Mark S Passion Narrative

The earliest of the four Gospels, the book portrays Jesus as an enigmatic figure, struggling with enemies, his inner and external demons, and with his devoted but disconcerted disciples. Unlike other gospels, his parables are obscure, to be explained secretly to his followers. With an introduction by Nick Cave

Although the passion narratives of the synoptic gospels can be read as free standing narrative, each one of them is the goal and climax of the Gospel story that precedes it. In Passion Narratives and Gospel Theologies, Frank Matera describes the intimate relationship between the theology of each of the synoptic gospels and its passion narrative. Matera's study of the Markan passion narrative in light of the Gospel's theology shows that no one can confess that Jesus is the Son of God until he or she acknowledges Jesus as the crucified Messiah, and no one can be Jesus' disciple unless he or she accepts the scandal of the cross. While the Gospel of Matthew continues to develop the great themes of Mark's gospel, Matera argues that its passion narrative manifests a distinctive ecclesiological and ethical outlook in light of its unique gospel theology. Finally, Matera demonstrates how the Lukan passion narrative, by presenting Jesus as a model of innocent suffering, also contains a distinctive outlook in light of its gospel theology: God's righteous suffer afflictions by trial and persecution. Comprehensive in scope and clearly written, Passion Narratives and Gospel Theologies provides a much needed introduction to the synoptic passion narratives and the theology of each evangelist. It will be welcome by students and pastors.

This work examines the effect of the use of scripture on the interpretation of the Markan passion narrative, Mark 14:1-15:47. In the methodically focused section which begins the work, Kelli O'Brien first defines the term allusion and the criteria by which allusions are established and then. She then tests the allusions suggested by previous scholars. For the trial and crucifixion scenes, only eleven references have sufficient verbal and other correspondence to be considered probable or certain allusions, out of the roughly 150 references suggested. The numbers for allusions in Mark 14:1-52 are similar. Demonstrable allusions are relatively few, too few to support the theory favoured by many that the passion narrative was constructed by means of allusions to Scripture. The work assesses the interpretive impact of the allusions on the Markan passion narrative, considering how those passages are treated in Jewish and Christian traditions potentially available to the author. Allusions interpret the Markan Christology, but they also interpret other aspects of the drama, such as the opponents in the Jewish trial and the offer of vinegary wine. Most importantly, allusions in the passion narrative indicate in what sense the author understood Jesus' death to be redemptive and that the "ransom" the Son of Man gives (Mark 10:45) is eschatological.

"Follow Me," Jesus told them, "and I will make you into fishers of men!" Immediately they left their nets and followed Him. --Mark 1:17-18 The Gospel of Mark is a book of action and passion. Events happen one after another, with a vivid sense of immediacy and urgency. Jesus? emotions come through strongly--at times he is angry and distressed, other times filled with compassion. In this volume, Michael Card provides a lively tour of the Gospel of Mark. As a friend and interpreter of Simon Peter, Mark gives firsthand glimpses of the life and ministry of Jesus in vibrant and energetic narration. The first Gospel to be written, Mark is a "pamphlet for hard times," encouraging Christians that all their sufferings were already endured by Jesus. Accompany Mark on his journey with Jesus. The more clearly you see Jesus here, the greater your passion will be for him.

In this groundbreaking book, Dennis R. MacDonald offers an entirely new view of the New Testament gospel of Mark. The author of the earliest gospel was not writing history, nor was he merely recording tradition, MacDonald argues. Close reading and careful analysis show that Mark borrowed extensively from the Odyssey and the Iliad and that he wanted his readers to recognise the Homeric antecedents in Mark's story of Jesus. Mark was composing a prose anti-epic, MacDonald says, presenting Jesus as a suffering hero modeled after but far superior to traditional Greek heroes. Much like Odysseus, Mark's Jesus sails the seas with uncomprehending companions, encounters preternatural opponents, and suffers many things before confronting rivals who have made his house a den of thieves. In his death and burial, Jesus emulates Hector, although unlike Hector Jesus leaves his tomb empty. Mark's minor characters, too, recall Homeric predecessors: Bartimaeus emulates Tiresias; Joseph of Arimathea, Priam; and the women at the tomb, Helen, Hecuba, and Andromache. And, entire episodes in Mark mirror Homeric episodes, including stilling the sea, walking on water, feeding the multitudes, the Triumphal E

Engaging the Passion gathers an impressive array of scholars to survey how the death of Jesus has been portrayed and represented in Scripture, liturgy and music, literature, art and film, and theology and ethics—from the first to the twenty-first centuries. The contributors approach the passion from a variety of perspectives—diversely Christian, Jewish, Muslim, and secular. Their voices differ as well, from the challenging to the comforting and from the academic to the confessional. They address the faithful, the skeptical, and the curious.

This study traces the debate surrounding Luke's use of the Gospel of Mark and special sources, such as Proto-Luke, in a section of the passion narrative (Lk 22,54-23,25). The survey covers roughly the period from the 1880's to 1997. Part I details the development from P. Feine to the 1960's. Part II begins with G. Schneider continuing up through 1997. In treating each scholar's position, the author reviews their underlying Synoptic theory, their source theory in the passion in general, then the trial of Pilate, and finally the trial before Herod. Part III is devoted to an interpretation of Lk 23,6 - 16. Part IV contains the list of abbreviations, the bibliography, and three appendices: (1) Special LQ vocabulary and constructions according to J. Weiss; (2) Lukan priority theories; and (3) the Gospel of Peter and its relation to the Herod pericope. Part IV concludes with the name index. The Lukan Passion Narrative will be particularly useful to those concerned with Luke's redactional technique, Source theories, Minor Agreements, and the history of exegesis.