Mao S Last Dancer Young Readers Edition

Before you can fly, you have to be free. A new edition of the phenomenal international bestseller. From bitter poverty to the stardom of the West - this is the extraordinary true story of one boy's great courage and determinationIn a small, desperately poor village in north-east China, a young peasant boy sits at his rickety old school desk, more interested in the birds outside than in Chairman Mao's Red Book and the grand words it contains. But that day, some strange men come to his school - Madame Mao's cultural delegates. They are looking for young peasants to mould into faithful guards of Chairman Mao's great vision for China..This is the true story of how that one moment in time, by the thinnest thread of a chance, changed the course of a small boy's life in ways that are beyond description. One day he would dance with some of the greatest ballet companies of the world. One day he would be a friend to a president and first lady, movie stars and the most influential people in America. One day he would become a star: Mao's last dancer, and the darling of the West. Since its release in 2003, Mao's Last Dancer has sold all around the world and been made into a major motion picture. Like millions of other peasants' lives, it was a story that nearly vanished amidst revolution and chaos. It's a story of courage, a mother's love, a young boy's longing for freedom - a beautiful, rich account of an inspirational life, told with honesty, dignity and pride.

One day, not so very many years ago, a small peasant boy was chosen to study ballet at the Beijing Dance Academy. His mother urged him to take this chance of a lifetime. But Li was only eleven years old and he was scared and lonely, pushed away from all that he had ever known and loved. He hated the strict training routines and the strange place he had been brought to. All he wanted to do was go home – to his mother, father and six brothers, to his own small village. But soon Li realised that his mother was right. He had the chance to do something special with his life – and he never turned back . . . Visit the official Mao's Laster Dancer Movie website maoslastdancermovie.com

Li Cunxin grew up in a remote commune village in China. His life was one of daily hardships - there was never enough food for him or his six brothers and his only entertainment, especially during the harsh winters, was being told Chinese fables by his father. His life seemed mapped out - he was the frog at the bottom of the well who would have to be content with being able to see only a small patch of sky. Madam Mao's Peking Dance Academy. His selection was based purely on his physique and the fact that he came from a family that had been peasants for three generations - he knew nothing about the art form at all. encouragement of his teachers, Li danced through his pain to become a talented performer who won a rare scholarship to America. Communist ideals, to discover the truth behind Chinese propaganda. In 1981 he famously defected, certain that in doing so he would never see his family or his homeland again. frog had escaped the well and could marvel at the expanse of sky.

I can vividly remember the last steps of the last ballet, walking off the stage led by a mother and knowing the decision I had to make. That was my last dance. Mary Li (nee McKendry) is an international ballet star and a mother like no other. She became a household name when her husband Li Cunxin published his bestselling memoir, Mao's Last Dancer - but that book told only half the story. Growing up in a rambunctious family in Rockhampton, Mary discovered an extraordinary early passion for ballet. It saw her move to London at age sixteen, to study at the Royal Ballet School and dance at the London Festival Ballet with the likes of Nureyev, and later to Houston Ballet, where as Principal Dancer she fell in love with the acclaimed Chinese ballet dancer Li Cunxin. The couple became the darlings of the dance world, and were happier than they could have imagined at the arrival of their firstborn daughter, Sophie. Then right at the height of her international career, Mary seemingly disappeared from view, leaving the fans aghast. What could have happened to cause a woman so committed, so talented, to give it all away in a heartbeat? Now, almost twenty years on, fans finally get their answer about what happened next to this inspiring family, and learn why it is Mary's turn to tell a truly remarkable tale. This is a powerful and uplifting memoir about chasing an impossible dream, and sacrificing one's own ambition for the love of a child. It is a moving and unforgettable story of passion, dedication and devotion - and the highly anticipated sequel to one of the world's most beloved books.

