Manifesto Now

Manifesto Now! maps the current rebirth of the manifesto as it appears at the crossroads of philosophy, performance, and politics. While the manifesto has been central to histories of modernity and Modernism, the editors contend that its contemporary resurgence demands a renewed interrogation of its form, its content, and the uses. Featuring contributions from trailblazing artists, scholars, and activists currently working in the United States, the United Kingdom, Finland, and Norway, this volume will be indispensible to scholars across the disciplines. Filled with examples of manifestos and critical thinking about manifestos, it contains a wide variety of critical methodologies that students can analyze, deconstruct, and emulate.

"In the mid-1980s - with the widespread adoption of the personal computer and small laser printers, with the introduction of cheap software packages for making pages and typefaces - a revolution in typography was set in train. Among several unforeseen consequences was an overthrow of the old way of making typefaces: the initiative passed from the old industrially-based companies to small, often one- or two-person outfits. Now we are far enough into this new era to begin to make an assessment." "The first part of this book is a personal statement. Fred Smeijers considers the gains and also the illusions and pitfalls of technical advance. Bringing a deep historical awareness to bear on the topic, he puts this brief recent phase into perspective. Along the way are sharp remarks on the place of the designer in the social world, on the question of copying and copyright. This realistic view brings high-flown pretensions down to earth, yet puts forward a more solid and enduring vision. Smeijers ends this modest manifesto with a new code of conduct for designers." "The second part of the book presents Smeijers's own work as a type designer and graphic designer, over twenty years. It shows all his types and fonts, including several that have until now been hidden from public view, and includes the designer's own narrative of his work so far." "The book has been made in connection with the award to Fred Smeijers of the Gorrit Noordzij Prize, in recognition of his contribution as a designer, teacher, and writer." --Book Jacket.

For fifteen years, Mike Rognlien has learned from some of the best (and some of the . . . not best) people in the corporate world. His tenure at Facebook, as a consultant to Microsoft, and at numerous other companies--from insurance to banking to Silicon Valley--taught him valuable lessons in responsibility, ownership and accountability, and the fine art of T-shirt printing. And now, with a mix of wisdom and rueful humor, he's sharing his accumulated work and life lessons with you. Yes, you.

The senses are made, not given. This revolutionary realization has come as of late to inform research across the social sciences and humanities, and is currently inspiring groundbreaking experimentation in the world of art and design, where the focus is now on mixing and manipulating the senses. The Sensory Studies Manifesto tracks these transformations and opens multiple lines of investigation into the diverse ways in which human beings sense and make sense of the world. This unique volume treats the human sensorium as a dynamic whole that is best approached from historical, anthropological, geographic, and sociological perspectives. In doing so, it has altered our understanding of sense perception by directing attention to the sociality of sensation and the cultural mediation of sense experience and expression. David Howes challenges the assumptions of mainstream Western psychology by foregrounding the agency, interactivity, creativity, and wisdom of the senses as shaped by culture. The Sensory Studies Manifesto sets the stage for a radical reorientation of research in the human sciences and artistic practice.

Beavers are the great comeback story--a keystone species that survived ice ages, major droughts, the fur trade, urbanization and near extinction. Their ability to create and maintain aquatic habitats has endeared them to conservationists, but puts the beavers at odds with urban and industrial expansion. These conflicts reflect a dichotomy within our national identity. We place environment and our concept of wilderness as a key touchstone for promotion and celebration, while devoting significant financial and personal resources to combating "the beaver problem." We need to rethink our approach to environmental conflict in general, and our approach to species-specific conflicts in particular. Our history often celebrates our integration of environment into our identity, but our actions often reveal an exploitation of environment and celebration of its subjugation. Why the conflict with the beaver? It is one of the few species that refuses to play by our rules and continues to modify environments to meet its own needs and the betterment of so many other species, while at the same time showing humans that complete dominion over nature is not necessarily achievable.

It is 1975 when members of the Divine Seraphion Society are exterminated by a terrible evil force. Now the surviving members have just one hope left: the birth of the Cherished Guardian destined to bring a new manifesto for the preservation of beauty and freedom throughout their sacred Revlenion. Thirteen years later, a curious yet tragic phenomenon aligns the stars and sets events into motion. On the night of Landon Tuolumnes twelfth birthday, he and his sister, Makari, are left feeling forgotten and lost. After being rescued by a distant relative, the Tuolumnes are brought to a quiet seaside town and where they are soon led onto fortuitous paths between two mysterious creatures: a tinker man intent on freeing himself from a trinket that could bring fame, fortune, and fantasy to its possessor; and a young detective with an invitation to a marvelous place where he hopes to carefully guide the siblingsbut only if they believe in the magic that awaits them. In this tale of charm and malice, two siblings embark on a spellbinding adventure into a sacred land where they must endure whimsical horrors in order to return home and find the happiness and acceptance they have always desired.

In this book, leading Indigenous rights activist Arthur Manuel offers a radical challenge to Canada and Canadians. He questions virtually everything non-Indigenous Canadians believe about their relationship with Indigenous peoples. The Reconciliation Manifesto documents how governments are attempting to reconcile with Indigenous peoples without touching the basic colonial structures that dominate and distort the relationship. Manuel reviews the current state of land claims, tackles the persistence of racism among non-Indigenous people and institutions, decries the role of government-funded organizations like the Assembly of First Nations, and highlights the federal government's disregard for the substance of the United Nations Declaration on the Rights of Indigenous Peoples while claiming to implement it. Together, these circumstances amount to a false reconciliation between Indigenous people and Canada. Manuel sets out the steps that are needed to place this relationship on a healthy and honourable setting. As he explains, recovering the land and rebuilding the economy are key. Completed just months before Manuel's death in January 2017, this book offers an illuminating vision of what is needed for true reconciliation. Expressed with quiet but firm resolve, humour, and piercing intellect, The Reconciliation Manifesto is for both Indigenous and non-Indigenous people who are willing to look at the real problems and find real solutions.