Love Song To A Long Gone Time

OF WHAT FUTURE ARE THESE THE WILD, EARLY DAYS? An exploration of the role that artists play in resisting authoritarianism with a sci-fi twist. In poetry, dialogue and visual art the book follows two wandering poets as they make their way from village to village, across a prison colony moon full of exiled rebels, robots, and storytellers. Part post-apocalyptic road journal, part alternate universe history of Hip Hop, and part “Letters to a Young Poet”-style toolkit for emerging poets and aspiring movement-builders, it's also a one-of-a-kind practitioners' take on poetry, power, and possibility. NOT A LOT OF REASONS TO SING is a: -post-apocalyptic road journal -alternate universe history of Hip Hop -“Letters to a Young Poet” -toolkit for emerging poets and aspiring movement-builders it's also a one-of-a-kind practitioners' take on poetry, power, and possibility.

John Brooker writes in his Introduction: "B westerns have always been part of my life. I decided ... to tour the US by Greyhound bus and try and track down some of my childhood heroes." From that and subsequent trips, Brooker began to write books, magazine columns, and even a TV series ("Movie Memories"). This book contains his interviews with the actors and other research on the B westerns. Fully illustrated.

This anthology was compiled to aid the scholar working on the origins and evolution of jazz. Covering materials published through 1929, it also begins with article from 1859 which do not concern jazz directly, but will serve to present a solid foundation for understanding the American music scene from which jazz developed. Chronologically listed and well-indexed, the hundreds of articles comprise, in effect, a history of jazz as it evolved. Beginning with accounts of Negro music in the pre-jazz era, continuing in an exploration of spirituals, followed by a description of ragtime, we finally learn about the development of jazz from its practitioners and informed audiences of the time.

"A compassionate yet clear-eyed" (Washington Post) portrait of country music’s founding father and "Hillbilly King." Mark Ribowsky’s Hank has been hailed as the "greatest biography yet" (Library Journal, starred review) of the beloved icon. Hank Williams, a frail, flawed man who had become country music’s first real star, instantly morphed into its first tragic martyr when he died in the backseat of a Cadillac at the age of twenty-nine. Six decades later, Ribowsky traces the miraculous rise of this music legend?from the dirt roads of rural Alabama to the now-immortal stage of the Grand Ole Opry, and, finally, to a lonely end on New Year’s Day in 1953. Examining Williams’s chart-topping hits while also re-creating days and nights choked in booze and desperation, Hank uncovers the real man beneath the myths, reintroducing us to an American original whose legacy, like a good night at the honkytonk, promises to carry on and on.