Marie Antoinette Or The Chevalier Of The Red House A Tale Of The French Revolution With Illustrations

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Excerpt from Marie Antoinette, the Chevalier of the Red House: A Tale of the French Revolution in 1973 Her situation was frightful in the extreme. Less disdained as a physical power, France was less respected as a moral one, since the massacres of September, and the execution of the King on the 21st of January. She was literally in the position of a city besieged and blockaded by the whole of Europe. The force of England was on the shores, that of Spain in the Pyrenees, Austria on the Alps, and Holland and Prussia in the Low Countries. From one single point in the Upper Rhine 250,000 men marched against the Republic. Everywhere the generals of France were repulsed. Miaczinski was compelled to abandon Aix-la-Chapelle, and to retreat to Liege; Steingel and Neuilly were driven into the Limbourg; Miranda, who besieged Maestricht, fell back on Tongres; Valence and Dampierre were also forced to retreat, with the loss of the greater portion of their materiel. Upwards of 10,000 deserters had forsaken the army. Finally, the convention, having no hope in any one save in Dumouriez, had despatched courier after courier to command him to abandon the banks of the Biebbos, where he was meditating a descent upon Holland, and take upon himself the command of the army of the Meuse. Sensitive as the heart of an animated body, Paris felt for all France every one of the reverses, revolts, or invasions, which cowardice or treachery had permitted even on the most extreme points of the frontier. On the evening of the 9th the convention held a very stormy meeting. All officers had orders to rejoin their regiments at the same hour, and Danton, that audacious proposer of impossibilities, which, nevertheless, were accomplished, mounted the tribune, and exclaimed, "You want soldiers, you say. Let us afford Paris the opportunity of saving France. Ask her for thirty thousand men; send them to Dumouriez, and not only is France saved, but Belgium is assured, and Holland conquered." The proposition was received with cries of enthusiasm. The Parisian sectional divisions were invited to meet in the evening and open registers for enrolment of names. The theatres were closed to prevent any distraction, and the black flag unfurled on the Town-hall, in sign of national distress. Before midnight thirty-five thousand men had inscribed their names. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.