Mart Nez Celaya

This collection, spanning nearly a decade of artistic activity, features selections of writings that trace the intellectual influences and track the development of one of the more formidable and productive minds in the contemporary art world. The writings comprise Enrique Martínez Celaya’s public lectures; essays; interviews; correspondence with artists, critics, and scholars; artist statements; blog posts; and journal entries. These texts were written during Martínez Celaya’s appointment as Visiting Presidential Professor at the University of Nebraska; Roth Distinguished Visiting Scholar at Dartmouth College; and, most recently, as the first Provost Professor of Humanities and Arts at the University of Southern California. Marked by Martínez Celaya’s encyclopedic curiosity and considerable knowledge about the world, these writings and interviews explore the role of art in life, evaluate texts by other modern and contemporary artists and thinkers, and reveal the artist’s deep engagement with artistic, philosophical, and literary lines of inquiry.

In the summer of 2013, SITE Sante Fe presents a new project by Enrique Martínez Celaya (born 1964) entitled The Pearl. For this exhibition, Martínez Celaya transforms all 15,000 square feet of SITE's gallery space into an immersive installation environment that includes several large and small-scale paintings, sculptures, video, waterworks and olfactory interventions. This exhibition integrates many of the elements and ideas that the artist has engaged with over the last several years. For this project, the artist takes the notion of home as both a point of departure and a destination to craft a multisensory experience that is an extended metaphor for a journey of emotional and psychological reflection. Visitors experience the installation in a specific sequence that allows a multilevel narrative to unfold coherently. This volume records the conception of the work with drawings and studio photos, as well as installation images of the final work.

Whether as a reaction to our technological present or as a manifestation of fears concerning our environmental future, depictions of the natural world in painting have never seemed more pertinent or urgent. Some of the most ambitious, crucial and intellectually vibrant paintings being created in this century involve the landscape - from a more traditional, perceptual based approach for rendering vistas to a looser, topography-inspired gestural abstraction that blurs the line between form and space, to many other modes in between. Surprisingly, there has not been an ambitious and wide-reaching publication on the subject - until now. The result of several years' worth of research, Landscape Painting Now is the first book to explore the very best contemporary landscape painting. Featuring artists from nearly twenty-five countries born over seven decades, it includes some of the brightest stars of the contemporary art world. It is introduced by an essay from Barry Schwabsky, who discusses the history of landscape painting, exploring how the genre developed through the 20th century to today, and how it has become increasingly relevant to art now. He also explores the notion of what is actually called a landscape painting today, and looks to expand beyond commonly held preconceptions concerning the genre.

The artist Enrique Martínez Celaya and the collectors Gudrun and Martin Fritsch have the same passion for many years: their enthusiasm for German artist Käthe Kollwitz and the examination of her work. While the Berlin-based collectors have built a significant private Kollwitz collection, the artist has referenced his 100-year-older predecessor in many of his own works. Perhaps this is why there are telling parallels between the artistic practices of Martínez Celaya and Kollwitz. Both explore the correlation of drawing and sculpture, and both articulate a deeply felt humanism. For this exhibition at Galerie Judin, Enrique Martínez Celaya has created a group of works that capture the essence of his exploration of Käthe Kollwitz, shown here in a fascinating dialogue with works from the Fritsch Collection. ENRIQUE MARTINEZ CELAYA (*1964) was born in Cuba, grew up in Spain and Puerto Rico, and studied physics and painting in the United States. He is a painter, sculptor, and writer living in Los Angeles, California. His work is represented in exhibitions and collections of important institutions worldwide. KÄTHE KOLLWITZ (1867-1945) studied in Berlin and Munich and became Germany's first female art professor. Her work in drawing, printmaking, and sculpture made her one of the most significant German artists of the last century.

This fascinating, readable volume is filled with enticing, detailed information about more than 30 different Incan crops that promise to follow the potato's lead and become important contributors to the world's food supply. Some of these overlooked foods offer special advantages for developing nations, such as high nutritional quality and excellent yields. Many are adaptable to areas of the United States. Lost Crops of the Incas includes vivid color photographs of many of the crops and describes the authors' experiences in growing, tasting, and preparing them in different ways. This book is for the gourmet and gourmand alike, as well as gardeners, botanists, farmers, and agricultural specialists in developing countries.