Love Steals Us From Loneliness

A play about the stupid things you do when you're f cked. A night out. Friends, alcohol, a shit club, a strop - the usual. But tonight is different. Tonight will change things forever. With Love Steals us from Loneliness, Gary Owen, one of Wales's foremost playwrights, returns to his hometown of Bridgend. The media have told us their Bridgend story, but what will a writer who spent his own teenage years here have to say?

And every so often I find something. Washed up on the shore. Something lost. Something old. Something broken. Something in need of repair. And I'd bring it back here. I'd bring it home. In a house a few miles from the Carmarthenshire coast a mother battles to keep her family together. But when an old acquaintance unexpectedly arrives he awakens her children's need to escape. “This one was a great find. It's made of glass look, and amazingly it hadn't smashed when it was lost at sea, even though it's so delicate.” A new Welsh play produced by Chippy Lane Productions, a theatre company championing Welsh and Wales-based creatives.

In Killology, players are rewarded for torturing victims, scoring points for “creativity”. But Killology isn’t sick. In fact it’s marketed by its millionaire creator as a deeply moral experience. Because yes, you can live out your darkest fantasies, but you don’t escape their consequences. Out on the streets, not everybody agrees with him. “There is an instinctive revulsion against taking a human life. And that revulsion can be conquered.”

The new collection of plays from multi-award-winning playwright Gary Owen. Includes the plays: Violence and Son, Iphigenia in Splott, Blackthorn, In the Pipeline, Mrs Reynolds and the Ruffian, Love Steals Us From Loneliness and Mum & Dad Violence and Son: People know, you're my boy. And they know better than to lay a fucking finger on you. See? You are safer here with me, than you have ever been.' Liam's 17 years old, loves Dr Who and has lost his mum. He has had to move from London to Wales, to the valleys, to the middle of nowhere, to live with a dad he doesn't know. Whose nickname isn't Violence for nothing. Iphigenia in Splott: What gets me through is knowing I took this pain, and saved all of you from suffering the same.' Stumbling down Clifton Street at 11:30 a.m. drunk, Effie is the kind of girl you'd avoid eye contact with, silently passing judgement. We think we know her, but we don't know the half of it. Effie's life spirals through a mess of drink, drugs and drama every night, and a hangover worse than death the next day - till one night gives her the chance to be something more. This powerful new adaptation of the enduring Greek myth drives home the high price people pay for society's shortcomings. Blackthorn: Kate and Tom with their troubled daughter Evie decide to leave the London rat race and start afresh in the peace of the countryside. They buy a farmhouse in Wales... Watch the drama unfold. Blackthorn is a darkly comic new play by Gary Owen about the clash between the newcomers with their expectations and the way of life a Welsh farmer holds dear . . . In the Pipeline: A massive liquid gas line tears through the countryside of west Wales. Gary Owen opens the doors to three of the residents in the port of Milford Haven, Andrew, Dai and Joan, who are caught in the path of this terrifying phenomenon. Mrs Reynolds and the Ruffian: Friendships grow in the most unlikely of places. Mrs Reynolds is a little old lady. Jay is a troubled youth. When he vandalises her lovingly tended garden, the authorities send him back to help her fix it. It seems a recipe for disaster - but human beings are more complex than the headlines. Love Steals us from Loneliness: A play about the stupid things you do when you're f*cked. A night out. Friends, alcohol, a shit club, a strop - the usual. But tonight is different. Tonight will change things forever. Gary Owen, one of Wales's foremost playwrights, returns to his hometown of Bridgend. The media have told us their Bridgend story, but what will a writer who spent his own teenage years here have to say?

I thought I would be grafting and working on it. Pursuing it until I breathed my last breath. My ambition and drive was that concrete. But ambition will... Ambition will kill you. The spark is instant. Miles away from home they find each other. They were going to make it big, together. Fast forward years later, a world reset and changed forever they return to where they left it. One an award-winning writer, the other adopting a child and putting faith in crystals. The spark is still there, electric and dangerous. But how do you heal once you've been burned? Right Where We Left Us is a lyrical and witty three-hander and a heartfelt examination of what happens instead of “happy ever after”. A new Welsh play produced by Welsh theatre makers Chippy Lane Productions, this edition was published to coincide with the world premiere at the Chapter Arts Centre, in September 2022.

Monologues are an essential part of every actor's toolkit. Actors are required to perform monologues regularly throughout their career: preparing for drama school entry, showcasing skills for agents or auditioning for a role. Following on from the bestselling first volume (2008), this book showcases selected monologues from some of the finest modern plays by some of today's leading contemporary playwrights. These monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries. The pieces are helpfully organised into age-specific groups: 'Teens', 'Twenties', 'Thirties' and 'Forties plus'.

Monologues are an essential part of every actor’s toolkit. Actors are required to perform monologues regularly throughout their career: preparing for drama school entry, showcasing skills for agents or auditioning for a role. Following on from the bestselling first volume (2008), this book showcases selected monologues from some of the finest modern plays by some of today’s leading contemporary playwrights. These monologues contain a diverse range of quirky and memorable characters that cross cultural and historical boundaries. The pieces are helpfully organised into age-specific groups: ‘Teens’, ‘Twenties’, ‘Thirties’ and ‘Forties plus’.

I think I want you to hurt. I'm sorry but that's what I want. I want you to really hurt. Rebecca and Paul are running away. Away from memories and mistakes. They're trying to save their relationship. They need time and space. An isolated house in the country is the perfect place to work things out. They set themselves rules: they have to be honest, they have to listen and they have to be fair. But you can't run forever. Especially when you're being followed. Black Mountain is a tense psychological thriller about betrayal and forgiveness by winner of the Harold Pinter Commission Brad Birch. A Paines Plough, Theatr Clwyd and Orange Tree Theatre production, Black Mountain was first performed at Theatre Clwyd, Mold, in July 2017.