Love Roses

'This small book contains multitudes' Marina Warner 'For those who have suffered for and in love, this may prove to be one of the most useful books they will ever read' Nicholas Lezard, Guardian An extraordinary, uncompromising and consoling celebration of a life - through childhood, faith, family, love, friendship, pain and loss - written as its author was facing her own mortality Gillian Rose was a star academic, acclaimed as one of the most dazzling and original thinkers of her time. Told that she had incurable cancer, she found a new way to explore the world and herself. Tender, heartbreakingly honest and written with moments of surprising humour, Love's Work is the exhilarating result. In this short, unforgettable memoir, Rose looks back on her childhood, from the young dyslexic girl, torn between father and stepfather, to the adolescent confronting her Jewish inheritance. As an adult, Gillian Rose proves herself a passionate friend, a searcher for truth, a woman in love and, finally, an exacting but generous patient. Intertwining the personal and the philosophical, Rose meditates on faith, conflict and injustice; the fallibility and endurance of love; our yearning for independence and for connection to others. With droll self-knowledge ('I am highly qualified in unhappy love affairs,' Rose writes) and with unsettling wisdom ('To live, to love, is to be failed'), Love's Work asks the unanswerable question: how is a life best lived?

From deterring insect pests with hot peppers to encouraging strawberries by bordering them with chrysanthemums, Louise Riotte shows you how to use the natural qualities of common plants to increase your garden’s productivity. Roses Love Garlic profiles hundreds of plants, features sample garden designs, and includes recipes for using your harvest to make herbal cosmetics, medicinal mixtures, and plant-based dyes. You’ll enjoy learning about the fascinating ways plants work together as you tend to a thriving and bountiful garden. This publication conforms to the EPUB Accessibility specification at WCAG 2.0 Level AA.

Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography “An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood “A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker.” —Claire Messud, Harper's “Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.” —Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world “In the spring of 1936, a writer planted roses.” So be-gins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit’s account of this overlooked aspect of Orwell’s life journeys through his writing and his actions—from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit’s celebrated ability to draw unexpected connections, readers are drawn onward from Orwell‘s own work as a writer and gardener to encounter photographer Tina Modotti’s roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell’s slave-owning ancestors in Jamaica, Jamaica Kincaid’s examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit’s portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.

Blackmail is an ugly word but an even uglier deed, and dragging Mickey Mantle into it is just plain un-American, not to mention deadly. But things have been going well for the Forrest sisters. Their business is thriving, they have a handsome, slightly mysterious new neighbor, and, best of all, they haven't found a dead body in over six months. Under the spell of an early summer heat wave, Old Towne seems to be cursed. A dog house goes up in flames. Mail is being misdirected on an epic scale. The town has acquired an elusive jogger whose rather obscene indiscretions are frequent and obnoxious. Worst of all, there's an extortionist at work. Suddenly, Daisy and Rose Forrest find themselves knee deep in the middle of a sinister blackmail scheme. When the post mistress turns up bludgeoned to death, Rose is attacked in her own home, and their beloved dog is brutally duct taped the sisters know they have to get to the bottom of it. With their extraordinary mother, Angela, at their side, the ladies take on the hunt for an invaluable baseball card, a malicious prankster, and a blackmailing killer.

"Loves roses" are glass tubes, 3/8 inches in diameter, 4 inches long. Covered on one end with foil, each contains a cloth flower: red, yellow, blue, violet, white or green. They are duplicitous objects. If you ask one kind of person, they'll tell you these "stems" are romantic offerings, valentine's gifts. If you ask another kind of person, they'll tell you these are pipes for smoking crack cocaine. In September 2008 at a palazzo gallery in Brescia, Italy, Dan Colen and Nate Lowman installed the third incarnation of an evolving body of collaborative work. A long-envisioned but, until Italy, unrealized plan for a sculpture had been a "beaded" curtain made of "love roses" (and titled the same). The curtain was hung in a doorway leading into the ornate spaces housing the rest of their show. Dash snow arrived in Brescia when Colen and Lowman were finishing their installation. A close friend of the collaborators, snow had documented their shared process since its inception in 2007, and he continued here. As well-heeled Italian patrons (almost all of them women) arrived for the show's opening night, snow began shooting photographs of them passing through love roses on their way into the galleries. The piece created a theatrical plane through which snow could enter the partnership and break apart the odd boundaries of inclusivity and exclusivity inherent to art making and art consumption. In turn, this staging ground quickly provoked the visitors to make dramatic entrances. Every passage through love roses and across snow's lens built on the collaborative armature - whether or not the participants were aware of the potential irony of the curtain or of the cumulative performance itself. At certain points, Lowman and Colen enter the frame of the photographs; at others, Snow is visible in his simultaneously primary and tertiary role as auteur. The three planned to create a book from the images as soon as they saw Snow's processed film in 2008, however Snow passed away before they initiated the project. This book is made now through the collaboration of the Dash Snow Estate, Dan Colen, Nate Lowman and Brendan Dugan." -- Colophon.

An inspiration of roses A one-of-a-kind guide to growing, cutting, and arranging the most beautiful roses in the world, Garden Roses belongs in the hands of every flower lover. Created by Gracielinda Poulson, the preeminent rose grower in the country and proprietor of Grace Rose Farm, each page of this glorious book steeps the reader in the iconic mystique of the rose: Its breathtaking beauty, in hundreds of photographs. Its secrets, in the incredible breadth of information on the varieties best suited for cutting and how to raise them to thrive in the garden or a container, in almost any climate zone. And its unique presence in our lives, in all the ways to style and display roses, from a simple vaseful to more elaborate tablescapes and floral arches, truly elevating the flower that more than any other has captured our imaginations and delighted our eyes.

This book showcases the range of 14 roses for weddings and special events that David Austin has been perfecting since the 1990s, providing the chance to sample some of the many magic moods that these exceptional cut roses are capable of creating.--INSIDE FLAP.