Manual Of Library Cataloguing

A Manual of Cataloguing Practice is a text on cataloguing and covers topics ranging from the major cataloguing codes to the subject catalogue, the name catalogue, and cataloguing of special materials. Physical forms of catalogue are also considered, along with the filing and arrangement of catalogue entries; centralized and cooperative cataloguing; the organization of cataloguing; and the relation of cataloguing to modern methods of information retrieval. This manual is comprised of 16 chapters and begins with an overview of the nature and purpose of catalogues, as well as the history of cataloguing and catalogues. The discussion then turns to the development and application of the major cataloguing codes, including the British Museum Cataloguing Rules; the Vatican Code; the American Library Association Rules 1949; and the Anglo-American Cataloguing Rules 1967. Some particular problems of author-title cataloguing are considered, together with the solutions suggested by some of the major codes and the practices of some individual libraries. External guides (instructions for the use of the catalogue) and internal guides (""signposts"" within the catalogue) are also discussed. Finally, the future of cataloguing is examined. This book will be a useful resource for practicing cataloguers and librarians as well as students of librarianship.

Manual of Library Cataloguing is the tell-all manual to unlock the secrets of catalog collection from libraries as small as a private person's independently owned collection to libraries as large as the British Museum. Excerpt: "Generally I find a library catalog is assumed to be a thing that is somehow 'made' at a single stroke, as Aladdin's palace was built, at intervals of ten or a dozen years, or whenever a 'new catalog' is thought to be needed..."

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1899 edition. Excerpt: ...as they are not books upon Chester or Canterbury. Therefore the form is Chester, The Cathedral Church of. Hiatt, C. 1897 Canterbury, The Church of St. Martin. Routledge, C. F. 1898 or in shorter fashion: Chester Cathedral. Hiatt, C. 1897 Canterbury, St. Martin's Church. Routledge, C. F. 1898 Upon the same principle a history of a London parish is not entered under "London," but under its particular name with a cross-reference from London to the places, as London. See also the names of parishes, as Chelsea, Kensington, Southwark, Westminster. Monographs upon buildings of national importance in foreign countries are however always entered under the name of the city where situated and not under the name of the building. Works upon St. Mark's, Venice, or Notre Dame de Paris being entered under Venice and Paris respectively, as Venice, St. Mark's. Paris, Notre Dame. To give heed to details of this kind is not "hairsplitting," as the novice may be disposed to imagine--it is the very essence of good cataloguing. Even with most careful attention the cataloguer may well congratulate himself if at the conclusion of his work, and especially when in print, it comes out faultless, because the perfect catalogue absolutely free from error has not yet been seen. CHAPTER IX. SUBJECT, TITLE, AND SERIES ENTRIES (continued). 86.--There remain other varieties of double or treble entries to consider. A book such as Baker, W. R. Intemperance the idolatry of Britain. 3rd ed. pp. 62. sm. 80. n.d. has no appearance of difficulty, as it is so obviously upon intemperance, but the question of concentration of books pro and con upon such a subject as this must be looked int0. It is most undesirable to send an inquirer to a number of headings to...

This book, first published in 1946, lays out the tools a librarian has to organize books for use and to make them productive. The methods of classing, cataloguing, indexing, personal guidance, display and publicity are directed to one end, the making know of books and their contents.

This book, first published in 1933, shows the more common difficulties in constructing library entries for author single-entries with references, and author-entries with added entries. These basic principles of cataloguing practice offer valuable advice to the cataloguer of books.

The FIAF Moving Image Cataloguing Manual is the result of many years of labor and collaboration with numerous professionals in the moving image field. It addresses the changes in information technology that we’ve seen over the past two decades, and aligns with modern cataloguing and metadata standards and concepts such as FRBR (Functional Requirements for Bibliographic Records), EN 15907, and RDA (Resource Description and Access). The manual is designed to be compatible with a variety of data structures, and provides charts, decision trees, examples, and other tools to help experts and non-experts alike in performing real-world cataloguing of moving image collections.