Malady Of Magicks

"Guxx Unfufadoo is my name. And killing wizards is my game!"Thus spoke the dreaded rhyming demon, come from the Netherhells, to munch a bunch of the great Ebenezum.Only it didnrs"t quite work out that way. Ebenezum lived, cursed by Guxx with a mighty curse that he should henceforth be allergic to magic.So Ebenezum and his hapless apprentice Wuntvor must journey to the City of Forbidden Delights to seek a cure. They find the road fraught with peril and dark magic, from tap-dancing dragons to enchanted chickens, slobbering trolls, winsome witches and sinister shrubbery.Itrs"s up to Wunt to see them through, to utter the sounds of power and speak the spells that will insure their health, wealth and continued life. It only he could remember the wordshellip;

A Wizard with a nose for magic gets a very bad head cold.

A Wizard with a nose for magic gets a very bad head cold.

When a wizard is unable to cure his malady of magicks, he sends his apprentice Wuntnor to seek aid in the distant land of the Eastern Kingdoms which are ripe with fiendish peril.

This dazzling new collection of off-the-wall fantasies features stories from the minds of the funniest writers in the field, including Esther Friesner, Neil Gaiman, Tom Holt, Paul di Filippo, Adam Roberts and Molly Brown. Here are 35 stories guaranteed to reassure us that the next-door world will be just as mad as this one. It includes a mix of brand-new stories and rare finds or forgotten gems, with a wide range of tales to suit every taste in humour. From the missionary plunged into the bizarre initiation rituals of a lost tribe to the bloke who thought magic would help his love life, from a wizard allergic to magic who sneezes his way into chaos to a man who finds his shoes have taken over control of his life, The Mammoth Book of Comic Fantasy unfalteringly turns fantasy and horror fiction on its head and makes magic into mayhem. A welcome new shot of comic genius in the sphere of fantasy fiction.

A MALADY OF MAGICKS "Guxx Unfufadoo is my name. And killing wizards is my game!" Thus spoke the dreaded rhyming demon, come from the Netherhells, to munch a bunch of the great Ebenezum.Only it didn't quite work out that way. Ebenezum lived, cursed by Guxx with a mighty curse that he should henceforth be allergic to magic.So Ebenezum and his hapless apprentice Wuntvor must journey to the City of Forbidden Delights to seek a cure. They find the road fraught with peril and dark magic, from tap-dancing dragons to enchanted chickens, slobbering trolls, winsome witches and sinister shrubbery.It's up to Wunt to see them through, to utter the sounds of power and speak the spells that will insure their health, wealth and continued life. It only he could remember the words... A MULTITUDE OF MONSTERS I've got you now, you wizardly pest, in my stomach you soon will rest! Thus spoke Guxx Unfufadoo to the mighty wizard, Ebenezum. The dreaded rhyming demon had cruelly cursed the mage with a malady of magicks and now he was determined that the suffering sorcerer never reach Vushta, the City of Forbodden Delights, where he might find a cure. A NIGHT IN THE NETHERHELLS In the conclusion of the Ebenezum trilogy, the wizard Ebenezum and his hapless apprentice, Wuntvor, must do everything in their power to save Vushta, City of Forbidden Delights, from Guxx, the rhyming demon.

This is the first study of Thomas Mann's landmark German modernist novel Der Zauberberg (The Magic Mountain, 1924) that takes as its starting point the interest in Mann's book shown by non-academic readers. It is also a case study in a cluster of issues central to the interrelated fields of transnational German studies, global modernism studies, comparative literature, and reception theory: it addresses the global circulation of German modernism, popular afterlives of a canonical work, access to cultural participation, relationship between so-called 'high-brow' and 'low-brow' culture, and the limitations of traditional academic reading practices. The study intervenes in these discussions by developing a critical practice termed 'closer reading' and positioning it within the framework of world literature studies. Mann's Magic Mountain centres around nine comparative readings of five novels, three films, and one short story conceived as responses to The Magic Mountain. These works provide access to distinct readings of Mann's text on three levels: they function as records of their authors' reading of Mann, provide insights into broader culturally and historically specific interpretations of the novel, and feature portrayals of fictional readers of The Magic Mountain. These nine case studies are contextualized, complemented, enhanced, and expanded through references to hundreds of other diverse sources that testify to a lively engagement with The Magic Mountain outside of academic scholarship, including journalistic reviews, discussions on internet fora and blogs, personal essays and memoirs, Mann's fan mail and his replies to it, publishing advertisements, and marketing brochures from Davos, where the novel is set.

Regency England was a pivotal time of political uncertainty, with a changing monarchy, the Napoleonic Wars, and a population explosion in London. In Susanna Clarke's fantasy novel Jonathan Strange and Mr. Norrell, the era is also witness to the unexpected return of magic. Locating the consequences of this eruption of magical unreason within the context of England's imperial history, this study examines Merlin and his legacy, the roles of magicians throughout history, the mythology of disenchantment, the racism at work in the character of Stephen Black, the meaning behind the fantasy of magic's return, and the Englishness of English magic itself. Looking at the larger historical context of magic and its links to colonialism, the book offers both a fuller understanding of the ethical visions underlying Clarke's groundbreaking novel of madness intertwined with magic, while challenging readers to rethink connections among national identity, rationality, and power.