Mad Madame Lalaurie

The truth behind the legend of New Orleans’ infamous slave owner, madwoman, and murderess, portrayed in the anthology series, American Horror Story. On April 10, 1834, firefighters smashed through a padlocked attic door in the burning Royal Street mansion of Creole society couple Delphine and Louis Lalaurie. In the billowing smoke and flames they made an appalling discovery: the remains of Madame Lalaurie’s chained, starved, and mutilated slaves. This house of horrors in the French Quarter spawned a legend that has endured for more than one-hundred-and-fifty years. But what actually happened in the Lalaurie home? Rumors about her atrocities spread as fast as the fire. But verifiable facts were scarce. Lalaurie wouldn’t answer questions. She disappeared, leaving behind one of the French Quarter’s ghastliest crime scenes, and what is considered to be one of America’s most haunted houses. In Mad Madame Lalaurie, Victoria Cosner Love and Lorelei Shannon “shed light on what is fact and what is purely fiction in a tale that’s still told nightly on the streets of New Orleans” (Deep South Magazine).

Inside the "Most Haunted" House in New Orleans The legend of Madame Delphine Lalaurie, a wealthy society matron, has haunted the city of New Orleans for nearly two hundred years. When fire destroyed part of her home in 1834, the public was outraged to learn that behind closed doors Lalaurie routinely bound, starved, and tortured her slaves. Forced to flee the city, her guilt was unquestioned, and tales of her actions have become increasingly fanciful and grotesque over the decades. Even today, the Laulaurie house is described as the city 's "most haunted" during ghost tours. Carolyn Long, a meticulous researcher of New Orleans history, disentangles the threads of fact and legend that have intertwined over the decades. Was Madame Lalaurie a sadistic abuser? Mentally ill? Or merely the victim of an unfair and sensationalist press? Using carefully documented eyewitness testimony, archival documents, and family letters, Long recounts Lalaurie's life from legal troubles before the fire and scandal through her exile to France and death in Paris in 1849. Themes of mental illness, wealth, power, and questions of morality in a society that condoned the purchase and ownership of other human beings pervade the book, lending it an appeal to anyone interested in antebellum history. Long's ability to tease the truth from the knots of sensationalism is uncanny as she draws the facts from the legend of Madame Lalaurie's haunted house.

"A comedic meditation on what humans do to persist beyond their mortal lives, L'Immortalite is an inventive horror story that vividly brings to life the torrid landscape of old New Orleans."--Cover page [4].

On April 10, 1834, fire erupted at the mansion of wealthy, beautiful, twice-widowed socialite Madame Marie Delphine Lalaurie, a Creole of French and Irish heritage living on Royal Street in the famed French Quarter of New Orleans, Louisiana. First responders discovered seven slaves in the attic, victims of her torture chained to the mansion walls. Reports of hauntings and strange sights at the mansion have persisted through its 200 year history, with a long list of owners who each abandoned the house after a relatively short time, following a timeline of unfortunate events. At present, the Lalaurie Mansion is considered among the loveliest of homes in the United States of America, and reputed to be one of its most haunted, as well. Reeser conducts a spellbinding, poetic "ghost tour" through its chambers, exploring the real culture, cuisine, history, mythology and art unique to New Orleans, while at the same time creating an original story and fictional plot.--Amazon.com.

From 1910 to 1919, New Orleans suffered at the hands of a serial killer. The story has been the subject of short stories, novels, and the television series American Horror Story. But the full story of gruesome murders, accused innocents, public panic, the New Orleans Mafia, and a mysterious killer has never been written—until now. The Axeman broke into the homes of Italian grocers in the dead of night, leaving his victims in a pool of blood. Iorlando Jordano and his son Frank were wrongly accused of one of those murders; corrupt officials convicted them with coerced testimony. Miriam C. Davis here expertly tells the story of the search for the Axeman and of the exoneration of the Jordanos. She proves that the person suspected of being the Axeman was not the killer—and that the Axeman continued killing after leaving New Orleans in 1919.

STRONGNamed one of the Top 10 Books of 2008 by The Times-Picayune. STRONGWinner of the 2009 Humanities Book of the Year award from the Louisiana Endowment for the Humanities.STRONG STRONGAwarded the New Orleans Gulf South Booksellers Association Book of the Year Award for 2008. New Orleans is the most elusive of American cities. The product of the centuries-long struggle among three mighty empires--France, Spain, and England--and among their respective American colonies and enslaved African peoples, it has always seemed like a foreign port to most Americans, baffled as they are by its complex cultural inheritance. The World That Made New Orleans offers a new perspective on this insufficiently understood city by telling the remarkable story of New Orleans's first century--a tale of imperial war, religious conflict, the search for treasure, the spread of slavery, the Cuban connection, the cruel aristocracy of sugar, and the very different revolutions that created the United States and Haiti. It demonstrates that New Orleans already had its own distinct personality at the time of Louisiana's statehood in 1812. By then, important roots of American music were firmly planted in its urban swamp--especially in the dances at Congo Square, where enslaved Africans and African Americans appeared en masse on Sundays to, as an 1819 visitor to the city put it, &“rock the city.&” This book is a logical continuation of Ned Sublette's previous volume, Cuba and Its Music: From the First Drums to the Mambo, which was highly praised for its synthesis of musical, cultural, and political history. Just as that book has become a standard resource on Cuba, so too will The World That Made New Orleans long remain essential for understanding the beautiful and tragic story of this most American of cities.

In this book Tiya Miles explores the popular yet troubling phenomenon of "ghost tours," frequently promoted and experienced at plantations, urban manor homes, and cemeteries throughout the South. As a staple of the tours, guides entertain paying customers by routinely relying on stories of enslaved black specters. But who are these ghosts? Examining popular sites and stories from these tours, Miles shows that haunted tales routinely appropriate and skew African American history to produce representations of slavery for commercial gain. "Dark tourism" often highlights the most sensationalist and macabre aspects of slavery, from salacious sexual ties between white masters and black women slaves to the physical abuse and torture of black bodies to the supposedly exotic nature of African spiritual practices. Because the realities of slavery are largely absent from these tours, Miles reveals how they continue to feed problematic "Old South" narratives and erase the hard truths of the Civil War era. In an incisive and engaging work, Miles uses these troubling cases to shine light on how we feel about the Civil War and race, and how the ghosts of the past are still with us.

Reproduction of the original: Strange True Stories of Louisiana by George W. Cable