In a poor village in northern China, a small boy named Li Cunxin was given the chance of a lifetime. Selected by Chairman Mao's officials from among millions of children to become a dancer, Li's new life began as he left his family behind. At the Beijing Dance Academy, days were long and difficult. Li's hard work was rewarded when he was chosen yet again, this time to travel to America. From there his career took flight, and he danced in cities around the world—never forgetting his family, who urged him to follow his dreams.

'This is your one chance. You have your secret dreams. Follow them! Make them come true . . . ' In a poor village in northern China, a small boy is about to be taken away from everything he's ever known. He is so afraid, but his mother urges him to follow his dreams. For soon he will become a dancer, one of the finest dancers in the world . . . So begins The Peasant Prince, the true story of Li Cunxin's extraordinary life. Based upon his internationally best-selling memoir, Mao's Last Dancer, this remarkable picture book captures the essence of one of the most inspiring stories to come from China in many years. With hauntingly beautiful illustrations by award-winning artist Anne Spudvilas, Li's journey of courage and determination is simply told, and as powerful as any fairytale.

“Who am I? I’m a man; an American, a father, a teacher, but most of all, I am a person who knows how the arts can change lives, because they transformed mine. I was a dancer.” In this rich, expansive, spirited memoir, Jacques d’Amboise, one of America’s most celebrated classical dancers, and former principal dancer with the New York City Ballet for more than three decades, tells the extraordinary story of his life in dance, and of America’s most renowned and admired dance companies. He writes of his classical studies beginning at the age of eight at The School of American Ballet. At twelve he was asked to perform with Ballet Society; three years later he joined the New York City Ballet and made his European debut at London’s Covent Garden. As George Balanchine’s protégé, d’Amboise had more works choreographed on him by “the supreme Ballet Master” than any other dancer, among them Tchaikovsky Pas de Deux; Episodes; A Midsummer’s Night’s Dream; Jewels; Raymonda Variations. He writes of his boyhood—born Joseph Ahearn—in Dedham, Massachusetts; his mother (“the Boss”) moving the family to New York City’s Washington Heights; dragging her son and daughter to ballet class (paying the teacher $7.50 from hats she made and sold on street corners, and with chickens she cooked stuffed with chestnuts); his mother changing the family name from Ahearn to her maiden name, d’Amboise (“It’s aristocratic. It has the ‘d’ apostrophe. It sounds better for the ballet, and it’s a better name”). We see him. a neighborhood tough, in Catholic schools being taught by the nuns; on the streets, fighting with neighborhood gangs, and taking ten classes a week at the School of American Ballet . . . being taught professional class by Balanchine and by other teachers of great legend: Anatole Oboukhoff, premier danseur of the Maryinsky; and Pierre Vladimiroff, Pavlova’s partner. D’Amboise writes about Balanchine’s succession of ballerina muses who inspired him to near-obsessive passion and led him to create extraordinary ballets, dancers with whom d’Amboise partnered—Maria Tallchief; Tanaquil LeClercq, a stick-skinny teenager who blossomed into an exquisite, witty, sophisticated “angel” with her “long limbs and dramatic, mysterious elegance . . .”; the iridescent Allegra Kent; Melissa Hayden; Suzanne Farrell, who Balanchine called his “alabaster princess,” her every fiber, every movement imbued with passion and energy; Kay Mazzo; Kyra Nichols (“She’s perfect,” Balanchine said. “Uncomplicated—like fresh water”); and Karin von Aroldingen, to whom Balanchine left most of his ballets. D’Amboise writes about dancing with and courting one of the company’s members, who became his wife for fifty-three years, and the four children they had . . . On going to Hollywood to make Seven Brides for Seven Brothers and being offered a long-term contract at MGM (“If you’re not careful,” Balanchine warned, “you will have sold your soul for seven years”) . . . On Jerome Robbins (“Jerry could be charming and complimentary, and then, five minutes later, attack, and crush your spirit—all to see how it would influence the dance movements”). D’Amboise writes of the moment when he realizes his dancing career is over and he begins a new life and new dream teaching children all over the world about the arts through the magic of dance. A riveting, magical book, as transformative as dancing itself.