Maripolarama

From celebrated stylist Maripol this ultimate 'who's who' of the early 80s art, music and fashion scenes in downtown New York captures highly stylish, utterly inspiring and ultra vivid polaroid. As an image maker and stylist for Madonna during her 'Like a Virgin' days, Maripol relentlessly documented the movers and shakers of the early 80s through the lens of her instant Polaroid SX-70. This collection is for those with long memories and vast vinyl collections and also for the people who weren't there to see it firsthand.

Bande a parte is a collection of photographs taken by those who were the eyes in the darkness, the insiders among the outsiders of art. What distinguishes this group is that they are not professionals in the sense that taking pictures wasn't really a job, it was a compulsion, something they had to do. Billy Name was a major domo at the silver Warhol Factory, Gerard Malanga was a poet and Warhol's painting assistant, Danny Fields was a mover and shaker in the record business, responsible for the management of such talents as Iggy and The Stooges, The Doors and The Ramones. Even those who were photographers by trade were not the kind who waited for assignments, they were self-taught anthropologists who wanted to document their time, their place. And clearly, these pictures tell their stories better than words ever could.

Which is more important to New York City's economy, the gleaming corporate office--or the grungy rock club that launches the best new bands? If you said "office," think again. In The Warhol Economy, Elizabeth Currid argues that creative industries like fashion, art, and music drive the economy of New York as much as--if not more than--finance, real estate, and law. And these creative industries are fueled by the social life that whirls around the clubs, galleries, music venues, and fashion shows where creative people meet, network, exchange ideas, pass judgments, and set the trends that shape popular culture. The implications of Currid's argument are far-reaching, and not just for New York. Urban policymakers, she suggests, have not only seriously underestimated the importance of the cultural economy, but they have failed to recognize that it depends on a vibrant creative social scene. They haven't understood, in other words, the social, cultural, and economic mix that Currid calls the Warhol economy. With vivid first-person reporting about New York's creative scene, Currid takes the reader into the city spaces where the social and economic lives of creativity merge. The book has fascinating original interviews with many of New York's important creative figures, including fashion designers Zac Posen and Diane von Furstenberg, artists Ryan McGinness and Futura, and members of the band Clap Your Hands Say Yeah. The economics of art and culture in New York and other cities has been greatly misunderstood and underrated. The Warhol Economy explains how the cultural economy works-and why it is vital to all great cities.

Anna Sui's trendsetting rock-and-roll looks have made her one of this decade's top five fashion icons (Time). Here, in the first book to cover the entire scope of Sui's twenty-year career, fans get rare access to the designer's creative process. This richly visual retrospective celebrates her influence, from her first show that snared the support of supermodels Naomi Campbell, Linda Evangelista, Christy Turlington, and Kate Moss to the role she's played in making the babydoll dress one of fashion's most iconic silhouettes. With more than 400 photographs from legendary photographers, this exquisite tomewith a shimmering foil-stamped coveris essential for all fashionistas.

Introduction by George Hamilton Famed photographer Veronique Vial, author of the blockbuster best-seller Women Before 10 A.M., takes a dip into the private pools of today's top actors and models, capturing rare and unguarded moments of Reese Witherspoon, Claudia Schiffer, Heidi Klum, Benecio Del Toro, Meg Ryan, Demi Moore, Jackie Chan, Benjamine Bratt, Jane Fonda, Brooke Shields, Milla Jovovich, Jeff Goldblum, Daryl Hannah, Seth green, Jennie Garth, Lisa Marie, Claire Forlani, Melissa Joan Hart and Rachel Hunter, all having loud, splashy fun.

Lo-Life: An American Classic takes the reader on a tripto New York City in the early 80s-a time when crimeand violence ran the streets. The infamous Lo-Lifegang emerged from this tumultuous time. Formedby crews of teenagers from the Brownsville and CrownHeights neighborhoods of Brooklyn, they made a namefor themselves by dressing head-to-toe in expensive RalphLauren clothing, or "Lo." Polo apparel-and other preppy80s fashion labels like Guess, Nautica, and Benetton,among others-represented an aspirational lifestyle forthese kids from rough neighborhoods just struggling toget by. Fighting for style and survival, the Lo-Lifestargeted these brands, and would acquire them by anymeans necessary, including stick-ups, shoplifting, and hustling. A reign of terror ensued, when your new wintercoat could make you the target for a robbery-or worse. What started as an informal gang uniform organizedaround clean designs and bright colors, became adevotion to a lifestyle brand, and eventually created anassociation between the streets and luxury that wouldfundamentally change the fashion industry. Lo-Life: AnAmerican Classic documents the personal collectionsof exclusive archival vintage photographs amassed bythe crew and interviews with original members,presenting the first comprehensive oral history of thisnotorious New York collective. Lo-Life is the remarkable story of a small group of teenagersfighting to make a name for themselves who eventuallymade themselves seen, heard, and emulated globally. Love and Loyalty!

For some 70 years, Leo Goldstein's East Harlembodyof work remained mostly untouched and unseen.The silver gelatin prints were catalogued in 2016,and a selection is gathered here for the first time.The photographs were taken over a number of years,beginning in 1949 when Goldstein was a memberof the Photo League.The East Harlem corpus, edited by Regina Monfort,represents an important and unique addition to thephotographic history of New York City. Because thereare no negatives in existence, it was of particularimportance to preserve the images in book form andmake them available to the public.The selected images reflect the postwar years in theEast Harlem community, which would grow intoa center of Puerto Rican culture and life in the U.S.From the families portrayed gathering on stoops, tothe kids at their shoeshine stations, to youths playingball in the streets, to posters on neighborhood walls,Goldstein's images of East Harlem provide a windowinto the socio-economic, cultural, and politicallandscape of the time.

On this, the auspicious 10th anniversary of "Jackass," this deluxe photo book celebrates and commemorates the iconic crew for lasting so long in the "here-today-gone-tomorrow" world of entertainment pop culture.