Madrid 1937

Few topics in 20th century history generate as much interest as the Spanish Civil War. These letter from the Abraham Lincoln Brigade take us back to a time when 2800 Americans took up arms and confronted Hitler's Condor Legion, Mussolini's Black Shirts, and Franco's fascist calvary on the battlefields of Spain. Here are their combat experiences, the love letters they wrote under fire, friendships formed among themselves and with their Spanish comrades, and reports of Madrid and Barcelona undergoing history's first saturation bombing of civilian targets. It was the eve of World War II, and these men and women saw first-hand the danger facing the world. Iadrid 1937 captures for the first time the thoughts, words and dreams of those who fought. More than a collection of separate letters, Madrid 1937 gathers letters from many hands to tell a group story. Richly illustrated with over 50 color and black and white plates, this chronicle enables the reader to travel with the volunteers through France and Spain; visit the beseiged city of Madrid and walk the streets of Barcelona under fascist bombardment; experience the chaos of battle and the excitement of celebrations behind the lines; stand beside nurses and doctors as they struggle to save the lives of the wounded; and encounter famous writers such as Ernest Hemingway and Langston Hughes. Madrid 1937 tells a story of epic proportion, the struggle of a volunteer army who chose to risk their lives in the struggle against Fascism.

The Struggle for Madrid is a study of the battles that were waged between the armies of the Spanish Republic and the armies of General Francisco Franco for the city of Madrid. It was this struggle, beginning with the collapse of Republican arms at Toledo in September, 1936, and ending with the victory of the Madrid armies at Guadalajara in March, 1937, that determined the duration and characteristics of the rest of the conflict. It was the central episode of the Spanish War. Due to international intervention, the Spanish struggle lost its purely national character and became at once a civil war of a profoundly Spanish type, a war of independence waged by a section of the Spanish people against German, Italian, and Moroccan armies, and a clash of supra national ideologies that aroused the deepest passions of peoples far removed from the immediate Spanish interests at stake. Although the passions aroused by the war distort contemporary accounts of the fighting, the totalities of these obstacles present no insurmountable barrier to a preliminary investigation of the Madrid battles. Such a study is best undertaken while many of the principal actors in the Madrid tragedy still live. If truth has been affronted the witnesses may yet speak, and from the debate margin of error will be reduced. Robert Colodny's groundbreaking cross of military history and political ambitions helps reduce the gap between fiction and fact.

Spain's Martyred Cities studies international reactions to the Spanish Civil War between the Battle of Madrid in November 1936 and the bombing of Guernica in April 1937. Many of the iconic events of the war belong to this key period, when international perceptions of the conflict were decisively shaped. The subject is approached through French and British newspapers and pamphlets, and events are linked to both their immediate press coverage and subsequent literary and artistic representations. For contemporaries, the aerial bombardments of Madrid, Guernica and other cities formed part of a single unbroken narrative. It was only later that Guernica acquired its perceived symbolic primacy. The language of 'martyrdom' was sometimes evoked in pro-Republican writing as a means of challenging Francoist claims to the religious and moral high ground. But the ur-text was The Martyrdom of Madrid (1937), a compilation of the posthumous, censored reports of the French correspondent Louis Delapree on the bombing of Madrid. Delapree's earliest reporting (July-October 1936) was from both the Nationalist and Republican zones, and is used to provide an introductory overview of the early stages of the war; he was an eyewitness of the aerial bombardments of Madrid in November 1936; subsequently, the posthumous publication of his writings created a major stir in Paris. Delapree's powerful and emotive writing provides a platform from which to discuss issues of press censorship and journalistic practice. It is notable for its initial impact, when publication in no less than five languages enabled it to reach writers as different as Virginia Woolf and Andre Malraux. This book shows that Delapree's reports were also an important catalyst in Picasso's artistic involvement in the war, culminating in his Guernica. Published in association with the Canada Blanch Centre for Contemporary Spanish Studies

The Struggle for Madrid is a study of the battles that were waged between the armies of the Spanish Republic and the armies of General Francisco Franco for the city of Madrid. It was this struggle, beginning with the collapse of Republican arms at Toledo in September, 1936, and ending with the victory of the Madrid armies at Guadalajara in March, 1937, that determined the duration and characteristics of the rest of the conflict. It was the central episode of the Spanish War. Due to international intervention, the Spanish struggle lost its purely national character and became at once a civil war of a profoundly Spanish type, a war of independence waged by a section of the Spanish people against German, Italian, and Moroccan armies, and a clash of supra national ideologies that aroused the deepest passions of peoples far removed from the immediate Spanish interests at stake. Although the passions aroused by the war distort contemporary accounts of the fighting, the totalities of these obstacles present no insurmountable barrier to a preliminary investigation of the Madrid battles. Such a study is best undertaken while many of the principal actors in the Madrid tragedy still live. If truth has been affronted the witnesses may yet speak, and from the debate margin of error will be reduced. Robert Colodny's groundbreaking cross of military history and political ambitions helps reduce the gap between fiction and fact.

