Loving Our Own Bones

A transformative spiritual companion and deep dive into disability politics that reimagines disability in the Bible and contemporary culture A 2024 National Jewish Book Award winner and essential read on disability, spirituality, and social justice “What’s wrong with you?” Scholar, activist, and rabbi Julia Watts Belser is all too familiar with this question. What’s wrong isn’t her wheelchair, though—it’s exclusion, objectification, pity, and disdain. Our attitudes about disability have such deep cultural roots that we almost forget their sources. But open the Bible and disability is everywhere. Moses believes his stutter renders him unable to answer God’s call. Jacob’s encounter with an angel leaves him changed not just spiritually but physically: he gains a limp. For centuries, these stories have been told and retold in ways that treat disability as a metaphor for spiritual incapacity or as a challenge to be overcome. Through fresh and unexpected readings of the Bible, Loving Our Own Bones instead paints a luminous portrait of what it means to be disabled and one of God’s beloved. Belser delves deep into sacred literature, braiding the insights of disabled, feminist, Black, and queer thinkers with her own experiences as a queer disabled Jewish feminist. She talks back to biblical commentators who traffic in disability stigma and shame. What unfolds is a profound gift of disability wisdom, a radical act of spiritual imagination that can guide us all toward a powerful reckoning with each other and with our bodies. Loving Our Own Bones invites readers to claim the power and promise of spiritual dissent, and to nourish their own souls through the revolutionary art of radical self-love.

A transformative spiritual companion and deep dive into disability politics that reimagines disability in the Bible and contemporary culture An essential read that will foster and enrich conversations about disability, spirituality, and social justice “What’s wrong with you?” Scholar, activist, and rabbi Julia Watts Belser is all too familiar with this question. What’s wrong isn’t her wheelchair, though—it’s exclusion, objectification, pity, and disdain. Our attitudes about disability have such deep cultural roots that we almost forget their sources. But open the Bible and disability is everywhere. Moses believes his stutter renders him unable to answer God’s call. Jacob’s encounter with an angel leaves him changed not just spiritually but physically: he gains a limp. For centuries, these stories have been told and retold in ways that treat disability as a metaphor for spiritual incapacity or as a challenge to be overcome. Through fresh and unexpected readings of the Bible, Loving Our Own Bones instead paints a luminous portrait of what it means to be disabled and one of God’s beloved. Belser delves deep into sacred literature, braiding the insights of disabled, feminist, Black, and queer thinkers with her own experiences as a queer disabled Jewish feminist. She talks back to biblical commentators who traffic in disability stigma and shame. What unfolds is a profound gift of disability wisdom, a radical act of spiritual imagination that can guide us all toward a powerful reckoning with each other and with our bodies. Loving Our Own Bones invites readers to claim the power and promise of spiritual dissent, and to nourish their own souls through the revolutionary art of radical self-love.

Julia Watts Belser gets stopped by strangers wanting to know what's wrong with her. But what's wrong isn't her wheelchair -- it's exclusion, objectification, pity and disdain. These attitudes about disability have such deep cultural roots we almost forget their sources. But open the Bible and disability is everywhere. Moses stutters and thinks himself unable to answer God's call. Jacob wrestles with an angel and limps forever after. Jesus heals the sick, the blind, the paralysed and the possessed. For centuries, these stories have been told and retold by commentators who treat disability as misfortune, as a metaphor for spiritual incapacity, or as a challenge to be overcome. Loving Our Own Bones turns that perspective on its head. Part spiritual companion and part political manifesto, this book cuts through objectification and inspiration alike to offer a powerful new account of disability in biblical narrative and contemporary culture. Drawing on her unique expertise as a scholar, rabbi, and disability activist, Julia Watts Belser reads biblical stories through her lived experience of life on wheels. Loving Our Own Bones shows how disability politics can help us challenge those lies -- and claim the power and promise of radical self-love.

