Margaret Fuller And Her Circles

Essays on the American Transcendentalist

Minerva's Circle: Margaret Fuller's Women opens on the Boston Conversations led by Margaret Fuller between 1839 and 1844, exploring the status of Woman and women's rights. Judith Strong Albert has created a fictional session partially based on notes written by participants at the Conversations. She gives vivid narratives of the lives of four New England women, drawing upon their own writinga: Margaret Fuller herself as well as Lydia Maria Child, Elizabeth Palmer Peabody, and Caroline Healey Dall -- all three of whom were deeply influenced by Fuller and, in turn, influenced her. Their biographies offer parallel views of childhood, life choices and work. These women left profound legacies shaping civil rights, children's education and women's rights in America. Minerva's Circle illuminates the linkage between the four women, the thrust of their ideas and their impact on 20th century feminism, concluding with an overview of the history of feminism in the United States.

This 1845 classic by prototypical feminist discusses the Woman Question, prostitution and slavery, marriage, employment, reform, many other topics. Enormously influential work is today a classic of feminist literature.

The award-winning author of The Peabody Sisters takes a fresh look at the trailblazing life of a great American heroine Thoreau s first editor, Emerson s close friend, the first female war correspondent, and a passionate advocate of personal liberation and political freedom. "Megan Marshall's brilliant Margaret Fuller brings us as close as we are ever likely to get to this astonishing creature. She rushes out at us from her nineteenth century, always several steps ahead, inspiring, heartbreaking, magnificent." Rebecca Newberger Goldstein, author of Betraying Spinoza: The Renegade Jew Who Gave Us Modernity "Megan Marshall gives new meaning to close reading from words on a page she conjures a fantastically rich inner life, a meld of body, mind, and soul. Drawing on the letters and diaries of Margaret Fuller and her circle, she has brought us a brave, visionary, sensual, tough-minded intellectual, a first woman who was unique yet stood for all women. A masterful achievement by a great American writer and scholar. Evan Thomas, author of Ike s Bluff: President Eisenhower s Secret Battle to Save the World "Megan Marshall s Margaret Fuller: A New American Life is the best single volume ever written on Fuller. Carefully researched and beautifully composed, the book brings Fuller back to life in all her intellectual vivacity and emotional intensity. Marshall s Fuller overwhelms the reader, just as Fuller herself overwhelmed everyone she met. A masterpiece of empathetic biography, this is the book Fuller herself would have wanted. You will not be able to put it down." Robert D. Richardson, author of Emerson: The Mind on Fire Praise for The Peabody Sisters: Three Women Who Ignited American Romanticism A stunning work of biography and intellectual history. Deftly weaving material from the letters and journals of all three sisters, Ms. Marshall . . . performs the intellectual equivalent of a triple axel. William Grimes, New York Times This beautifully written book is at once an intimate portrait of three remarkable sisters and a study of women s place in the vibrant intellectual and literary culture of nineteenth-century New England. The product of twenty years of research, Megan Marshall s tour de force is impossible to put down. Drew Gilpin Faust, author of The Republic of Suffering "

Writings by the pioneering feminist include the travelogue Summer on the Lakes, contributions to the literary journal The Dial, dispatches from revolutionary Italy, essays, and unpublished journals.

Volume Two. -- "The New York Times Book Review"

This study seeks to fill a major gap in the fields of Nineteenth-Century American and British Studies by examining how nineteenth-century intellectuals shaped and re-shaped aesthetic traditions across the Atlantic Ocean. Special attention is paid to a group of salient cultural concepts, such as artist-as-hero, imagination, the picturesque, reform, simultaneity, and seriality. Although embedded in a particular aesthetic tradition, these concepts travel from one culture to another and are transformed along their transatlantic journeys. The purpose of this book is to explore the roles of these ‘traveling concepts’ within the realm of transatlantic cultures and to trace their at times surprising paths within ever-widening transnational intellectual networks.