Mandela The Spear And Other Poems

The strength of Mandela the Spear and other Poems lies in Okai's burning desire to celebrate the black experience and culture, through the iconic figures who symbolize those struggles and triumphs. Thus, not surprisingly, one encounters names like Mandela, Nadine Gordimer, Amilcar Cabral, Patrice Lumumba, Kwame Nkrumah, to name a few. Okai has long established himself as one of the towering figures in the field of modern African poetry in English. He is regarded as one of the pioneers of a vigorous reinvention of the poetic genre that revolutionized the poet/audience relationship, changed the mode of expression from scriptography to narratology, and the role of the audience from that of passive reception to active participation.

In retracing some of the routes followed by West African literature in English over the course of the last three decades, this book employs an original multidimensional approach whereby the three main genres - narrative, poetry and drama - are considered in the light of their intricate web of fecund rapport and mutual influence.Authors such as Tutuola, Armah, Aidoo and Awoonor translated the fluid structures of orality into written prose, and consequently infused their works with poetic and dramatic resonance, thereby challenging the canonical dominance of social realism and paving the way for the birth of West African magical realism in Laing, Okri and Cheney-Coker.Starting in the 1970s, poetry on stage has become a mainstream genre in Ghana, thanks to performances by Okai, Anyidoho and Acquah.Boundaries between literary theatre and other genres have undergone a similar dissolution in the affirmation of the concept of 'total art' from Efua Sutherland to ben Abdallah, Osofisan and others. Fertile Crossingsoffers a study of these topics from various viewpoints, blending in-depth textual analysis with reflections on the political import of the works in question within the context of the present state of African societies, all supported by interviews with most of the authors.

This anthology of poetry is first and foremost a tribute to Madiba - Nelson Mandela, the inspiration for the volume and the subject of the title poem. Th e collection features poems written at various points in Brandt's career as a writer, cultural analyst and academic. 'Marie Village Beauty' goes back a long way to his childhood and is a first experiment with Guyanese Creole. Notably, there is also a tribute to Stephen Lawrence, a young black Briton who sadly lost his life in terrible circumstances and has been mourned by the nation ever since.

A revelatory and definitive account of how Nelson Mandela and his peers led South Africa to the brink of revolution against the postwar twentieth century’s most infamously racist regime. Spear: Mandela and the Revolutionaries brings to life the brief revolutionary period in which Nelson Mandela and his comrades fought apartheid not just with words but also with violence. After the 1960 Sharpeville police shootings of civilian protesters, Mandela and his comrades in the mass-resistance order of the African National Congress (ANC) and the Communist Party pioneered the use of force and formed Umkhonto we Sizwe (MK), or Spear of the Nation. A civilian-based militia, MK stockpiled weapons and waged a war of sabotage against the state with pipe bombs, Molotov cocktails, and dynamite. In response, the state passed draconian laws, militarized its police, and imprisoned its enemies without trial. Drawing from several hundred first-person accounts, most of which are unpublished, Paul Landau traces Mandela’s allies—and opponents—in communist, pan-Africanist, liberal, and other groups involved in escalating resistance alongside the ANC. After Mandela’s capture, the Pan Africanist Congress planned to initiate street violence, and MK organized Operation Mayibuye, an uprising to be led by trained commandos. The state short-circuited those plans and subsequently jailed, exiled, tortured, and murdered revolutionaries. The era of high apartheid then began. Spear reshapes our understanding of Mandela by focusing on this intense but relatively neglected period of escalation in the movement against apartheid. Landau’s book is not a biography, nor is it a history of a militia or an army; rather, it is a riveting story about ordinary civilians debating and acting together in extremis. Contextualizing Mandela and MK’s activities amid anticolonial change and Black Marxism in the early 1960s, Spear also speaks to today’s transnational antiracism protests and worldwide struggles against oppression.