Martin And John

Finalist for the 2015 Giller Prize Among The National Post's Top 5 Books of 2015 Among The Toronto Star's Top 5 Fiction Books of 2015 Among Largehearted Boy's Favourite Novels of 2015 One of Quill & Quire’s Books of the Year, 2015 Among The Edmonton Journal's Top 5 Books of 2015 A 49th Shelf Book of the Year, 2015 Among NOW Toronto's Top 10 Books of 2015 Martin John’s mam says that she is glad he is done with it. But is Martin John done with it? He says he wants it to stop, his mother wants it to stop, we all want it to stop. But is it really what Martin John wants? He had it in his mind to do it and he did it. Harm was done when he did it. Harm would continue to be done. Who will stop Martin John? Will you stop him? Should she stop him? From Anakana Schofield, the brilliant author of the bestselling Malarky, comes a darkly comic novel circuiting through the mind, motivations and preoccupations of a character many women have experienced but few have understood quite so well. The result confirms Schofield as one of the bravest and most innovative authors at work in English today. Anakana Schofield is an Irish-born writer, who won the Amazon.ca First Novel Award and the Debut-Litzer Prize for Fiction in 2013 for her debut novel Malarky.

Dale Peck’s debut is a tour de force in which Martin and John find each other again and again: in a trailer park, a high-end jewelry store, a Kansas barn, and later, in New York City, living under the shadow of the AIDS epidemic. Though their names remain the same, their identities are constantly shifting, creating a fractured view of loss and desire in the early years of the AIDS crisis. Vaulting through self and history, Martin and John is one of the most remarkable novels to emerge from an America ravaged by disease, and one of the finest and most complex love stories of the ’90s. Martin and John is the first volume of Gospel Harmonies, a series of seven stand-alone books (four have been written) which follow the character of John as he attempts to navigate the uneasy relationship between the self and the postmodern world.

An internationally renowned painter in his time (1789-1854), John Martin created paintings of apocalyptic destruction and biblical disaster. He is credited with influencing a remarkable range of people, including the Brontes and the Pre-Raphaelites.

This is a nonchronological introduction to Baroque, one of the great periods of European art. John Martin's descriptions of the essential characteristics of the Baroque help one to gain an understanding of the style. His illustrations are informative and he has clearly looked with a fresh eye at the works of art themselves. In addition to the more than 200 illustrations, the volume contains an appendix of translated documents.

'Karplus's tales of a turbulent graduate school experience at Caltech will inspire readers to muster fortitude when everything seems to be spinning out of control. Karplus balances rigorous scientific discussions with refreshing chapters expounding his passion for photography and gastronomy.'Nature Chemistry, May 2020Nobel Laureate Martin Karplus was eight when his family fled Nazi-occupied Austria via Switzerland and France for the United States. He would later credit his life as a refugee as a decisive influence on his world view and approach to science.Spinach on the Ceiling is an autobiographical telling of Karplus' life story, and how it led him to win the Nobel Prize in Chemistry in 2013. The book captures pivotal moments in Martin's life — from his escape to Switzerland in 1938 shortly after Hitler's entrance into Austria; to memorable moments like when his parents gave him a microscope which opened his eyes to the wonders of science; to his education in New England and California; and his eventual scientific career which took him to England, Illinois, Columbia, Strasbourg, and Harvard. It relates how Martin's optimistic outlook and belief in his vision made it possible for him to overcome setbacks in his life, and turn a subject of study his colleagues considered a waste of time into a central part of chemistry and structural biology. It is his hope to inspire and aid young readers, in particular, to have a successful trajectory in their own lives. Although research and teaching have been his primary focus, he has traveled the world photographing people and places with a Leica IIIC and has had numerous exhibitions of the photographs. He has also enjoyed a lifelong interest in cooking and worked in some of the best restaurants in France and Spain.

An extraordinary work of fiction, from one of the world's most exceptional writers. WITH AN INTRODUCTION BY JULIAN FELLOWES After graduating from Oxford, Daniel Martin moved to America and successfully pursued the dreams of many: he became a Hollywood screenwriter. But, as the years go by, Daniel grows more and more unsatisfied with the life he once coveted and the person he has become. Now Daniel has been called back to England to reconcile with a dying friend, but finds that he must also reconcile with the past and with himself. 'I find it disastrous to read any of John Fowles' books - once I pick one up, I cannot put it down so everything else gets ignored!' Judi Dench, Daily Express 'An instant masterpiece. It is a tour de force of stamina and subtlety' Daily Telegraph

An award-winning historian’s revisionary account of the early modern world, showing how apocalyptic ideas stimulated political, religious, and intellectual transformations “A masterful synthesis of the prognostications of faith, knowledge, and politics on a global stage. Martin’s book illuminates one of the enduring themes that shaped the medieval and early modern world.”—Paula E. Findlen, Stanford University In this revelatory immersion into the apocalyptic, messianic, and millenarian ideas and movements that created the modern world, John Jeffries Martin performs a kind of empathic time travel, entering into the psyche, spirituality, and temporalities of a cast of historical actors in profound moments of discovery. He argues that religious faith—Christian, Jewish, and Muslim—did not oppose but rather fostered the making of a modern scientific spirit, buoyed along by a providential view of history and nature, and a deep conviction in the coming End of the World. Through thoughtful attention to the primary sources, Martin re‑reads the Renaissance, excavating a religious foundation at the core of even the most radical empirical thinking. Familiar icons like Ibn Khaldūn, Columbus, Isaac Luria, and Francis Bacon emerge startlingly fresh and newly gleaned, agents of a history formerly untold and of a modern world made in the image of its imminent end.