Manifest Manners

Gerald Vizenor counters the cultural notions of dominance, false representations, and simulations of absence, and, by documents, experience, and theories, secures a narrative presence of Native Americans.

In this anthology, eighteen scholars discuss the themes and practices of survivance in literature, examining the legacy of Vizenor's original insights and exploring the manifestations of survivance in a variety of contexts. Contributors interpret and compare the original writings of William Apess, Eric Gansworth, Louis Owens, Carter Revard, Gerald Vizenor, and Velma Wallis, among others.

This collection celebrates the resurgence of Native Americans within the cultural landscape of the United States. During the past quarter century, the Native American population in the United States has seen an astonishing demographic growth reaching beyond all biological probability as increasing numbers of Americans desire to admit or to claim Native American ancestry. This volume illustrates a unique moment in history, as unprecedented numbers of Native Americans seek to create a powerful, flexible sense of cultural identity. Diverse commentators, including literary critics, anthropologists, ethnohistorians, poets and a novelist address persistent issues facing Native Americans and Native American studies today. The future of White-Indian relation, the viability of Pan-Indianism, tensions between Native Americans and North American anthropologists, and new devlopments in ethnohistory are among the topics discussed. The survival of Native Americans as recorded in this collection, an expanded edition of a special issue of boundary 2, brings into focus the dynamically adaptive values of Native American culture. Native Americans' persistence in U.S. culture--not disappearing under the pressure to assimilate or through genocidal warfare--reminds us of the extent to which any living culture is defined by the process of transformation. Contributors. Linda Ainsworth, Jonathan Boyarin, Raymomd J. DeMallie, Elaine Jahner, Karl Kroeber, William Overstreet, Douglas R. Parks, Katharine Pearce, Jarold Ramsey, Wendy Rose, Edward H. Spicer, Gerald Vizenor, Priscilla Wald

Native sovereignty, Gerald Vizenor contends, is not possessed but expressed. It emerges not from practicing vengeful and exclusionary policies and politics, or by simple recourse to territoriality, but by turning to Native transmotion, the forces and processes of creativity and imagination lying at the heart of Native world-views and actions. Overturning long-held scholarly and popular assumptions, Vizenor offers a vigorous examination of tragic cultures and victimry.

The first book devoted exclusively to the poetry and literary aesthetics of one of Native America’s most accomplished writers, this collection of essays brings together detailed critical analyses of single texts and individual poetry collections from diverse theoretical perspectives, along with comparative discussions of Vizenor’s related works. Contributors discuss Vizenor’s philosophy of poetic expression, his innovations in diverse poetic genres, and the dynamic interrelationships between Vizenor’s poetry and his prose writings. Throughout his poetic career Vizenor has returned to common tropes, themes, and structures. Indeed, it is difficult to distinguish clearly his work in poetry from his prose, fiction, and drama. The essays gathered in this collection offer powerful evidence of the continuing influence of Anishinaabe dream songs and the haiku form in Vizenor’s novels, stories, and theoretical essays; this influence is most obvious at the level of grammatical structure and imagistic composition but can also be discerned in terms of themes and issues to which Vizenor continues to return.