Margrave Of The Marshes

Through nigh-on forty years of laconic brilliance on Radio 1, a musical taste which defined a culture and his wildly popular Radio 4 show, Home Truths, John Peel reached out to an audience that was as diverse as his record collection. He was a genuinely great Briton, beloved by millions. John's unique voice and sensibility were evident in everything he did, and nowhere is that more true than in these pages. Margrave of the Marshes is the astonishing book John Peel began to write before his untimely death in October 2004, completed by the woman who knew him best, his wife Sheila. It is a unique and intimate portrait of a life, a marriage and a family which is every bit as extraordinary as the man himself - a fitting tribute to a bona fide legend.

Despite the number of claims in publishers blurbs, not many people actually achieve the status of legend in their own lifetime. Fewer still actually deserve that status. John Peel is the exception which proves that rule, a Great Briton whose contribution to British culture is undeniable, without whom popular culture would never have become popular. Beloved by millions whether for his unstinting championing of musical talent on Radio 1 or for his wildly popular Radio 4 show Home Truths this is the astonishing book he began to write before his untimely death in October 2004, completed by the woman who knew him best, his wife Sheila. The first half of the book, written by John, describes with characteristic humour his early life, from child to man, including his school days and National Service. You can hear the unique Peel voice in every sentence - rarely, if ever, before has a voice been so successfully transferred to paper. The second section, written by Peel's wife and soulmate of many years, Sheila Ravenscroft, gives us an intimate portrait of the man and his music, and the highs and the lows of everyday life at Peel Acres. The completion of this book has been a labour of love for John's family and their passion has paid off. It's every bit as extraordinary as the man himself and a fitting tribute to a bona fide legend.

John Peel, the most influential DJ in rock history, was beloved by millions as an unstinting champion of musical talent on BBC's Radio 1 and as the host of the wildly popular Radio 4 show "Home Truths."

John Peel is best known for his four decades of radio broadcasting. His Radio 1 shows shaped the taste of successive generations of music lovers. His Radio 4 show, Home Truths, became required listening for millions. But all the while, Peel was also tapping away on his beloved Olivetti typewriter, creating copy for an array of patient editors. He wrote articles, columns and reviews for newspapers and magazines as diverse as The Listener, Oz, Gandalf's Garden, Sounds, the Observer, the Independent and Radio Times. Now for the first time, the best of these writings have been brought together - selected by his wife, Sheila, and his four children. Music, of course, is a central and recurring theme, and he writes on music in all its forms, from Tubular Bells to Berlin punk to Madonna. Here you can read John Peel on everything from the perils of shaving to the embarrassments of virginity, and from the strange joy of Eurovision to the horror of being sick in trains. At every stage, the writing is laced with John's brilliantly acute observations on the minutiae of everyday life. This endlessly entertaining book is essential reading for Peel fans and a reminder of just why he remains a truly great Briton.

NOW A MAJOR MOTION PICTURE—The #1 New York Times bestselling worldwide sensation with more than 18 million copies sold, hailed by The New York Times Book Review as “a painfully beautiful first novel that is at once a murder mystery, a coming-of-age narrative and a celebration of nature.” For years, rumors of the “Marsh Girl” have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.

Goodnight and Good Riddance: How Thirty-Five Years of John Peel Helped to Shape Modern Britain is a social history, a diary of a nation's changing culture, and an in-depth appraisal of one of our greatest broadcasters, a man who can legitimately be called the most influential figure in post-war British popular music. Without the support of John Peel, it's unlikely that innumerable artists - from David Bowie to Dizzee Rascal, Jethro Tull to Joy Division - would have received national radio exposure. But Peel's influence goes much deeper than this. Whether he was championing punk, reggae, jungle or grime, he had a unique relationship with his audience that was part taste-maker, part trusted friend. The book focuses on some 300 shows between 1967 and 2004, giving a thorough overview of Peel's broadcasting career and placing it in its cultural and social contexts. Peel comes alive for the reader, as do the key developments that kept him at the cutting edge - the changes in his tastes; the changes in his thinking. Just like a Peel show, Goodnight and Good Riddance is warm, informative and insightful, and wears its enthusiasm proudly.

This is a story of teenage dreams, which, as any Peel fan knows, are hard to beat. Between 1967 and 2004 John Peel picked over 2000 bands to come and record over 4000 sessions to be played on his radio show. Many were young and had never been in a recording studio before, for some it was the start of an illustrious career, for others it was the only recognition their musical talent ever got. For over 35 years the cream of British musical talent made the journey to the BBC's studio in Maida Vale, from Pink Floyd to Pulp, the Small Faces to the Smiths. And because John Peel was so respected his sessions took on a legendary status - they were a rite of passage that every new band wanted to go through. Unfettered by commerical pressure the Peel Sessions were a unique British institution - an archive of music that reflects one man's passion for finding and encouraging new music. Includes a full sessionography listing songs, band members and broadcast dates. Jarvis Cocker writing about his first Peel Session aged 18 (Wayne the drummer was 15): 'We travelled down to Maida Vale in a van driven by a very strange man we'd contacted via a card pinned to the Virgin record shop noticeboard. We'd had to borrow lots of equipment from a band called The Naughtiest Girl Was a Monitor 'cause we didn't have enough stuff of our own. The session was to be produced by Dale Griffin, who used to be the drummer in Mott the Hoople; I seem to remember that he was wearing cowboy boots. I think the crisis point came when Wayne was attempting to get a home-made synth-drum to work that a friend of his at school had made out of a rubber burglar-alarm mat and an old electronic calculator - Dale Griffin looked at this 15-year-old kid crouching on the floor bashing what looked like a doormat with some wires coming out of it and just put his head in his hands. But to his credit, the session did get finished and after it, everything else started for me...'

John Peel was one of the most influential figures in modern popular music, and it was thanks to his Radio One show that bands such as T-Rex, The Smiths, Radiohead and The White Stripes first came to prominence. This is his story, which he began to write just before his untimely death in 2004.