‘A beautiful book.’ Zoë Ball Be it as Nicky Hutchinson in Our Friends In The North, Maurice in The A Word, or his reinvention of Doctor Who, one man, in life and death, has accompanied Christopher Eccleston every step of the way – his father Ronnie. In I Love The Bones Of You, Eccleston unveils a vivid portrait of a relationship that has shaped his entire career trajectory, mirroring and defining his own highs and lows, from stage and screen triumph to breakdown, anorexia, self-doubt, and a deep belief in the basic principles of access and equality denied to generations. The actor reveals how his background in Salford, and vision of a person, like millions, denied their true potential, shaped his desire to make drama forever entwined with the marginalised, the oppressed, and the outsider. Movingly, and in scenes sadly familiar to increasing numbers, Eccleston also describes how the tightening grip of dementia on his father slowly blinded him to his son’s existence, forcing a new and final chapter in their connection, and how ‘Ronnie Ecc’ still walks alongside him today. Told with trademark honesty and openness, I Love The Bones Of Youis a celebration of those on whom the spotlight so rarely shines, as told by a man who found his voice in its glare. A love letter to one man, and a paean to many. ‘My father was an “ordinary man”, which of course means he was extraordinary. I aim to capture him and his impact on my life and career.’ - Christopher Eccleston

In seven nine-part poems gathered from throughout her illustrious career, Lambda award winner Judy Grahn once again demonstrates her mastery of form. Using lamentations as her uniting medium, these transgressive poems seek to sound an alarm or name the unnamable, all in a movement towards the goal of possible social change.

An African tightrope walker who can’t die gets embroiled in a secret society’s deadly gladiatorial tournament in this “bloodily spectacular” (Chloe Gong, New York Times bestselling author of These Violent Delights) historical fantasy set in an alternate 1880s London, perfect for fans of The Last Magician and The Gilded Wolves. As an African tightrope dancer in Victorian London, Iris is used to being strange. She is certainly an unusual sight for leering British audiences always eager for the spectacle of colonial curiosity. But Iris also has a secret that even “strange” doesn’t capture…​ She cannot die. Haunted by her unnatural power and with no memories of her past, Iris is obsessed with discovering who she is. But that mission gets more complicated when she meets the dark and alluring Adam Temple, a member of a mysterious order called the Enlightenment Committee. Adam seems to know much more about her than he lets on, and he shares with her a terrifying revelation: the world is ending, and the Committee will decide who lives…and who doesn’t. To help them choose a leader for the upcoming apocalypse, the Committee is holding the Tournament of Freaks, a macabre competition made up of vicious fighters with fantastical abilities. Adam wants Iris to be his champion, and in return he promises her the one thing she wants most: the truth about who she really is. If Iris wants to learn about her shadowy past, she has no choice but to fight. But the further she gets in the grisly tournament, the more she begins to remember—and the more she wonders if the truth is something best left forgotten.

"Rabbinic Tales of Destruction examines early Jewish accounts of the Roman conquest of Jerusalem from the perspective of the wounded body and the scarred land. Amidst stories saturated with sexual violence, enslavement, forced prostitution, disability, and bodily risk, the book argues that rabbinic narrative wrestles with the brutal body costs of Roman imperial domination. It brings disability studies, feminist theory, and new materialist ecological thought to accounts of rabbinic catastrophe, revealing how rabbinic discourses of gender, sexuality, and the body are shaped in the shadow of empire. Focusing on the Babylonian Talmud's longest account of the destruction of the Second Temple, the book reveals the distinctive sex and gender politics of Bavli Gittin. While Palestinian tales frequently castigate the "wayward woman" for sexual transgressions that imperil the nation, Bavli Gittin's stories resist portraying women's sexuality as a cause of catastrophe. Rather than castigate women's beauty as the cause of sexual sin, Bavli Gittin's tales express a strikingly egalitarian discourse that laments the vulnerability of both male and female bodies before the conqueror. Bavli Gittin's body politics align with a significant theological reorientation. Bavli Gittin does not explain catastrophe as divine chastisement. Instead of imagining God as the architect of Jewish suffering, it evokes God's empathy with the subjugated Jewish body and forges a sharp critique of empire. Its critical discourse aims to pierce the power politics of Roman conquest, to protest the brutality of imperial dominance, and to make plain the scar that Roman violence leaves upon Jewish flesh"--

This book analyzes rabbinic responses to drought and disaster, revealing how the Talmudi grapples with problems of power, ethics, and ecology in Jewish late antiquity.