Love In Exile

A new paperback edition of a haunting novel of love and loss and the impossibility of true exile from the world

From pre-First World War Warsaw to the New York of the 1930s, Nobel Prize-winner Isaac Bashevis Singer traces the early years of his life in this autobiographical trilogy. In A Little Boy in Search of God, he remembers his bookish boyhood as the son of an Orthodox rabbi, equally absorbed in science, philosophy and cabbala. Later, the pursuit of women came to obsess him almost as much as the pursuit of knowledge, and in A Young Man in Search of Love he chronicles the intricacies of his first love affairs. When he emigrated to the United States from Poland on the eve of the Second World War loneliness and depression overwhelmed him, and he relives those dark years in Lost in America. From beginning to end, Love and Exile sheds new light on Singer's own life and the fictional lives mirrored in it.

The bestselling author of Last Train to Istanbul returns with a tale of love defying all boundaries. Sabahat, a beautiful young Muslim woman, is known in her family for her intelligence, drive, and stubbornness. She believes there is more in store for her life than a good marriage and convinces her parents to let her pursue her education, rare for young Turkish women in the 1920s. But no one--least of all Sabahat herself--expects that in the course of her studies she will fall for a handsome Armenian student named Aram. After precious moments alone together, their love begins to blossom. Try as she might to simplify her life and move on, Sabahat has no choice but to follow her heart's desire. But Aram is Christian, and neither family approves. With only hope to guide their way, they defy age-old traditions, cross into dangerous territory, and risk everything to find their way back to each other. One of Turkey's most beloved authors brings us an evocative story of two star-crossed lovers inspired by her own family's history.

With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history. It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology.

Edith, a struggling young writer from the East Bronx, worked first at the The Daily Worker, and then as one of the first "American railroad girls.".

Quasicrystals: The State of the Art has proven to be a useful introduction to quasicrystals for mathematicians, physicists, materials scientists, and students. The original intent was for the book to be a progress report on recent developments in the field. However, the authors took care to adopt a broad, pedagogical approach focusing on points of lasting value. Many subtle and beautiful aspects of quasicrystals are explained in this book (and nowhere else) in a way that is useful for both the expert and the student. In this second edition, some authors have appended short notes updating their essays. Two new chapters have been added. Chapter 16, by Goldman and Thiel, reviews the experimental progress since the first edition (1991) in making quasicrystals, determining their structure, and finding applications. In Chapter 17, Steinhardt discusses the quasi-unit cell picture, a promising, new approach for describing the structure and growth of quasicrystals in terms of a single, repeating, overlapping cluster of atoms.

Based on an unexplored slice of World War II history, Exile Music is the captivating story of a young Jewish girl whose family flees refined and urbane Vienna for safe harbor in the mountains of Bolivia As a young girl growing up in Vienna in the 1930s, Orly has an idyllic childhood filled with music. Her father plays the viola in the Philharmonic, her mother is a well-regarded opera singer, her beloved and charismatic older brother holds the neighborhood in his thrall, and most of her eccentric and wonderful extended family live nearby. Only vaguely aware of Hitler's rise or how her Jewish heritage will define her family's identity, Orly spends her days immersed in play with her best friend and upstairs neighbor, Anneliese. Together they dream up vivid and elaborate worlds, where they can escape the growing tensions around them. But in 1938, Orly's peaceful life is shattered when the Germans arrive. Her older brother flees Vienna first, and soon Orly, her father, and her mother procure refugee visas for La Paz, a city high up in the Bolivian Andes. Even as the number of Jewish refugees in the small community grows, her family is haunted by the music that can no longer be their livelihood, and by the family and friends they left behind. While Orly and her father find their footing in the mountains, Orly's mother grows even more distant, harboring a secret that could put their family at risk again. Years pass, the war ends, and Orly must decide: Is the love and adventure she has found in La Paz what defines home, or is the pull of her past in Europe--and the piece of her heart she left with Anneliese--too strong to ignore?

The swooning Victorian ladies and the 1950s housewives genuinely needed to be liberated. That much is indisputable. So, First-Wave feminists held rallies for women's suffrage. Second-Wave feminists marched for Prohibition, jobs, and abortion. Today, Third-Wave feminists stand firmly for nobody's quite sure what. But modern women--who use psychotherapeutic antidepressants at a rate never before seen in history--need liberating now more than ever. The truth is, feminists don't know what liberation is. They have led us into a very boring dead end. Eve in Exile sets aside all stereotypes of mid-century housewives, of China-doll femininity, of Victorians fainting, of women not allowed to think for themselves or talk to the men about anything interesting or important. It dismisses the pencil-skirted and stiletto-heeled executives of TV, the outspoken feminists freed from all that hinders them, the brave career women in charge of their own destinies. Once those fictionalized stereotypes are out of the way--whether they're things that make you gag or things you think look pretty fun--Christians can focus on real women. What did God make real women for?