Mark Rothko Works On Paper

This volume illustrates the research not only of French accountants (Colasse, Durand, Jouanique, Lemarchand, Nikitin, Richard, Tessier) but also the work of Belgian authors writing in French (Stevelinkck, haulotte) and of French non-accountants (de Swarte, Durdilly, Sauvy). The work of British and North American academics, writing in English on French accounting history is also illustrated from the 1930s (Howard, Edwards), through to the 1960s (Parker) and the more recent research of Standish, Fortin and Bhimani. The contributions to this volume have been arranged both chronologically and thematically as follows: the earliest business accounting records; the first French accounting authors; Colbert, Savbary and the Ordonnance de Commerce; the eighteenth and nineteenth centuries; cost accounting; the national accounting plan; national income accounting; government accounting and accounting theory. An abstract of each contribution is given in both English and French.

This is the first volume of the catalogue raisonne of the work of Mark Rothko, the abstract artist. It documents Rothko's entire output of paintings on canvas and panel, reproducing all the works in colour. An introductory text investigates the essential features of Rothko's art.

A revelatory exploration of Mark Rothko's paintings on paper that transforms our understanding of a preeminent twentieth-century artist Mark Rothko (1903-1970) is renowned for his towering abstract paintings on canvas; joy, despair, ecstasy, and tragedy are among the themes that he sought to express in his luminous works. Despite Rothko's prominence, few people know that he also created more than 1,000 paintings on paper over the course of his career. The artist viewed these not as preliminary studies but as finished paintings in their own right. These remarkable paintings range from early figurative subjects and surrealist works to the soft-edged rectangular fields, often realized at monumental scale, for which Rothko is best known. These works challenge our expectations about how painting is defined, as well as popular ideas about Rothko and his career. In this beautifully illustrated volume, Adam Greenhalgh traces the role these works played in the artist's reception, reputation, and success. This book accompanies the first major exhibition dedicated to Rothko's works on paper in forty years and brings together nearly one hundred radiant, rarely displayed examples. Building on the important research conducted by Greenhalgh and his team for the catalogue raisonné of Rothko's works on paper, this important catalogue offers a new appreciation of an underrecognized facet of the artist's practice. Exhibition Schedule: National Gallery of Art, Washington (November 19, 2023-March 31, 2024) The National Museum of Art, Architecture, and Design, Oslo (May 16-September 22, 2024)

Mark Rothko, a monumental figure in twentieth-century American art and a founder of Abstract Expressionism, is universally known for his huge paintings depicting floating rectangles of glowing colors. Less well known are his works on paper: he held onto most of these, and they were unavailable and largely unknown during his lifetime and during the long years of litigation that followed his death. Now the finest of them can at last be seen. Mark Rothko: Works on Paper presents the intimate legacy of a giant of modern art. As author Bonnie Clearwater writes,"With the symmetry, tidy execution, and minimal gesture, the small works on paper often seem to be more quintessential Rothko than many of his canvases. They should be appreciated for their subtlety, their directness, and what they disclose about the artists aesthetic." AUTHOR: Bonnie Clearwater, is the former curator of the Mark Rothko Foundation. Dore Ashton is a noted art historian and critic. SELLING POINTS: Includes 86 drawings and sketches reproduced in full color dating from the late 1920s through 1969 Two gatefolds nearly three feet wide make it possible to view studies of Rothko's work,many of them reproduced in their actual sizes 98 colour & 26 b/w illustrations

The first publication dedicated exclusively to Mark Rothko’s art during the critical formative period of the 1940s. Examining the development and artistic exploration of one of the greatest artists of the twentieth century, this unprecedented volume presents the works of American artist Mark Rothko from the 1940s, a time when his most essential development as a painter occurred, dramatically and in a very compact space of time. During this period, Rothko moved from expressive figurative and surrealist canvases to more abstract multiform subjects and finally to his signature abstractions—luminous rectangles of color suspended in space. Richly illustrated with works by Rothko and his contemporaries, introduction by Todd Herman and essays by prominent Rothko scholars, this important new book deepens our understanding of Rothko’s art during this vital period, and that of the mature works that emerged from it.

A handsome introduction to Rothko's rarely seen jewel-like paintings on paper of the late '60s This volume brings together key paintings from Rothko's (1903-70) renowned body of work made in the late 1960s--a significant and prolific period in the artist's life. In the wake of a particularly difficult bout of ill health and a tumultuous time in his personal life, Rothko was forced to reduce the scale of his practice from his signature monumental canvas to more intimately sized paper. Despite physical limitations, Rothko worked feverishly with a renewed enthusiasm for color, delighted by the effect of acrylic paint, which he had newly discovered. In an intimate introduction, Christopher Rothko writes of the artist's shift in scale and the parallel between the viewer's experience with the paintings and his father's own creation of them. Eleanor Nairne explores Rothko's trajectory, tracing his early works and experience painting through the Seagram paintings and chapel commission to these works on paper. The book is produced on the occasion of the inaugural exhibition of Pace Gallery's new gallery space in London.