Man And His World Terres Des Hommes The Noranda Lectures Expo 67 Les Conferences Noranda L Expo 67

The fruits of a unique cultural exchange are brought together in this unusual book. Twenty-eight of the most eminent men and women of our generation – philosophers, historians, and scientists from nineteen countries – here discuss what they consider the most vital issues of our day. Paul-Henri Spaak, Barbara Ward, Gunnar Mydral, Linus Pauling, and many others participated in the Noranda lecture series at Expo 67 in Montreal, and each is concerned here with a special aspect of Expo's theme: Man and His World. The approaches to the theme are as varied as the backgrounds of the speakers. Some of the essays give a revealing and optimistic description of the national and international efforts to ensure a future for mankind; others, less optimistic, stress the increasing insanity of the world and draw attention to the poverty, starvation, hatred, waste, and war which destroy what creative men have built. One group of papers deals with the idea of progress. André Leroi Gourhan offers a panoramic description of man's cultural evolution and sketches the vast possibilities of future development; Karl Löwith questions the very notion of progress and observes that much "progressive" development has resulted in nothing but destruction; Félix Houphouët-Boigny, president of the Ivory Coast Republic, describes progress in one section of the world – Africa, and the Ivory Coast in particular. Other lectures deal with such diverse topics as the proper role of government, the modern scientist, formal and informal aspects of education, the history of architecture, recent biological contributions of chemistry, the population explosion, new advances in physics, and the world as a separate entity from man. "The world as universe is not made by man," Professor Löwith reminds us. "It is there, even without us, existing for and by itself." Originally sponsored by Noranda Mines Ltd., the lectures attracted wide attention at the time of their delivery and again later when some of them were broadcast on radio and television. Collected in this book, they offer a distillation of some of the most significant thinking of today – clear and cogent presentations of ideas that have won Nobel prizes for some of their creators and international recognition for all. In her Introduction, Helen Hogg writes, "It is a book to be sipped and savoured, to be dipped into again and again. Such an approach will enable the reader best to appreciate the penetrating commentaries of some of the world's greatest figures."

The fruits of a unique cultural exchange are brought together in this unusual book. Twenty-eight of the most eminent men and women of our generation - philosophers, historians, and scientists from nineteen countries - here discuss what they consider the most vital issues of our day.

In 1967, Montreal hosted Man and His World/Terre des hommes. By far the most successful cultural event ever produced in Canada, it was embraced by the public at the same time as intellectuals from Marshall McLuhan to Umberto Eco hailed it as a new type of exhibition for a new global age. Because it was held where and when it was – on a man-made archipelago in the St Lawrence River seven years into Quebec’s Quiet Revolution – Expo 67 also provided a prism through which the idea of the nation could be refracted and recast in original ways. Misunderstood by some scholars as an expensive exercise in official patriotism, while maligned by Quebec intellectuals as a crypto-federalist distraction from the real business of national independence, the fair nevertheless showcased Montreal as the de facto capital of a suddenly modern Quebec engaging with a late-modern world. Expo 67 and Its World proposes a reappraisal of the 1967 Montreal International and Universal Exhibition across a range of political, social, and cultural spaces: from the dispossession of Indigenous Peoples and what was then known as the Third World, through the aspirations of Montreal, Quebec, and Canada, to the increasingly global ambit of youth culture, medicine, film, and finance. A new approach to understanding Expo 67, the collection challenges assumptions about the significance of the event to Canadian, Québécois, and First Nations history.

In National Performance, Erin Hurley examines the complex relationship between performance and national identity. How do theatrical performances represent the nation in which they were created? How is Quebecois performance used to define Quebec as a nation and to cultivate a sense of 'Quebec-ness' for audiences both within and outside the province? In exploring Expo 67, the critical response to Michel Tremblay's Les Belles Soeurs, Carbone 14's image-theatre, Marco Micone's writing practices, Celine Dion's popular music, and feminist performance of the 1970s and 80s, Hurley reveals the ways in which certain performances come to be understood as 'national' while others are relegated to sub-national or outsider status. Each chapter focuses on a particular historical moment in Quebec's modern history and a genre of performance emblematic of the moment, and uses these to elaborate the nature of the national performances. Winner of the Northeast Modern Language Association's Book Prize, National Performance is sophisticated yet accessible, seeking to enlarge the parameters of what counts as 'Quebecois' performance, while providing a thorough introduction to changing discourses of nation-ness in Quebec.

Includes French-language titles published by predominantly English-language Canadian publishers.