Mama S Voice

Mamma has lost her voice. Can Bekah find it? When a parent is ill, it can be a frightening experience for a child. They may not understand why Mamma can't do the regular things that she usually does throughout the day or at bedtime. Sometimes children will deal with it in the most imaginative way possible. Bekah decided that she was going to help her Mamma find her lost voice.

Mom's voice is for beginner readers. This book gives appreciation to all mothers across the world. Once you read "Mom's voice" to your child, you will want to read it to your mother. Mom's voice could be your mother, grandmother, big sister, aunts, and stepmother. We all need Mom's voice.

Including examples from a broad range of sources, this book explores the pragmatic functions and effects of 'you' across time, genre and medium, to provide an encompassing theoretical framework for the second-person pronoun. With its unique inter-disciplinary perspective, it will interest students and scholars of both linguistics and literature.

Mamas Voice is the product of a middle-aged Christian psychiatrist and mother who journals her life observations and experiences, hoping to pass on some life lessons to her children. What started off as random journaling of thoughts ended up being a published book released as a birthday present for her children. The book is written in a random manner with life lessons ranging from self-esteem, bad habits, addictions, snobbery, conflict, money, selfishness, greed, and codependent relationships through to family dramas. The author attempts to capture some important life lessons with a touch of humor and rawness that depicts the real-life dramas. Both pleasurable and painful life observations and experiences are unapologetically expressed with a rawness that does not coat it with sweet candy. Its about real life seen through the eyes of a mother going through a midlife crisis and questioning most things she had taken for granted. The messages are given as direct instructions to her children in second or third person voices and riddles. The messages are just as random as they entered the authors thoughts. This is a light read for both the middle aged and young, who are questioning a few things in their worldview. Like the philosopher in the book of Ecclesiastes, the author grapples with certain life issues until she finally realizes that she cannot fix the world and she gives up control. The forty-five-year-old author starts off by writing a letter to her thirteen-year-old self and ends the book with her modified version of the Ten Commandments and a futuristic letter to her eighty-five-year-old self.

How do children's books represent the Holocaust? How do such books negotiate the tension between the desire to protect children, and the commitment to tell children the truth about the world? If Holocaust representations in children's books respect the narrative conventions of hope and happy endings, how do they differ, if at all, from popular representations intended for adult audiences? And where does innocence lie, if the children's fable of Roberto Benigni's Life is Beautiful is marketed for adults, and far more troubling survivor memoirs such as Anita Lobel's No Pretty Pictures: A Child of War are marketed for children? How should Holocaust Studies integrate discourse about children's literature into its discussions? In approaching these and other questions, Kertzer uses the lens of children's literature to problematize the ways in which various adult discourses represent the Holocaust, and continually challenges the conventional belief that children's literature is the place for easy answers and optimistic lessons.