Made In Goatswood

A celebration of Ramsey Cambell Most acknowledge him as the greatest living writer of the horror tale in the English language. This volume contains all-new stories by seventeen admiring fellow-authors. All the stories are set in that ancient and fearful portion of England's Severn Valley which Mr. Campbell evoked in narratives such as "The Moon-Lens." Included in this book is a new story by him, his first Severn Valley yarn in decades. Published in conjunction with his trip to the United States. Eighteen stories, decorative map of the region, portrait of Ramsey Cambell, Introduction by the editor.

Arguably no American writer has had more of an impact on the modern horror scene than Howard Phillips Lovecraft, the man who created the Cthulhu Mythos, with its strange gods, eerie places, and forbidden books. But what sort of a man was Lovecraft, how did he create such a terrible universe, and where did his inspiration come from? Was it, as some have argued, based on esoteric knowledge forgotten or even denied to all sane people? In A Haunted Mind, Dr. Bob Curran explores what motivated Lovecraft—his personal life is just as strange as some of his creations—and drove him to create his terrible cosmos. Using both folklore and history, Dr. Curran investigates a wide variety of Lovecraftian mysteries. A word of warning: you may never look at Lovecraft—or the world—in exactly the same way again!

Presents a number of tales of the unreal and the supernatural, including "The Sentinels," "The Second Staircase," and "Made in Goatswood"

The Best New Horror has established itself as the world's premier annual, showcasing the talents of the very best writers working in the horror and dark fantasy field today. In this latest volume, the multi-award winning editor has once again chosen more than twenty terrifying tales of supernatural fear and psychological dread by some of the most acclaimed authors working in the genre. Along with the most comprehensive review of the year and a fascinating necrology, this is the book no horror fan can afford to miss.

This is a critical study of many of the leading writers of horror and supernatural fiction since World War II. The primary purpose is to establish a canon of weird literature, and to distinguish the genuinely meritorious writers of the past fifty years from those who have obtained merely transient popular renown. Accordingly, the author regards the complex, subtle work of Shirley Jackson, Ramsey Campbell, Robert Aickman, T.E.D. Klein, and Thomas Ligotti as considerably superior to the best-sellers of Stephen King, Clive Barker, Peter Straub, and Anne Rice. Other writers such as William Peter Blatty, Thomas Tryon, Robert Bloch, and Thomas Harris are also discussed. Taken as a whole, the volume represents a pioneering attempt to chart the development of weird fiction over the past half-century.

Ranging from the mysterious to pulp action to the Lovecraftian, this vivid collection of short fiction explores a world of radio heroes, masterful villains, and creatures from places unknown.

As the author of more than two dozen novels and hundreds of short stories, as well as essays, reviews, and columns, Ramsey Campbell is one of the most prolific writers in the field of horror literature. The consistently high level of quality in his work has resulted in every major award that weird fiction has to offer, including the Grand Master Award of the World Horror Convention, the Lifetime Achievement Award of the Horror Writers Association, and the Living Legend Award of the International Horror Guild. Strangely, though, relatively little criticism has been written about Campbell. In Ramsey Campbell: Critical Essays on the Modern Master of Horror, Gary William Crawford has assembled a collection of articles that examine the work of one of weird fiction’s most revered writers. These essays looks at a number of elements that characterize Campbell’s stories and novels, including comparisons to H.P. Lovecraft, who was an early inspiration; Campbell’s modern variations of Gothic fiction; his concept of evil; religious subtext in his fiction; and how adversities Campbell has faced have shaped his life and his work. In all, these essays pay homage to Campbell’s painstaking craftsmanship and show that there is much to be mined in his fiction. Because Campbell is so important in the genre of horror literature, this book serves as a much needed affirmation of his work. It will be of interest to scholars of supernatural fiction in general, but also to devoted fans of this major figure in weird fiction.