Maps With The News

Maps with the News is a lively assessment of the role of cartography in American journalism. Tracing the use of maps in American news reporting from the eighteenth century to the 1980s, Mark Monmonier explores why and how journalistic maps have achieved such importance. "A most welcome and thorough investigation of a neglected aspect of both the history of cartography and modern cartographic practice."—Mapline "A well-written, scholarly treatment of journalistic cartography. . . . It is well researched, thoroughly indexed and referenced . . . amply illustrated."—Judith A. Tyner, Imago Mundi "There is little doubt that Maps with the News should be part of the training and on the desks of all those concerned with producing maps for mass consumption, and also on the bookshelves of all journalists, graphic artists, historians of cartography, and geographic educators."—W. G. V. Balchin, Geographical Journal "A definitive work on journalistic cartography."—Virginia Chipperfield, Society of University Cartographers Bulletin

Maps with the News is a lively assessment of the role of cartography in American journalism. Tracing the use of maps in American news reporting from the eighteenth century to the 1980s, Mark Monmonier explores why and how journalistic maps have achieved such importance. "A most welcome and thorough investigation of a neglected aspect of both the history of cartography and modern cartographic practice."—Mapline "A well-written, scholarly treatment of journalistic cartography. . . . It is well researched, thoroughly indexed and referenced . . . amply illustrated."—Judith A. Tyner, Imago Mundi "There is little doubt that Maps with the News should be part of the training and on the desks of all those concerned with producing maps for mass consumption, and also on the bookshelves of all journalists, graphic artists, historians of cartography, and geographic educators."—W. G. V. Balchin, Geographical Journal "A definitive work on journalistic cartography."—Virginia Chipperfield, Society of University Cartographers Bulletin

This book adopts a unique perspective on journalism by considering it as a practice of cartography. Through every aspect of their work, journalists describe and define their community and situate that community within the larger world. With words, images, and sounds, journalists: sketch out the boundaries of community; define its values; identify key components of its political, economic, and cultural infrastructure; describe its constituents; position community with respect to neighbouring communities; highlight other constituencies with which this community has important ties; and relegate to the margins great portions of the rest of the world. These news reports create mental maps for news audiences, cartographies of the imagination, from whatever news sources they draw upon. Because access to the world is highly mediated, it is largely through news reporting and commentary that we come to know that world. Thus, these maps of the news wield considerable symbolic power, feeding the social imaginary. News media power is two-fold. First, it is the power of selection, one of inclusion and exclusion, exposure and suppression. Second, it is the power of categorization, entailing classification, definition, and suppression.

During the early years of the Cold War, England and the United States both found themselves reassessing their relationship with their former ally the Soviet Union, and the status of their own “special relationship” was far from certain. As Jeffrey P. Stone argues, maps from British and American news journals from this period became a valuable tool for relating the new realities of the Cold War to millions of readers. These maps were vehicles for political ideology, revealing both obvious and subtle differences in how each country viewed global geopolitics at the onset of the Cold War. Richly illustrated with news maps, cartographic advertisements, and cartoons from the era, this book reveals the idiomatic political, cultural, and material differences contributing to these divergent cartographic visions of the Cold War world.

Maps organize us in space, but they also organize us in time. Looking around the world for the last five hundred years, Time in Maps shows that today’s digital maps are only the latest effort to insert a sense of time into the spatial medium of maps. Historians Kären Wigen and Caroline Winterer have assembled leading scholars to consider how maps from all over the world have depicted time in ingenious and provocative ways. Focusing on maps created in Spanish America, Europe, the United States, and Asia, these essays take us from the Aztecs documenting the founding of Tenochtitlan, to early modern Japanese reconstructing nostalgic landscapes before Western encroachments, to nineteenth-century Americans grappling with the new concept of deep time. The book also features a defense of traditional paper maps by digital mapmaker William Rankin. With more than one hundred color maps and illustrations, Time in Maps will draw the attention of anyone interested in cartographic history.

Acclaimed for its innovative use of visual material, this book is engaging, clear, and compelling—exactly how an effective map should be. Nearly every page is organized around maps and other figures (many in full color) that illustrate all aspects of map making, including instructive examples of both good and poor design choices. The book covers everything from locating and processing data to making decisions about layout, symbols, color, and type. Readers are invited to think critically about both the technical features and social significance of maps as they learn to create better maps of their own. New to This Edition*Extensively revised and expanded core chapters on map design.*An annotated map design exemplar is used to show how the concepts in each chapter play out on an actual map. *Updated to reflect current technological developments.*Larger size and redesigned pages make the book even more user friendly.

Empire in Black and Gold is the first instalment in the critically-acclaimed epic fantasy series Shadows of the Apt by Adrian Tchaikovsky. The days of peace are over . . . The Lowlands’ city states have lived in peace for decades, hailed as bastions of civilization. Yet that peace is about to end. A distant empire has been conquering neighbours with highly trained soldiers and sophisticated combat techniques. And the city states are its desirable new prize. Only the ageing Stenwold Maker – spymaster, artificer and statesman – foresees the threat, as the empires’ armies march ever closer. So it falls upon his shoulders to open the eyes of the cities’ leaders. He sees that war will sweep through their lands, destroying everything in its path. But to warn his people, he must stay alive. Empire in Black and Gold is followed by the second book in the Shadows of the Apt series, Dragonfly Falling.