Loveless Love

In The Wave , a young man falls dangerously in love with the tenant downstairs, who is engaged to be married; in The Signorina , a flirtatious young woman is caught between her feelings and her parents desire for a good match; in A Friend to the Wives , the peerless Pia Tolosani leaves a trail of regret in the life of a former suitor.In this collection of stories Pirandello s first published work of fiction the master of Italian modernism dissects the passions that are either dimly felt or unrequited, ultimately raising doubts about the very nature and existence of love, while simultaneously foreshadowing the themes and the psychologically nuanced characters that he would go on to develop in his later works. ABOUT THE SERIES: The 101 Pages series has been created with the aim of redefining and enriching the classics canon by promoting unjustly neglected works of enduring significance. These texts have been treated with a fresh editorial approach, and are presented in an elegantly designed format.

Everyone has a story, a special love story with its own happy or sad ending. Similarly, I also had a story that brought me to a point where I had to stay or leave forever. I don’t know if it was fortunate or unfortunate, but I really wanted to experience this type of love in my life… the love that got its birth seed via technology. This is a story that can be similar to yours in one or many aspects. This is a story of young individuals like me who remain busy in their professional life, but always wish to find the perfect balance in their personal, professional, and love life. We, the busy bees always want to know how and when to keep moving on or give a pause to our life. I chose to write this story for you, for me and everyone who is just like us and I am sure you would cherish every moment of my life while reading my story ‘The Loveless Love’. When my own shadow will leave me, In the dark and sad moments, Then why should I expect from you, To stay with me forever!

For fans of Love, Simon and I Wish You All the Best, a funny, honest, messy, completely relatable story of a girl who realizes that love can be found in many ways that don't involve sex or romance. From the marvelous author of Heartstopper comes an exceptional YA novel about discovering that it's okay if you don't have sexual or romantic feelings for anyone... since there are plenty of other ways to find love and connection. This is the funny, honest, messy, completely relatable story of Georgia, who doesn't understand why she can't crush and kiss and make out like her friends do. She's surrounded by the narrative that dating + sex = love. It's not until she gets to college that she discovers the A range of the LGBTQIA+ spectrum -- coming to understand herself as asexual/aromantic. Disrupting the narrative that she's been told since birth isn't easy -- there are many mistakes along the way to inviting people into a newly found articulation of an always-known part of your identity. But Georgia's determined to get her life right, with the help of (and despite the major drama of) her friends.

From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.