Mama S Child

Rhyming text describes a day of fun and adventure that a bear shares with his mother.

A stunning tale about the deeply entrenched conflicts between a white mother and her biracial daughter. Mama’s Child is story of an idealistic young white woman who travelled to the American South as a civil rights worker, fell in love with an African American man, and started a family in San Francisco, where the more liberal city embraced them—except when it didn’t. They raise a son and daughter, but the tensions surrounding them have a negative impact on their marriage, and they divorce when their children are still young. For their biracial daughter, this split further destabilizes her already challenged sense of self—“Am I black or white?” she must ask herself, “Where do I belong?” Is she her father’s daughter alone? As the years pass, the chasm between them widens, even as the mother attempts to hold on to the emotional chord that binds them. It isn’t until the daughter, Ruby, herself becomes a wife and mother that she begins to develop compassion and understanding for the many ways that her own mother’s love transcended race and questions of identity.

Krys Malcolm Belc's visual memoir-in-essays explores how the experience of gestational parenthood—conceiving, birthing, and breastfeeding his son Samson—eventually clarified his gender identity. Krys Malcolm Belc has thought a lot about the interplay between parenthood and gender. As a nonbinary, transmasculine parent, giving birth to his son Samson clarified his gender identity. And yet, when his partner, Anna, adopted Samson, the legal documents listed Belc as “the natural mother of the child.” By considering how the experiences contained under the umbrella of “motherhood” don’t fully align with Belc’s own experience, The Natural Mother of the Child journeys both toward and through common perceptions of what it means to have a body and how that body can influence the perception of a family. With this visual memoir in essays, Belc has created a new kind of life record, one that engages directly with the documentation often thought to constitute a record of one’s life—childhood photos, birth certificates—and addresses his deep ambivalence about the “before” and “after” so prevalent in trans stories, which feels apart from his own experience. The Natural Mother of the Child is the story of a person moving past societal expectations to take control of his own narrative, with prose that delights in the intimate dailiness of family life and explores how much we can ever really know when we enter into parenting.

Mama of ten Abbie Halberstadt helps women humbly and gracefully rise to the high calling of motherhood without settling for mediocrity or losing their minds in the process. Motherhood is a challenge. Unfortunately, our worldly culture offers moms little in the way of real help. Mamas only connect to celebrate surviving another day and to share in their misery rather than rejoice in what God has done and to build each other up in hard times. There has a be a better way, a biblical way, for mamas to grow and thrive. As a daughter of Christ, you have been called to be more than an average mama. Attaining excellence doesn’t have to be unsettling but it will take committed focus and a desire to parent well according to God’s grace and for His glory. M is for Mama offers advice, encouragement, and scripturally sound strategies seasoned with a little bit of humor to help you embrace the challenge of biblical motherhood and raise your children with love and wisdom. Mama, you are worthy of the awesome responsibility God has given you. Now it’s time to start believing you can live up to it.

Every loss mama deserves to be reminded she is the mother of all mothers.

A baby's first words are music to its parents' ears! But in The Baby Who Wouldn't Say, "Mama," meet an infant who is so stubborn that it will say all sorts of common words to get what it wants, except for "Mama." The baby asks for snacks and hugs and toys. The baby calls out the names of animals and asks for a push on a swing, a ride in a wagon, and more. But the baby refuses to utter the one word Mama wants to hear! Then something changes the baby's mind: the sky darkens and a storm rolls in. Only Mama can respond to the baby's fears, as the child finally says the most important word in the human language for getting comfort and love: "Mama!" First-time author Maggi Miller says, "I'm fascinated with how children acquire language, and how terrifically clever they all are as they learn new words. One of our daughters would not call her father, "Dad" but called him by his name instead. The author is an educator and lives with her family in Austin, Texas, where she is writing her next children's book. Publisher's website: http: //www.strategicpublishinggroup.com/title/TheBabyWhoWouldntSayMama.html

Child of mama is a story set in the rural Gikuyu country during the British colonial period in Kenya. Kimonde is born and grows up against this background, in the comfort of his dependable mother, Muumbi, but in the glaring absence of Mumbuuri, his father. After struggling with his studies, he secures a plum job in the city, but soon loses it, courtesy of his friends’ reckless company. Strengthened by the sympathy and encouragement from his mother and maternal uncle, he soon nds even a better job, again in the city. His attempts to form a love relationship with a life partner are thwarted by his father on the one hand, and by his fiancée on the other, for their own reasons. Child of mama is a story replete with family drama of proportions. A worthy read.

Writing about the Virgin Mary in the Philippines is like writing about the sunrise. You are telling the readers what they already know, appreciate, and love. So when I was asked to produce a book on the Blessed Mother, I listened, and I was grateful that my friends felt that I was capable of doing this. But I did not write the book right away because I was sure it would be a twice-told tale. But the request haunted me. I had a deep sense of guilt—a feeling that this was something I should do and I wasn’t doing anything about it. I didn’t know exactly how to present anything really new about this beautiful peasant woman, the mother of God. Then I remembered my grandmother whom we called “Nana.” How she prayed for my Uncle Ern for thirty years! And how Uncle Ern finally came back to God—not only on his deathbed, but three full days after the doctors expected him to die. I also remembered other things that happened in my own family—stories that only I could tell and if I don’t record them, no one else will. Moreover, I keep receiving letters from both friends and strangers, telling me about the beautiful adventures they experienced with the Virgin Mary and the amazing answers they received from their prayers to her. These stories are all unique. No two people’s stories are exactly alike. And the way each one reacts when touched by the hand of God is unique. This reminds me of American writer William Sydney Porter, better known as O. Henry, and one of his collection of stories called The Four Million, based on the population of New York City at the time he published it. He felt that if you could portray the soul of any one in that four million, you would have a drama that never happened before, and will never happen again. This gave me courage. If I could just tell the actual stories of real people and their contact with the mother of God, then every narration would be new.