Margarita Wednesdays

In answer to the question of what happened following her New York Times bestseller Kabul Beauty School, Deborah Rodriquez is back with a new memoir: “a brave and often hilarious tale of reinvention, told with pioneer woman brio and wicked humor” (Wendy Lawless, bestselling author of Chanel Bonfire). Irreverent, insightful, and blatantly honest, Deborah takes us along on her inspiring journey of self-discovery and renewal after she is forced to flee Afghanistan in 2007. She first lands in California, where she feels like a misfit teetering on the brink of sanity. Where was that fearless redhead who stared danger in the face back in Kabul? After being advised to commune with glowworms and sit in contemplation for one year, Rodriguez finally packs her life and her cat into her Mini Cooper and moves to a seaside town in Mexico. Despite having no plan, no friends, and no Spanish speaking skills, a determined Rodriguez soon finds herself swept up in a world where the music never stops and a new life can begin. Her adventures and misadventures among the expats and locals help lead the way to new love, new family, and a new sense of herself. In the magic of Mexico, she finds the hairdresser within, and builds the life she never knew was possible—a life on her own terms.

Continues the author's journey of self-discovery after her 2007 flight from Afghanistan, where after experimenting with New Age culture she became a hairdresser in seaside Mexico within a new family of locals and expats.

Soon after the fall of the Taliban, in 2001, Deborah Rodriguez went to Afghanistan as part of a group offering humanitarian aid to this war-torn nation. Surrounded by men and women whose skills–as doctors, nurses, and therapists–seemed eminently more practical than her own, Rodriguez, a hairdresser and mother of two from Michigan, despaired of being of any real use. Yet she soon found she had a gift for befriending Afghans, and once her profession became known she was eagerly sought out by Westerners desperate for a good haircut and by Afghan women, who have a long and proud tradition of running their own beauty salons. Thus an idea was born. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup. Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style. With warmth and humor, Rodriguez details the lushness of a seemingly desolate region and reveals the magnificence behind the burqa. Kabul Beauty School is a remarkable tale of an extraordinary community of women who come together and learn the arts of perms, friendship, and freedom.

Intervention Narratives examines contradictory cultural representations of the US intervention in Afghanistan that justify an imperial foreign policy. Bose demonstrates that contemporary imperialism operates on an ideologically diverse terrain by marshaling familiar tropes of entrepreneurship, pet love, and Orientalist stereotypes to enlist support for the war across the political spectrum.

I hadn't been planning on making Mexico my new home, but the little house on the sea was all that I had left . . . Intimate, honest and touching, this is the story of Deborah Rodriguez's often hilarious journey of self-discovery. Forced to flee her life in Afghanistan, she leaves behind her friends, her possessions and her two beloved businesses: a hair salon and a coffee shop. But life proves no easier 'back home'. After a year living in California where she teeters on the edge of sanity, Deborah makes a decision: she's going to get the old Deb back. So, at the age of forty-nine, she packs her life and her cat, Polly, into her Mini Cooper and heads south to a pretty seaside town in Mexico. Home is now an unassuming little house on Carnaval Street. If you liked Eat, Pray, Love you will love The House on Carnaval Street. Rodriguez's story speaks to every woman, mother, sister, wife - to anyone who has ever questioned their relationships, their place in the world and the choices that they've made.

Satan comes to Soviet Moscow in this critically acclaimed translation of one of the most important and best-loved modern classics in world literature. The Master and Margarita has been captivating readers around the world ever since its first publication in 1967. Written during Stalin’s time in power but suppressed in the Soviet Union for decades, Bulgakov’s masterpiece is an ironic parable on power and its corruption, on good and evil, and on human frailty and the strength of love. In The Master and Margarita, the Devil himself pays a visit to Soviet Moscow. Accompanied by a retinue that includes the fast-talking, vodka-drinking, giant tomcat Behemoth, he sets about creating a whirlwind of chaos that soon involves the beautiful Margarita and her beloved, a distraught writer known only as the Master, and even Jesus Christ and Pontius Pilate. The Master and Margarita combines fable, fantasy, political satire, and slapstick comedy to create a wildly entertaining and unforgettable tale that is commonly considered the greatest novel to come out of the Soviet Union. It appears in this edition in a translation by Mirra Ginsburg that was judged “brilliant” by Publishers Weekly. Praise for The Master and Margarita “A wild surrealistic romp. . . . Brilliantly flamboyant and outrageous.” —Joyce Carol Oates, The Detroit News “Fine, funny, imaginative. . . . The Master and Margarita stands squarely in the great Gogolesque tradition of satiric narrative.” —Saul Maloff, Newsweek “A rich, funny, moving and bitter novel. . . . Vast and boisterous entertainment.” —The New York Times “The book is by turns hilarious, mysterious, contemplative and poignant. . . . A great work.” —Chicago Tribune “Funny, devilish, brilliant satire. . . . It’s literature of the highest order and . . . it will deliver a full measure of enjoyment and enlightenment.” —Publishers Weekly

Kabul, August 2021 Sunny Tedder is back in her beloved coffee shop. After eight years away, she’s thrilled to reunite with her Kabul “family.” Yazmina now runs a couple of women’s shelters from the old cafe and dreams of a bright future for her two young daughters. Her sister Layla has become an outspoken women’s rights activist and, thanks to social media, is quite the celebrity. Kat, Sunny’s friend from America, is wrapping up her year-long stay in the land of her birth, but she’s facing some unfinished business. And finally, there’s elderly den mother Halajan whose secret new hobby is itself an act of rebellion. Then the US troops begin to withdraw, and the women watch in horror as the Taliban advance on the capital at ferocious speed… Set against the terrifying fall of Kabul in 2021, Deborah Rodriguez concludes her bestselling Little Coffee Shop trilogy with a heart-stopping story of resilience, courage, and, most importantly, hope.

Based on a rich range of sources, this pioneering book provides a comprehensive description of informal borrowings in American English.