Manuscript Culture And Medieval Devotional Traditions

Essays exploring the great religious and devotional works of the Middle Ages in their manuscript and other contexts.

A fresh appraisal of late medieval manuscript culture in England, examining the ways in which people sustained older books, exploring the practices and processes by which manuscripts were crafted, mended, protected, marked, gifted and shared.

Middle English devotional compilations – consisting of a series of texts or extracts of texts that have intentionally been put together to constitute new and unified devotional texts – have often been approached as complex collections of source texts that need to be linked with their originals. This book argues that the study of compilations should move beyond the disentanglement of their sources. It approaches compiling as a literary activity and an active way of shaping the medieval text, with the aim to nuance scholarly discussion about compiling by putting greater emphasis on the literary instead of the technical aspects of compiling activity. In addition to describing the additions, omissions and other types of adaptations that compilers made to their source texts, Middle English Devotional Compilations highlights the nature and function of compiling activity in late medieval England, and examines three major but understudied Middle English devotional compilations in depth: The Pore Caitif, The Tretyse of Love and A Talkyng of the Love of God.

Essays on women and devotional literature in the Middle Ages in commemoration and celebration of the respected feminist scholar Catherine Innes-Parker. Silence was a much-lauded concept in the Middle Ages, particularly in the context of religious literature directed at women. Based on the Pauline prescription that women should neither preach nor teach, and should at all times keep speech to a minimum, the concept of silence lay at the forefront of many devotional texts, particularly those associated with various forms of women's religious enclosure. Following the example of the Virgin Mary, religious women were exhorted to speak seldom, and then only seriously and devoutly. However, as this volume shows, such gendered exhortations to silence were often more rhetorical than literal. The contributions range widely: they consider the English 'Wooing Group' texts and female-authored visionary writings from the Saxon nunnery of Helfta in the thirteenth century; works by Richard Rolle and the Dutch mystic Jan van Ruusbroec in the fourteenth century; Anglo-French treatises, and books housed in the library of the English noblewoman Cecily Neville in the fifteenth century; and the resonant poetics of women from non-Christian cultures. But all demonstrate the ways in which silence, rather than being a mere absence of speech, frequently comprised a form of gendered articulation and proto-feminist point of resistance. They thus provide an apt commemoration and celebration of the deeply innovative work of Catherine Innes-Parker (1956-2019), the respected feminist scholar and a pioneer of this important field of study.

"One of the most important developments in medieval English literary studies since the 1980s has been the growth of manuscript studies. The thirteen essays in this volume discuss aspects of the design and distribution of manuscripts in late medieval England, focusing particularly on vernacular manuscripts of the fifteenth and early sixteenth centuries." "This binary focus on secular and devotional texts illuminates shared networks of production and dissemination, and considerably expands current knowledge of regional and metropolitan book production in the period before printing."--BOOK JACKET.

This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.

The abundant evidence from medieval England suggests a deep interest among devotional writers in documenting, teaching and circumscribing devotional reading, given the importance of careful reading practices for salvation. This volume therefore draws together a wide range of interests in and approaches to studying the reading and reception of devotional texts in medieval England, from representations of readers and reading in devotional texts, to literary production and reception of devotional texts and images, to manuscripts and early books as devotional objects, to individual readers and patrons of devotional texts.

Focusing on England but covering a wide range of European and global traditions and influences, this authoritative volume examines the central role of medieval women in the production and circulation of books and considers their representation in medieval literary texts, as authors, readers and subjects, assessing how these change over time. Engaging with Latin, French, German, Welsh and Gaelic literary culture, it places British writing in wider European contexts while also considering more distant influences such as Arabic. Essays span topics including book production and authorship; reception; linguistic, literary, and cultural contexts and influences; women's education and spheres of knowledge; women as writers, scribes and translators; women as patrons, readers and book owners; and women as subjects. Reflecting recent trends in scholarship, the volume spans the early Middle Ages through to the eve of the Reformation and emphasises the multilingual, multicultural and international contexts of women's literary culture.