Madame Victoria

In 2001, a woman’s skeleton was found in the woods overlooking Montreal’s Royal Victoria Hospital. Despite an audit of the hospital’s patient records, a forensic reconstruction of the woman’s face, missing-person appeals, and DNA tests that revealed not only where she had lived, but how she ate, the woman was never identified. Assigned the name Madame Victoria, her remains were placed in a box in an evidence room and, eventually, forgotten. But not by Catherine Leroux, who constructs in her form-bending Madame Victoria twelve different histories for the unknown woman. Like musical variations repeating a theme, each Victoria meets her end only after Leroux resurrects her, replacing the anonymous circumstances of her death with a vivid re-imagining of her possible lives. And in doing so, Madame Victoria becomes much more than the story of one unknown and unnamed woman: it becomes a celebration of the lives and legacies of unknown women everywhere. By turns elegiac, playful, poignant, and tragic, Madame Victoria is an unforgettable book about the complexities of individual lives and the familiar ways in which they overlap.

Reproduction of the original.

Reprint of the original, first published in 1867.

Reprint of the original, first published in 1867.

Fiona Barclay, a child prodigy mathematician who has had great academic success, but who has had little social life until she turns twenty, meets the man who she believes is the one for her. Things go well until he goes back to Tanzania to continue his researches at the Olduvai Gorge. Something goes terribly awry and she believes she has lost the love of her life. Will she be able to recover from this and move forward with her life, or will she be haunted by memories for the rest of her life?