When Spain exploded into civil war in July 1936, a conflict whose roots were deep in the Spanish past became the arena for the violent political passions that divided Europe north of the Pyrenees. Germany, Italy, and the Soviet Union intervened actively in the war, using Spain as a testing ground for their military equipment and techniques and their political ideologies. In this first in-depth study of the politics of the International Brigades in the Spanish Civil War, R. Dan Richardson views the Brigades in the wider context of both the complex political-military alignments of Loyalist Spain and the broader Soviet-Comintern strategy during the Popular Front era. While not denying the generous impulse that led many young men the world over to enlist in the cause of the Spanish Republic, he sees the Brigades primarily as instruments of communist policy. He argues that the directing force behind the enlistment, training, and deployment of the Brigades was the international communist organization—a compelling example of how the ends of propaganda and politics took precedence over military objectives. Using a wide array of sources in English, Spanish, French, Italian, and German, and a thorough analysis of the Brigades' own voluminous literary output, Richardson clearly shows that the Brigades were a significant political, ideological, and propaganda instrument, which was used effectively by the Comintern for its own purposes, not only in Spain but on the larger world stage.

The news media have given us potent demonstrations of the ambiguity of ostensibly truthful representations of public events. Jordana Mendelson uses this ambiguity as a framework for the study of Spanish visual culture from 1929 to 1939--a decade marked, on the one hand, by dictatorship, civil war, and Franco's rise to power and, on the other, by a surge in the production of documentaries of various types, from films and photographs to international exhibitions. Mendelson begins with an examination of El Pueblo Español, a model Spanish village featured at the 1929 International Exposition in Barcelona. She then discusses Buñuel's and Dalí's documentary films, relating them not only to French Surrealism but also to issues of rural tradition in the formation of regional and national identities. Her highly original book concludes with a discussion of the 1937 Spanish Pavilion, where Picasso's famed painting of the Fascist bombing of a Basque town--Guernica--was exhibited along with monumental photomurals by Josep Renau. Based upon years of archival research, Mendelson's book opens a new perspective on the cultural politics of a turbulent era in modern Spain. It explores the little-known yet rich intersection between avant-garde artists and government institutions. It shows as well the surprising extent to which Spanish modernity was fashioned through dialogue between the seemingly opposed fields of urban and rural, fine art, and mass culture.

The book presents various investigation into 20th-century European dictatorships, with its focus on Franco`s dictatorship and the Spanish Civil War. Francisco Franco’s dictatorship in Spain (1936/1939-1975/1978) was a modern form of authoritarianism, with a strong totalitarian period, like many other dictatorships of the time. Francoism occupies a place in history alongside other different dictatorships of its age, and a comparative analysis might prove to be a powerful tool in order to understand how, in the middle of the 20th century, such a repressive and authoritarian form of political control emerged. One of the most forgotten fascisms, which at the same time was influenced by and influenced other dictatorships, there are many aspects of the transnational connections of Francoism that remain under-researched. Following this methodology, thus, an attempt is made to situate Francoism in the context of the other dictatorships of the time, in an attempt to transcend explanations centered on the nation. The chapters cover groundbreaking topics such as the Spanish Civil War as one of the first total wars or Spanish fascism in context as one of the main European totalitarianisms. The chapters always have more than one dimension: they speak of interrelation, entanglement, collaboration and diffusion, and, in general, put the different dictatorships (essentially: Francoism, diverse Fascisms and Communism) in context and comparison.

Though more than half a century has passed since the Spaish Civil War began in 1936, it is still the subject of intense controversy. What was it that roused left wing sympathisers from all over the world to fight for a cause for which their governments would not give active support? In his famous history, Hugh Thomas presents an objective analysis of a conflict - where fascism and democracy, communism and Christianity, centralism and regionalism were all at stake - and which was a much an international civil war as a Spanish one.