Man Of Fantasy

The New York Times bestselling author of Slow Getting Up chronicles his descent into the madness of early retirement and fantasy football. In Slow Getting Up—hailed by Rolling Stone as "the best football memoir of all time"—Nate Jackson told his story face down on the field. Now, in Fantasy Man, he’s flat on his back. Six years have passed since the former Denver Broncos tight end wore a helmet, and every day he drifts further from the NFL Guy, the sanctioned-violence guy, the psychopath who ran head first into other psychos for money. But Nate hasn’t quite left the game. Bed-ridden by a recent surgery to remove bone fragments in his ankle, he’s trying to defend his title as top dog in Bunny 5-Ball, one of the millions of leagues captivating America through modern fantasy football, the interactive human poker game started by rotisserie leagues, boosted by ESPN and Yahoo!, and now elevated to that rarefied world of vaguely-legal Internet gambling by FanDuel and DraftKings.com. And this time it isn’t a 300-pound wall of flesh rushing to crunch his spine. It’s worse. Exploring the fantasy—and the reality—of professional football after you’ve left the field, Fantasy Man is as funny, self-deprecating, and shockingly honest as Slow Getting Up.

Willow James has always dreamed of finding Mr. Right. She thought she had found true love in her last relationship with Jordan Michael, but that turned out to be a hot mess. Jordan was an incredible piece of eye candy, but he wasn’t worth a penny. Then one day she meets Rece Gallantine and her world is flipped upside down. He is everything that she has ever dreamed of. Tall, smart, funny…handsome. What else could a girl ask for? Well, there’s only one problem…he’s white and she’s black. How will she ever tell her parents that she’s dating a white guy? Her dad is going to hit the roof! Oh well, she’s a grown woman and she can do as she pleases. At least that’s what she keeps telling herself. At any rate, she can’t think about all of that stuff right now. Willow is in love and she’ll cross that bridge when she comes to it. Until then, she’s going to enjoy Rece and all that comes along with it!

What a girl wants… Miss Viola Darling always gets what she wants. Always. And what she wants more than anything is to marry James Kilbrenner, the Earl of Tannenbrook. She’s fallen hard for the giant, taciturn, surly brute, and she positively will have no other. The problem? He’s not interested. Not even a little. But Viola cannot afford to lose. And she has her heart set on James. If only he will bend to a bit of persuasion. Is an earl like no other… James Kilbrenner knows how determined the entirely-too-beautiful Miss Darling can be—the daft woman cornered him at a perfectly respectable dinner and mangled his cravat before he could escape. He has no desire to marry, less desire to be pursued, and will certainly not kiss her kissable lips until they are both breathless, no matter how tempted he may be. And only the right one will do… Thrown in her path by a meddling marchioness, James finds himself under sensual siege from a tiny, flirtatious sprite who puts both his heart and his vow to remain unwed at risk. And when scandal looms, he learns the hard way that a man can resist only so long before the indomitable Miss Darling gets her way.

From the bestselling author of The Handmaid's Tale and The Testaments—one of Margaret Atwood’s most unforgettable characters lurks at the center of this intricate novel like a spider in a web. The glamorous, irresistible, unscrupulous Zenia is nothing less than a fairy-tale villain in the memories of her former friends. Roz, Charis, and Tony—university classmates decades ago—were reunited at Zenia’s funeral and have met monthly for lunch ever since, obsessively retracing the destructive swath she once cut through their lives. A brilliantly inventive fabulist, Zenia had a talent for exploiting her friends’ weaknesses, wielding intimacy as a weapon and cheating them of money, time, sympathy, and men. But one day, five years after her funeral, they are shocked to catch sight of Zenia: even her death appears to have been yet another fiction. As the three women plot to confront their larger-than-life nemesis, Atwood proves herself a gleefully acute observer of the treacherous shoals of friendship, trust, desire, and power.

On the technological, decadent world of Proton, someone was trying to destroy Stile, serf and master Gamesman. His only escape lay through a mysterious “curtain” revealed by a loving robot. Beyond the curtain lay Phaze—a world totally ruled by magic. There, his first encounter was with an amulet that turned into a demon determined to choke him to death. And there, he soon learned, his alternate self had already been murdered by sorcery, and he was due to be the next victim. “Know thyself!” the infallible Oracle told him. But first he must save himself as he shuttled between worlds. On Proton, his fate depended on winning the great Games. On Phaze, he could survive only by mastering magic. And if he used any magic at all, the werewolf and the unicorn who were his only friends were determined to kill him at once!

In this devastatingly witty new book, Carl Cederström traces our present-day conception of happiness from its roots in early-twentieth-century European psychiatry, to the Beat generation, to Ronald Reagan and Donald Trump. He argues that happiness is now defined by a desire to be "authentic", to experience physical pleasure, and to cultivate a quirky individuality. But over the last fifty years, these once-revolutionary ideas have been co-opted by corporations and advertisers, pushing us to live lives that are increasingly unfulfilling, insecure and narcissistic. In an age of increasing austerity and social division, Cederström argues that a radical new dream of happiness is gathering pace. There is a vision of the good life which promotes deeper engagement with the world and our place within it, over the individualism and hedonism of previous generations. Guided by this more egalitarian worldview, we can reinvent ourselves and our societies.

Original publication and copyright date: 2009.