Lyle Saxon

"[Harvey's] use of Saxon's letters . . . provide a unique and objective way of analyzing this fascinating individual while allowing Saxon to speak for himself." -Louisiana Libraries "Pays him the respect he deserves and uncovers the essential loneliness of the most convivial of men." -New Orleans Times-Picayune "Saxon's life makes an interesting story and Harvey's prose brings it fully to life." -Brookhaven Daily Leader Here is the first full biography of the legendary writer known as Mr. Louisiana and Mr. New Orleans. Lyle Saxon's life was colorful, busy, and full of contrasts. He presented himself as the perfect Southern gentleman, but he grew up fatherless in modest circumstances. As host of a French Quarter salon, Saxon dispensed drinks, anecdotes, loans, and advice to many friends, including William Faulkner, Oliver La Farge, and Sherwood Anderson, yet he was often lonely and retreated to his solitary cabin at Melrose Plantation. While Saxon was ambivalent toward his work with the WPA Writers' Project, begrudging the time it took from his own writing, the Louisiana division was, under his direction, the most productive in the United States. Though Saxon's history books bought him fame and a place in New York literary circles, he was deeply insecure about his talent and mourned his inability to write novels. A Southern-literature scholar and a longtime fan of Lyle Saxon, Professor Harvey has researched the facts behind Saxon myths and presents the reality behind his legend. This volume also contains excerpts from Saxon's correspondence with family and friends, including letters from Grace King, William Spratling, and Sherwood Anderson. Lyle Saxon wrote history books, Father Mississippi, Old Louisiana, Fabulous New Orleans, and Lafitte the Pirate; a novel, Children of Strangers; and a memoir, The Friends of Joe Gilmore. He was a coauthor of the folklore collection Gumbo Ya-Ya. All are available from Pelican.

Proud mulatto colony ostracizes girl, who sacrifices everything for her white child.

This classic reprint evokes a city steeped in the traditions and idiosyncrasies of three cultures--French, Spanish, and American. Known widely as one of Louisiana's great writers, Lyle Saxon documented many of the quirks and mysteries of New Orleans. His narratives include a vivid picture of Mardi Gras as seen through the eyes of a young boy, a brief history of the city, and accounts of strange and remarkable events, including the great Mississippi flood of 1927, the year of the great plague, and a voodoo cult ceremony. By any standards, New Orleans is a unique city, and Saxon depicts it unadorned, with all its flaws and glories.

A fascinating volume, Old Louisiana chronicles much of the state's history. Vignettes depict the early French settlers, the later Spanish rulers, and the rise and collapse of the great plantation era. Bringing to light old diaries, letters, and other rare sources, Saxon creates a sensitive and realistic portrait of this charming, colorful state and its people. The reader meets daring pioneers, hot-tempered duellists, aristocratic planters, rough-hewn river men, and Creole beauties. Both of these classic works include E. H. Suydam's haunting, detailed illus-trations, which bring Saxon's prose to life. Lyle Saxon (1891-1946) is renowned as one of Louisiana's foremost authors. He was the central figure in the state's literary community during the 1920s and 1930s, and was well-known as a raconteur and bon vivant. He divided his time between his house in New Orleans and a cottage on the Melrose Plantation near Nachitoches. Among his other works are Father Mississippi, Lafitte the Pirate, Children of Strangers, and Joe Gilmore and His Friends . He collaborated with Edward Dreyer and Robert Tallant on the perennial favorite Gumbo Ya-Ya . During the 1930s he headed the Louisiana WPA Writers Project, which produced the WPA Guide to Louisiana and the WPA Guide to New Orleans.

No fictional swashbuckler could ever rival Jean Lafitte's dramatic life. From his hidden base in the Louisiana swamps at Barataria Bay, Lafitte mounted daring raids on ships in the Gulf of Mexico. His battles with the law were the stuff of legend: when Governor Claiborne of Louisiana offered a reward for the buccaneer's capture, Lafitte responded with a bigger reward for the governor! But when the British asked for his help in their invasion of Louisiana during the War of 1812, the pirate instead joined forces with Andrew Jackson to win the Battle of New Orleans. Later, the brigand moved his operation to Galveston and harried Mexican vessels in support of the Texans seeking independence. Lyle Saxon's superbly written account examines Lafitte's fascinating career, and frees the truth of the pirate's life from the web of fantastic myths which grew up around him. Did Lafitte participate in the French Revolution as a lad? What was his role in the plot to rescue Napoleon from his exile on St. Helena? And where is Lafitte's treasure hidden? Lafitte the Pirate is a classic work which will appeal to both adventure lovers and students of Louisiana history.

As Lyle Saxon writes in his introduction: "This book is not a history of the Mississippi River in the strict sense of the word, although I have outlined the discovery, the exploration, and the settlement of the valley�but this volume is like a scrap-book in which I have collected men�s thoughts, my own thoughts. These incidents seem to me informative, or amusing, or terrible, or tragic, or fantastic, but they are all a part of the living pageant which moved down the river through the changing years." First published in 1927, Father Mississippi contains accounts of those who lived their lives along the Mississippi River, and documents the first ripple in a wave of tremendous changes that took place in its environment. Over 70 years later, Father Mississippi still stands as an important history of the floods of 1927, most often remembered for their far-reaching impact on the cities along the Mississippi River, and the devastation they caused to towns in the southern Mississippi River Valley region. The accounts provide easy reading while acquainting the audience with characters such as Father Hennepin and Molly Glass, the murderess, who speak in their own words. Photos of life along the river and of the floods accompany these captivating excerpts.

Folklore Recycled starts from the proposition that folklore—usually thought of in its historical social context as “oral tradition”—is easily appropriated and recycled into other contexts. That is, writers may use folklore in their fiction or poetry, taking plots, as an example, from a folktale. Visual artists may concentrate on depicting folk figures or events, like a ritual or a ceremony. Tourism officials may promote a place through advertising its traditional ways. Folklore may play a role in intellectual conceptualizations, as when nationalists use folklore to promote symbolic unity. Folklore Recycled discusses the larger issue of folklore being recycled into non-folk contexts, and proceeds to look at a number of instances of repurposing. Colson Whitehead's novel John Henry Days is a literary text that recycles folklore but does so in a manner which examines a number of other uses of the American folk figure John Henry. The nineteenth-century members of the Louisiana branch of the American Folklore Society and the author Lyle Saxon in the twentieth century used African American folklore to establish personal connections to the world of the southern plantation and buttress their own social status. The writer Lafcadio Hearn wrote about folklore to strengthen his insider credentials wherever he lived. Photographers in Louisiana leaned on folklife to solidify local identity and to promote government programs and industry. Promoters of “unorthodox” theories about history have used folklore as historical document. Americans in Mexico took an interest in folklore for acculturation, for tourism promotion, for interior decoration, and for political ends. All of the examples throughout the book demonstrate the durability and continued relevance of folklore in every context it appears.