M F K Fisher S Provence

Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later discovered by Luke Barr, her great-nephew. In Provence, 1970, he captures this seminal season, set against a stunning backdrop in cinematic scope—complete with gossip, drama, and contemporary relevance.

This volume brings together two delightful books—Map of Another Town and A Considerable Town—by one of our most beloved food and travel writers. In her inimitable style, here M.F.K. Fisher tells the stories—and reveals the secrets—of two quintessential French cities. Map of Another Town, Fisher’s memoir of the French provincial capital of Aix-en-Provence is, as the author tells us, “my picture, my map, of a place and therefore of myself,” and a vibrant and perceptive profile of the kinship between a person and a place. Then, in A Considerable Town, she scans the centuries to reveal the ancient sources that clarify the Marseille of today and the indestructible nature of its people, and in so doing weaves a delightful journey filtered through the senses of a profound writer.

Enjoy M.F.K. Fisher's strong sense of place and deep love of Provence with this collection of rich, gorgeous photographs paired with some of Fisher's best-known essays. M.F.K. Fisher’s Provence highlights Fisher’s Celtic eye for detail with a comparison of Aix-en-Provence, a university town, the site of an international music festival and the former capital of Provence, and Marseille, the port town. Fisher’s description of the sights and smells belonging to an Aix bakery shop window is her Platonic ideal of a bakery shop to be found anywhere in France, for example, with its “delicately layered” scents of “fresh eggs, fresh sweet butter, grated nutmeg, vanilla beans, old kirsch and newly ground almonds.” Then, there is her portrayal of the sounds of Aix’s fountains mixed with the music of Mozart during the town’s festival, leaving her bedazzled. She would return again and again to stroll the narrow streets of Aix with two young daughters who “seemed to grow like water-flowers under the greening buds of the plane trees.” It is the quality of Fisher’s writing that inspired photographer Aileen Ah-Tye to look for her Provence. In a letter to Fisher, Aileen would report back from Marseille: “The eels and the prickly rascasse were exotique to my San Francisco eyes, the smells as pungent as you can get, and . . . miracle of all miracles . . . the men and women on the docks were exactly as you described them.” Thus began a collaboration that illustrates Fisher’s passion for life and all its sensual pleasures that nourish the soul. “It’s difficult to pick out just one favorite travel book. But if I had to pick just one favorite, it wouldn’t exactly be a travel book, but rather a ‘being there’ book – and that is Two Towns in Provence by M.F.K. Fisher . . . [Reading it] was one of the turning moments in my life. She was writing about a café I’ve subsequently come to know very well in Aix-en-Provence called the Deux Garçons. I could smell it, and I could taste the little things she and her children were having at the time. And I thought, That’s where I want to be.” —Peter Mayle

Enjoy M.F.K. Fisher's strong sense of place and deep love of Provence with this collection of rich, gorgeous photographs paired with some of Fisher's best-known essays. M.F.K. Fisher’s Provence highlights Fisher’s Celtic eye for detail with a comparison of Aix-en-Provence, a university town, the site of an international music festival and the former capital of Provence, and Marseille, the port town. Fisher’s description of the sights and smells belonging to an Aix bakery shop window is her Platonic ideal of a bakery shop to be found anywhere in France, for example, with its “delicately layered” scents of “fresh eggs, fresh sweet butter, grated nutmeg, vanilla beans, old kirsch and newly ground almonds.” Then, there is her portrayal of the sounds of Aix’s fountains mixed with the music of Mozart during the town’s festival, leaving her bedazzled. She would return again and again to stroll the narrow streets of Aix with two young daughters who “seemed to grow like water-flowers under the greening buds of the plane trees.” It is the quality of Fisher’s writing that inspired photographer Aileen Ah-Tye to look for her Provence. In a letter to Fisher, Aileen would report back from Marseille: “The eels and the prickly rascasse were exotique to my San Francisco eyes, the smells as pungent as you can get, and . . . miracle of all miracles . . . the men and women on the docks were exactly as you described them.” Thus began a collaboration that illustrates Fisher’s passion for life and all its sensual pleasures that nourish the soul. “It’s difficult to pick out just one favorite travel book. But if I had to pick just one favorite, it wouldn’t exactly be a travel book, but rather a ‘being there’ book – and that is Two Towns in Provence by M.F.K. Fisher . . . [Reading it] was one of the turning moments in my life. She was writing about a café I’ve subsequently come to know very well in Aix-en-Provence called the Deux Garçons. I could smell it, and I could taste the little things she and her children were having at the time. And I thought, That’s where I want to be.” —Peter Mayle

Provence, 1970 is about a singular historic moment. In the winter of that year, more or less coincidentally, the iconic culinary figures James Beard, M.F.K. Fisher, Julia Child, Richard Olney, Simone Beck, and Judith Jones found themselves together in the South of France. They cooked and ate, talked and argued, about the future of food in America, the meaning of taste, and the limits of snobbery. Without quite realizing it, they were shaping today’s tastes and culture, the way we eat now. The conversations among this group were chronicled by M.F.K. Fisher in journals and letters—some of which were later discovered by Luke Barr, her great-nephew. In Provence, 1970, he captures this seminal season, set against a stunning backdrop in cinematic scope—complete with gossip, drama, and contemporary relevance.

This volume brings together two delightful books—Map of Another Town and A Considerable Town—by one of our most beloved food and travel writers. In her inimitable style, here M.F.K. Fisher tells the stories—and reveals the secrets—of two quintessential French cities. Map of Another Town, Fisher’s memoir of the French provincial capital of Aix-en-Provence is, as the author tells us, “my picture, my map, of a place and therefore of myself,” and a vibrant and perceptive profile of the kinship between a person and a place. Then, in A Considerable Town, she scans the centuries to reveal the ancient sources that clarify the Marseille of today and the indestructible nature of its people, and in so doing weaves a delightful journey filtered through the senses of a profound writer.

M.F.K. Fisher moved to Aix-en-Provence with her daughters after the Second World War. In Map of Another Town, she traces the history of this ancient and famous town, known for its tree-lined avenues, pretty fountains and ornate façades. Beyond the tourist sights, Fisher introduces us to its inhabitants: the waiters and landladies, down-and-outs and local characters all recovering from the affects of the war in a drastically new France. A companion piece to The Gastronomical Me, in this memoir Fisher finds herself alone, older and with two small children to care for, while at the same time discovering a sense of belonging and acceptance. This is an intimate portrait of a place, which is also a self-portrait. As Fisher writes: 'Here before me now is my picture, my map, of a place and therefore myself.'

The author writes about her passion for Marseilles--a city she has known for half a century--describing all aspects of past and present life in the ancient seaport