Magdalene Poems

“Gorgeous, ferocious, lacerating, sexy, and profoundly compassionate.”—Michael Cunningham Magdalene imagines the biblical figure of Mary Magdalene as a woman who embodies the spiritual and sensual, alive in a contemporary landscape—hailing a cab, raising a child, listening to news on the radio. Between facing the traumas of her past and navigating daily life, the narrator of Magdalene yearns for the guidance of her spiritual teacher, a Christ figure, whose death she continues to grieve. Erotic, spirited, and searching for meaning, she is a woman striving to be the subject of her own life, fully human and alive to the sacred in the mortal world.

Until the age of twelve, Georgia Lee Kay-Stern believed she was Jewish — the story of her Cree birth family had been kept secret. Now she’s living on her own and attending first year university, and with her adoptive parents on sabbatical in Costa Rica, the old questions are back. What does it mean to be Native? How could her life have been different? As Winnipeg is threatened by the flood of the century, Georgia Lee’s brutal murder sparks a tense cultural clash. Two families wish to claim her for burial. But Georgia Lee never figured out where she belonged, and now other people have to decide for her.

Ingrid Maisch in this study of Mary Magdalene leads her readers throughout the centuries, developing the images of Mary current in each era, showing that she is always a bellwether for the image of woman at a particular time.

In this study, Gray examines the broadly neglected body of Victorian women's religious verse, showing how women of the period used an array of inventive literary strategies to construct and wield provocative forms of authority. Their deployment of biblical source, trope and genre transfigured Christian and lyric traditions.

Finalist for the Los Angeles Times Book Prize: “Thought-provoking, poignant, brutal, amusing, and always beautiful.”—Elizabeth Berg Hurrying through errands, attending a dying mother, helping her own child down the playground slide, the speaker in these poems wonders: what is the difference between the self and the soul? The secular and the sacred? Where is the kingdom of heaven? And how does one live in Ordinary Time—during those apparently unmiraculous periods of everyday trouble and joy?

Love is actually a being that lives through us and many dimensions, the most ancient traveler of all. Magdalene was inhabited by it, as was her sometime teacher, sometime disciple Jesus the Christ. Together they, perhaps more than anyone else, embodied the will of love through death, incarnations and movement through the solar abyss. They left a message for us, a portal, a passageway through which we can all travel. Join them and be partly human, partly divine, taste god in all its permutations and be transformed in the luminous mystery of their experience. This is not a scientific treatise or a brief respite in the flight from body to body. It is a call of awakening into the bright memory we all share. Come, dare this lyrical blasphemy.

Deep conflicts in Restoration England produced a torrent of satirical verse on the policies, manners, and morals of Charles II and his age. Almost every poet—impelled by motives ranging from venality to patriotism—took his turn at satirizing the establishment. These Poems on Affairs of State, as they came to be known, provide an inexhaustible and minute record of the times from every point of view. The first volume of the Yale Edition includes the most important pieces, published and unpublished, dealing with events from the restoration of Charles to the outbreak of the Popist Plot in 1678. It is fully annotated and illustrated from contemporary materials. George deForest Lord, associate professor of English at Yale University and Master of Trumbull College, is general editor of the series as well as editor of this first volume.

The poems of The Wild Rose Asylum give to the women of the Magdalen laundries a voice that sharpens the air. The testimonies rendered here are stark yet fiercely lyrical, bearing witness to generations of lost women and lost freedom.