Man Whose Name Did Not Appear In The Census And Other Stories

'The volume is remarkable for the variety of its inspiration...' — Manchester Guardian, UK 'Anand's picture is real, comprehensive, and subtle, and the shifts in moods, from farce to comedy, from pathos to tragedy, and from the realistic to the poetic, are remarkable.' — V S Pritchett, British Literary Critic 'Anand is indeed adept in the art of spinning a yarn.' — Punjab Journal of English Studies, Guru Nanak Dev University

In Lajwanti, Mulk Raj Anand focuses on a woman's predicament and struggle to find an identity for herself. Frustrated by a rigid pattern of social relationships, gender bias, religious bigotry and her own petty human foibles, her abject condition serves as a metaphor for sacrifice and servility which forms the thematic heart of these stories.

A compulsively readable story of struggle for survival in a large modern city and how it demeans human life. Ravi, son of a peasant, joins in the general exodus to the city, and, floating through the indifferent streets, lands into the underworld of petty criminals. He falls in love with pretty Nalini, and marries her against all odds. She tries to change his way of life, but fate conspires against him...and the story moves to a memorable climax.

Mulk Raj Anand, novelist, short story writer, essayist and art critic, along with Raja Rao and R.K. Narayan, is frequently referred to as ‘founding father’ of Indo-English writing. He began his career by writing for T.S. Eliot’s Criterion and went on to win international fame with his heart-warming portraits of the Indian landscape and its people. Anand’s prolific writing career spanned more than 75 years, during which he was widely identified with the quest for a just, equitable, and forward-looking India. He wrote extensively in areas as diverse as art and sculpture, politics, Indian literature and the history of ideas. He was honoured with Sahitya Akademi Award, the most prestigious Indian award for literary writing in 1972. This volume of short stories is remarkable for the variety of its inspiration. ‘Anand is an excellent raconteur, telling a story with grace and point. He commands an easy urbane style… The stories have the power to charm.’ — Weekend Review ‘Anand’s picture is real, comprehensive, and subtle, and the shifts in moods, from farce to comedy, from pathos to tragedy, and from the realistic to the poetic, are remarkable.’ — V S Pritchett, British Literary Critic 'With great deftness, Anand pictures India... He impresses with his profound knowledge of Indian religion and culture.' — Books Abroad, USA

This Wide-Ranging Study Examines The Emergence And The Peaking Of The Twentieth Century Indian English Fiction, Including Its New Bearings And Fresh Flowering In The Last Two Decades Of The Century. It Offers Both A Survey Of The Trends And Tendencies Of This Genre During This Period And A Critique Of Some Of Its Major Voices. At Once Incisive And Comprehensive, And Laced With Telling Percep-Tions, The Volume Epitomizes Professor M.K. Naik'S Vintage Writing On The Indian English Fiction Of This Period.

Comprehensive study on the works on Rasipuram Krishnaswamy Narayan,1906-2001, Indian-English novelist.