Mardi

Presented as narratives of his own South Sea experiences, Melville's first two books had roused incredulity in many readers. Their disbelief, he declared, had been "the main inducement" in altering his plan for his third book, Mardi: and a Voyage Thither (1849). Melville wanted to exploit the "rich poetical material" of Polynesia and also to escape feeling "irked, cramped, & fettered" by a narrative of facts. "I began to feel . . . a longing to plume my pinions for a flight," he told his English publisher. Mardi began as a sequel to Typee (1846) and Omoo (1847), but changed radically while he was writing it and emerged as an altogether independent and original work. In its combination of adventure, allegorical romance, realistic portraits of characters and scenes from nature, philosophical speculation, and travelogue-satire, Mardi was Melville's first attempt to create a great work of fiction. This edition of is an Approved Text of the Center for Editions of American Authors (Modern Language Association of America).

Mardi, and a Voyage Thither details the traveling of an American sailor who abandons his whaling vessel to explore the South Pacific. The center of the story is a romance between the narrator Taji and Yillah, the mysterious blonde who suddenly appears and disappears. We also follow the voyage of the philosopher Babbalanja and his travel companions through the archipelago of Mardi. Beginning as a travelogue, the adventure story gives way to a romance story, which gives way to a philosophical quest. Herman Melville was an American novelist, short story writer, and poet of the American Renaissance period. His writing draws on his experience at sea as a common sailor, exploration of literature and philosophy, and engagement in the contradictions of American society in a period of rapid change. His best known works include Typee, a romantic account of his experiences in Polynesian life, its sequel Omoo, and his novel Moby-Dick.

Not long ago, having published two narratives of voyages in the Pacific, which, in many quarters, were received with incredulity, the thought occurred to me, of indeed writing a romance of Polynesian adventure, and publishing it as such; to see whether, the fiction might not, possibly, be received for a verity: in some degree the reverse of my previous experience. This thought was the germ of others, which have resulted in Mardi. New York, January..FROM THE BOOKS.