le Roux struck a deal to bring down his own organization and the people he had once employed. Award-winning investigative journalist Evan Ratliff spent four years piecing together this intricate puzzle, chasing Le Roux’s empire and his shadowy henchmen around the world, conducting hundreds of interviews and uncovering thousands of documents. The result is a riveting, unprecedented account of a crime boss built by and for the digital age. Praise for The Mastermind “The Mastermind is true crime at its most stark and vivid depiction. Evan Ratliff’s work is well done from beginning to end, paralleling his investigative work with the work of the many federal agents developing the case against LeRoux.”—San Francisco Book Review (five stars) “A wholly engrossing story that joins the worlds of El Chapo and Edward Snowden; both disturbing and memorable.”—Kirkus Reviews (starred review)

The Routledge Companion to Literary Media examines the fast-moving present and future of a media ecosystem in which the literary continues to play a vital role. The term ‘literary media’ challenges the tendency to hold the two terms distinct and broadens accepted usage of the literary to include popular cultural forms, emerging technologies and taste cultures, genres, and platforms, as well as traditions and audiences all too often excluded from literary histories and canons. Featuring contributions from leading international scholars and practitioners, the Companion provides a comprehensive guide to existing terms and theories that address the alignment of literature and a variety of media forms. It situates the concept in relation to existing theories and histographies; considers emerging genres and forms such as locative narratives and autofiction; and expands discussion beyond the boundaries by which literary authorship is conventionally defined. Contributors also examine specific production and publishing contexts to provide in-depth analysis of the promotion of literary media materials. The volume further considers reading and other aspects of situated audience engagement, such as Indigenous and oral storytelling, prize and review cultures, book clubs, children, and young adults. This authoritative collection is an invaluable resource for scholars and students working at the intersection of literary and media studies.