Magical Beings Of Haida Gwaii

Based on ancient Haida narratives, this vibrantly illustrated children's book empowers young people and teaches them to live in harmony with nature. Haida Gwaii is home to a rich and vibrant culture whose origins date back thousands of years. Today, the Haida People are known throughout Canada and the world for their artistic achievements, their commitment to social justice and environmental protection, and their deep connection to the natural world. Embedded in Haida culture and drawn from ancient oral narratives are a number of Supernatural Beings, many of them female, who embody these connections to the land, the sea, and the sky. Magical Beings of Haida Gwaii features ten of these ancient figures and presents them to children as visually engaging, empowering, and meaningful examples of living in balance with nature. Developed by renowned Haida activist, lawyer, performer, and artist Terri-Lynn Williams-Davidson and Haida educator Sara Florence Davidson, this book challenges stereotypes, helps advance reconciliation, and celebrates Indigenous identity and culture.

"Out of Concealment presents the origin stories of the Haida Nation through the vibrant depiction of its female supernatural beings. Passed on from generation to generation through oral tradition, these stories are important historical narratives that illustrate the Haida's values, customs, rituals, and relationships with the earthly and metaphysical realms. This book features over thirty full-colour surreal photo collages by Haida artist, performer, and activist Terri-Lynn Williams-Davidson. Each image is accompanied by insightful, reflective text describing the being's place in Haida mythology. Out of Concealment encourages readers to see the feminine in the powerful land and seascapes of Haida Gwaii, through a worldview where the environment is worthy of respect, not to be dominated or exploited."--

Based on ancient Haida narratives, this vibrantly illustrated children's book empowers young people and teaches them to live in harmony with nature. Haida Gwaii is home to a rich and vibrant culture whose origins date back thousands of years. Today, the Haida People are known throughout Canada and the world for their artistic achievements, their commitment to social justice and environmental protection, and their deep connection to the natural world. Embedded in Haida culture and drawn from ancient oral narratives are a number of Supernatural Beings, many of them female, who embody these connections to the land, the sea, and the sky. Magical Beings of Haida Gwaii features ten of these ancient figures and presents them to children as visually engaging, empowering, and meaningful examples of living in balance with nature. Developed by renowned Haida activist, lawyer, performer, and artist Terri-Lynn Williams-Davidson and Haida educator Sara Florence Davidson, this book challenges stereotypes, helps advance reconciliation, and celebrates Indigenous identity and culture.

Featuring beautiful images of ten Haida Supernatural Beings, this colouring and activity book introduces children to ancient narratives that promote living in harmony with the natural world. With gorgeous, detailed colouring pages depicting ten strong female figures from ancient Haida narratives, this colouring and activity book is an engaging way for children to express their creativity and learn to connect with the land, sea, and sky. Developed by renowned Haida activist, lawyer, performer, and artist Terri-Lynn Williams-Davidson and Haida educator Sara Florence Davidson, this book is a companion to the bestselling picture book Magical Beings of Haida Gwaii, though it can be used independently--either for fun or as part of an educational curriculum for early primary grades. Each image is accompanied by a poem and a series of questions or writing prompts, teaching children about the symbolism contained in the images and the qualities each magical being represents.

In 1884, the Canadian government enacted a ban on the potlatch, the foundational ceremony of the Haida people. The tradition, which determined social structure, transmitted cultural knowledge, and redistributed wealth, was seen as a cultural impediment to the government’s aim of assimilation. The tradition did not die, however; the knowledge of the ceremony was kept alive by the Elders through other events until the ban was lifted. In 1969, a potlatch was held. The occasion: the raising of a totem pole carved by Robert Davidson, the first the community had seen in close to 80 years. From then on, the community publicly reclaimed, from the Elders who remained to share it, the knowledge that has almost been lost. Sara Florence Davidson, Robert’s daughter, would become an educator. Over the course of her own education, she came to see how the traditions of the Haida practiced by her father—holistic, built on relationships, practical, and continuous—could be integrated into contemporary educational practices. From this realization came the roots for this book.

NATIONAL BESTSELLER • WINNER OF THE GOVERNOR GENERAL'S LITERARY AWARD FOR NON-FICTION • WINNER OF THE WRITERS’ TRUST NON-FICTION PRIZE “Absolutely spellbinding.” —The New York Times The environmental true-crime story of a glorious natural wonder, the man who destroyed it, and the fascinating, troubling context in which this act took place. FEATURING A NEW AFTERWORD BY THE AUTHOR On a winter night in 1997, a British Columbia timber scout named Grant Hadwin committed an act of shocking violence in the mythic Queen Charlotte Islands. His victim was legendary: a unique 300-year-old Sitka spruce tree, fifty metres tall and covered with luminous golden needles. In a bizarre environmental protest, Hadwin attacked the tree with a chainsaw. Two days later, it fell, horrifying an entire community. Not only was the golden spruce a scientific marvel and a tourist attraction, it was sacred to the Haida people and beloved by local loggers. Shortly after confessing to the crime, Hadwin disappeared under suspicious circumstances and is missing to this day. As John Vaillant deftly braids together the strands of this thrilling mystery, he brings to life the ancient beauty of the coastal wilderness, the historical collision of Europeans and the Haida, and the harrowing world of logging—the most dangerous land-based job in North America.

All of nature argues about the forms of God, so people are sent as a reminder of all that God is, although they do not seem to understand the message themselves.

To produce this book, Cheryl Samuel travelled to Leningrad, Copenhagen, and London to examine the six robes in Europe. She also studied the robes housed in museums in Canada and the United States. In 1985, she reconstructed Chief Kotlean's robe, using information she had gathered from her study of the actual robes and Tikhanov's paintings. In the process, she resurrected an old weaving style no longer used by the Native people on the northern coast. Through her extensive and careful research, Cheryl Samuel makes an important contribution to the knowledge of early Indian weaving.