Love S Grateful Striving

Soren Kierkegaard's Works of Love (1847), a series of deliberations on the commandment to love one's neighbor, has often been condemned by critics. Here, Ferreira seeks to rehabilitate Works of Love as one of Kierkegaard's most important works. He shows that Kierkegaard's deliberations on love are highly relevant to some important themes in contemporary ethics, including impartiality, duty, equality, mutuality, reciprocity, self-love, sympathy, and sacrifice. Ferreira also argues that Works of Love bears on issues peculiar to a religious ethic, such as the role of God as "middle term," and the possibility of preserving the aesthetic dimensions of love in a religious ethic of relation.

Soren Kierkegaard's Works of Love (1847), a series of deliberations on the commandment to love one's neighbor, has often been condemned by critics. Here, Ferreira seeks to rehabilitate Works of Love as one of Kierkegaard's most important works. He shows that Kierkegaard's deliberations on love are highly relevant to some important themes in contemporary ethics, including impartiality, duty, equality, mutuality, reciprocity, self-love, sympathy, and sacrifice. Ferreira also argues that Works of Love bears on issues peculiar to a religious ethic, such as the role of God as "middle term," and the possibility of preserving the aesthetic dimensions of love in a religious ethic of relation.

Although Søren Kierkegaard, considered one of the most passionate Christian writers of the modern age, was a Lutheran, he was deeply dissatisfied with the Lutheran establishment of his day. Some scholars have said that he pushed his faith toward Catholicism. Placing Kierkegaard in sustained dialogue with the Catholic tradition, Jack Mulder, Jr., does not simply review Catholic reactions to or interpretations of Kierkegaard, but rather provides an extended look into convergences and differences on issues such as natural theology, natural moral law, Christian love, apostolic authority, the doctrine of hell, contrition for sins, the doctrine of purgatory, and the communion of saints. Through his analysis of Kierkegaard's philosophy of religion, Mulder presents deeper possibilities for engagements between Protestantism and Catholicism.

Love's Forgiveness combines a discussion of the nature and ethics of forgiveness with a discussion--inspired by Kierkegaard--of the implications of considering interpersonal forgiveness as a 'work of love'. It introduces the reader to some key questions that have exercised recent philosophers of forgiveness, discussing the relationship between forgiveness and an extended notion of resentment; considering whether forgiveness should be conditional or unconditional (showcasing a particular understanding of the latter); and arguing that there are legitimate forms of third party forgiveness. It then introduces the idea of forgiveness as a work of love through a discussion of Kierkegaard, key New Testament passages on forgiveness, and some contemporary work on the philosophy of love. Drawing on both philosophy and the New Testament, it offers an understanding of forgiveness that incorporates both agapic love and a proper concern for justice. John Lippitt explores religious and secular uses of key metaphors for forgiveness, and the idea of forgivingness as a character trait, suggesting that seeking to correct for various cognitive biases is key to the development of such a virtue, and connecting it to other putative virtues, such as humility and hope. Lippitt draws on both Kierkegaard's discourse literature and contemporary philosophical work on these latter characteristics, before turning to a discussion of the nature of self-forgiveness. Throughout the book, the philosophical and theological literature is rooted in a discussion of various 'forgiveness narratives', including Helen Prejean's Dead Man Walking, Thordis Elva and Tom Stranger's South of Forgiveness, and Ian McEwan's Atonement.

Since art is essential to the love of one’s neighbor as oneself and to love’s chief goal of building up one another, we cannot understand love without also understanding its art. Observing that praise is ubiquitous in Søren Kierkegaard’s writings, Richard McCombs interprets Kierkegaard’s Works of Love as a eulogy of love’s arts of forgiveness, peace-making, and building up one’s neighbor in maturity and charity. Kierkegaard stresses love's ability to achieve results, calling love irresistible and almost magical in overcoming obstacles to its purposes; living the life of faith and love involves skillful attention to the specificity of the episodes in an individual’s life, and the creative imagining of new ways of enacting these virtues. McCombs argues that Kierkegaard’s ideas about the art of love reveal limits or exceptions to his individualism and to his anti-consequentialism in ethics. Art and Praise in Kierkegaard’s Works of Love explores Kierkegaard’s distinct praises of love through texts like Works of Love, The Brothers Karamazov, and Middlemarch to illustrate, complement, and sometimes correct Kierkegaard’s profound account of love’s art and wisdom, suggesting ways that the art of praise bears on other questions in aesthetics, ethics, and religion.

This book draws Soren Kierkegaard and Luce Irigaray into conversation on the nature and ethics of sexual difference. While these two initially seem like doubtful dialogue partners, the conversation between them yields a rich and compelling account of intersubjectivity between man and woman--an account that moves beyond the limited and tired debate over egalitarianism vs. complementarianism. Through engagement with Irigaray and Kierkegaard, this book develops a constructive, theological ethics of sexual difference that focuses on an epistemological and subjective gap that sets man and woman at a decisive distance from each other. They are a mystery to each other. Yet it is also an ethical framework that allows woman and man to encounter one another in ways that respect the independence, subjectivity, and becoming of each. Above all, this is a theological ethics of sexual difference that centers on Jesus Christ, who is defined as the middle term in every relationship and whose love command defines the encounter between man and woman in difference.

C. S. Lewis famously penned the phrase “God in the Dock” and proposed that there was a “great divide” between ancient and modern humans, in that our ancestors would have rightly seen themselves “in the dock” before God, while we moderns have placed God there before us. But what if what God's love most desires for us, the gospel or “good news” of the only way of life for humanity, has been “in the dock” before us from the time of Adam and Eve? And what if it is also the case that the gospel is often “in the dock” as though it is not good—even for the church? This book builds upon and expands the “life and death” stakes Lewis proposed by demonstrating that the gospel way of faith itself has been placed in the dock by us and in many ways ruined our relationships with God, with our own selves, with one another, and even with the natural world itself which we are meant to “steward” for its good. In these pages the reader will discover why the gospel that requires faith is good news, but why we so tragically default to our divisive and self-destructive ways.