Malheureuse

"O Malheureuse is a first of it's kind collection of womens' writings including song, poem, and prose by Louisiana woman in French. As a woman who absorbed much French language from my hometown radio station, and who, as a musician, gained familiarity with Louisiana music, I was struck at how many times the word "malheureuse!" was used in the older French lyrics. "Oh unhappy woman!". This collection is an intuitive and unselfconscious look at some of the women who are writing in Louisiana in French now. It is produced in an effort to provide more art and dialogue in Louisiana French, and to bring balance to a temporary imbalance in the public voice of women in Louisiana French literature for current and future generations of Louisiana French speakers"--

In 1979, the Marxist-Leninist New Jewel Movement under Maurice Bishop overthrew the government of the Caribbean island country of Grenada, establishing the People’s Revolutionary Government. The United States under President Reagan infamously invaded Grenada in 1983, staying until the New National Party won election, effectively dealing a death blow to socialism in Grenada. With Comrade Sister, Laurie Lambert offers the first comprehensive study of how gender and sexuality produced different narratives of the Grenada Revolution. Reimagining this period with women at its center, Laurie Lambert shows how the revolution must be recognized for its both productive and corrosive tendencies. Lambert argues that the literature of the Grenada Revolution exposes how the more harmful aspects of revolution are visited on, and are therefore more apparent to, women. Calling attention to the mark of black feminism on the literary output of Caribbean writers of this period, Lambert addresses the gap between women’s active participation in Caribbean revolution versus the lack of recognition they continue to receive.

This book is a study of the measurement and understanding of time in seventeenth-century Europe, particularly in France. Close readings of literary representations of time in Moliere, Mme de Sevigne, and Mmd de Lafayette are contextualized with historical studies of court life under Louis XIV, the restructuring of the early modern French postal system, and the emergencce of new practices of periodical publication, respectively. An epistemological backdrop for these historical and literary studies is provided by an introductory analysis of developments in the science of time measurement under Louis XIV. A concluding section places questions of human temporality in the contemporary context of global environmental concerns.

Alongside the major narratives of ethics in the tradition of Western philosophy, a reader with an eye to the vague and the peripheral, to the turbulent and shifting, will spy minor lines of thinking – and with them, new histories and thus new futures. Minor Ethics develops a new approach to reading texts from the history of philosophical ethics. It aims to enliven lines of thought that are latent and suppressed within the major ethical texts regularly studied and taught, and to include texts and ideas that have been excluded from the canon of Western ethics. The editors and contributors have put Gilles Deleuze’s concepts – such as affect, assemblage, and multiplicity – into conversation with a range of ethical texts from ancient thought to the present. Rather than aiming for a coherent whole to emerge from these threads, the essays maintain a vigilant alertness to difference, to vibrations and resonances that are activated in the coupling of texts. What emerges are new questions, new problems, and new trajectories for thinking, which have as a goal the liberation of ethical questioning. Minor Ethics takes up a range of canonical ethical questions and thinks through concrete ethical problems relating to drug addiction, environmental responsibility, xenophobia, trauma, refugees, political parties, and cultural difference. The responses to these concerns demonstrate the minoritarian promise of the opening up of ethical thinking.

Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.

The axiological idealism of Georges Bastide, which is itself an attempt to come to grips with basic philosophical problems in a form wholly in accord with the preoccupations of our times, offered a unique opportunity for coming into contact with two new horizons - critical idealism and axiological personalism. An examination of the intimate relationship between these two viewpoints promised to be of special interest and worthy of research. A similar theme is encountered in the philosophy of R. Le Senne and a number of works have been devoted to the study of his philosophy. However, in Bastide's axiological idealism the emphasis is on the relationship between the problem of spiritual conversion and the problem of the transfiguration of values and, as far as I know, no major study has been made of Bastide's philosophy. This study also opened up the possibility of a deeper understanding of the philosophies of Descartes and Kant, as well as the philosophies of Brunsch vicg and Bergson. Bastide's philosophy offers new possibilities for reflection on the past in the light of contemporary problems, just as his own work can be understood only in the light of the philosophies which are the chief inspi ration for his axiological idealism. In this regard we have devoted three chapters of historical background in order to introduce the main influences on Bastide's philosophy.