Madame Bovary Routledge Revivals

Madame Bovary ranks among the world’s most famous and widely read novels, and has inspired numerous critical theories. First published in 1987, this study draws on both twentieth-century and traditional critical views to provide both students and scholars with a fresh analysis of the novel: its narrative techniques, social background, and underlying structures. By setting the novel in an historical context, and exploring the ways in which it offers a hinge between romanticism and realism, the book establishes a framework through which the reader can assess questions of narrative strategy, of symbolic patterning and most importantly, parody and pastiche. Throughout Madame Bovary, Rosemary Lloyd argues, a series of intertwining voices challenge assumptions about the nature of narrative and the relationship between reader and writer. This reissue will provoke and stimulate debate among students and lecturers in French and English literature, for whom Madame Bovary is a key text in the development of the novel.

Madame Bovary ranks among the world’s most famous and widely read novels, and has inspired numerous critical theories. First published in 1987, this study draws on both twentieth-century and traditional critical views to provide both students and scholars with a fresh analysis of the novel: its narrative techniques, social background, and underlying structures. By setting the novel in an historical context, and exploring the ways in which it offers a hinge between romanticism and realism, the book establishes a framework through which the reader can assess questions of narrative strategy, of symbolic patterning and most importantly, parody and pastiche. Throughout Madame Bovary, Rosemary Lloyd argues, a series of intertwining voices challenge assumptions about the nature of narrative and the relationship between reader and writer. This reissue will provoke and stimulate debate among students and lecturers in French and English literature, for whom Madame Bovary is a key text in the development of the novel.

Irony in Film is the first book about ironic expression in this medium. We often feel the need to call films or aspects of them ironic; but what exactly does this mean? How do films create irony? Might certain features of the medium help or hinder its ironic potential? How can we know we are justified in dubbing any film or moment ironic? This book attempts to answer such questions, investigating in the process crucial and under-examined issues that irony raises for our understanding of narrative filmmaking. A much-debated subject in other disciplines, in film scholarship irony is habitually referred to but too seldom explored. Combining in-depth theorising with detailed close analysis, this pioneering study asks what ironic capacities films might possess, how film style may be used ironically, and what role intention should play in film interpretation. The proposed answers have significance for our understanding of not only ironic filmmaking, but the nature of expression in this medium.

First published in 1982, this title grew from a series of essays on various aspects of narrative style; the result is a finished product that melds literary theory with linguistic methodology. It is argued that, where linguistic theory intersects with literary theory, it is narrative that provides the crucial ‘experiment’ for deciding between a communication and a non-communication theory of language and, by extension, of literature. Chapters discuss such areas as subjectivity in direct and indirect speech, the absence of the narrator, and the development of narrative style. With a detailed introduction to the subject, this reissue will be of value to students of linguistics and literature with a particular interest in narrative style and linguistic theory.

Emma Bovary becomes bored with her life and embarks on an affair.

Considered an instant masterpiece, Gustave Flaubert?s Madame Bovary tells the story of Emma Bovary, the wife of a doctor who has an adulterous affair and lives beyond her financial means. This is the second book of the two-volume set.

A powerful and engrossing novel by Flaubert. It is the story of young and beautiful Emma who is married to a doctor named Charles Bovary. Dissatisfied with her marriage, Emma cheats on her husband by having love affairs with two men - Leon Dupuis and Rodolphe Boulanger. Her desires and frustrations eventually lead her to social disgrace, poor health and financial crisis. Poignant!