Martyr As Bridegroom

Bhagat Singh, 1907-1931, Indian revolutionary and freedom fighter.

Bhagat Singh, 1907-1931, Indian revolutionary and freedom fighter.

Martyrdom is a phenomenon common to many of the world's religious traditions. But why? In this study, John Soboslai offers insights into the practices of self-sacrifice within specific sociopolitical contexts. Providing a new understanding of martyrdom through the lens of political theology, he analyzes discourses and performances in four religious traditions during social and political crises, beginning with second-century Christianity in Asia Minor, where the term 'martyr' first took its meaning. He also analyzes Shi'a Islam in the 1980s, when 'suicide bombing' first appeared as a strategy in West Asia; global Sikhism during World War I, where martyrs stood for and against the British Raj; and twenty-first-century Tibetan Buddhism, where self-immolators used their bodies in opposition to the programs of the People's Republic of China. Presenting a new theory of martyrdom linked to constructions of sovereign authority, Soboslai reveals common features of self-sacrifice and demonstrates how bodily performances buttress conceptions of authority.

All national identities are somewhat fluid, held together by collective beliefs and practices as much as official territory and borders. In the context of the Palestinians, whose national status in so many instances remains unresolved, the articulation and 'imagination' of national identity is particularly urgent. This book explores the ways that Palestinian intellectuals, artists, activists and ordinary citizens 'imagine' their homeland, examining the works of key Palestinian thinkers and writers such as Edward Said, Mahmoud Darwish, Mourid Barghouti, Ghassan Kanafani and Naji Al Ali. Deploying Benedict Anderson's notion of 'Imagined Communities' and Edward Soja's theory of 'Third Space', Tahrir Hamdi argues that the imaginative construction of Palestine is a key element in the Palestinians' ongoing struggle. An interdisciplinary work drawing upon critical theory, postcolonial studies and literary analysis, this book will be of interest to students and scholars of Palestine and Middle East studies and Arabic literature

This book is an attempt to approach Bhagat Singh’s revolutionary rhetoric as a site of perpetual motion; of constant shifts and transformations that point towards instances of conscious refashioning in one’s own politics. Throughout his life Bhagat Singh made use of multiple political ideologies for conceptualizing revolution ranging from spiritual nationalism, Gandhism, socialism, Marxism and anarchism. At some points he can also be seen merging some of the more disparate ideologies for the progression of the revolutionary cause. This book explores the changing revolutionary thought of Bhagat Singh, made explicit through his personal and political writings from the period of 1923-1931. The aforementioned shifts in his politics are demarcated through a close reading of select texts from this time period to argue for a fundamental reframing in the way we approach Bhagat Singh’s politics.

Peter Abelard (1079-1142) is one of the most diversely gifted people of the Middle Ages. His letter writing, poetry, theology, logic, and ethics deal with almost every aspect of the trivium. This volume surveys his career to show how his extraordinary versatility enchanted and distressed his public. A selection of international specialists addresses the various aspects of Abelard's literary persona. The topics range from Abelard's personal history to his monastic thinking. There are essays on the letter collection, his views on love, ethical problems such as intention and suicide, his poetry and treatises written for Heloise and her nuns of the Paraclete. With its strong emphasis on interdisciplinary research, Rethinking Abelard opens up new avenues for future scholarship. Contributors are: Michael T. Clanchy, Peter Cramer, Lesley-Anne Dyer, Juanita Feros Ruys, William Flynn, Babette Hellemans, Taina M. Holopainen, Eileen F. Kearney, Constant J. Mews, Eileen C. Sweeney, Ineke Van ‘t Spijker, Wim Verbaal, and Julian Yolles.

Don't expect to find here the usual clichés about suicide bombers and what drives them. In this unique study, Anne Marie Oliver and Paul Steinberg render the story of two intertwining, often clashing journeys. The authors lived for six months with a Palestinian refugee family in Gaza at the beginning of the intifada, and offer a gritty, poetic portrait of the time. They also provide an unrivalled documentary of the underground media they collected during the course of six years in the area. Although they could not have surmised as much at the beginning, they soon found themselves led through these media into the world of the suicide bomber. Their early study, notably, anticipated the spread of suicide missions years in advance. Dispensing with the platitudes and dogma that typify discourse on the Israeli-Palestinian conflict, the authors show that the suicide bomber is a complex, contradictory construction, and can be explained neither in terms of cold efficacy nor sheer evil. Theirs is the only book on the subject to illustrate the ecstatic, intoxicating aspects of suicide missions, and provide extensive access to materials that have remained largely unseen in the West despite the fact that they have served as indispensable tools in the construction and propagation of the suicide bomber. The book contains 86 illustrations drawn from the authors' archive as well as numerous conversations with leaders and followers of Hamas, including a rare interview with a suicide bomber whose bomb failed to explode on an Israeli bus in Jerusalem. Here is an important and timely work that will challenge the way we think about the intifada, suicide bombers, and the Israeli-Palestinian conflict.

Stories of the torture and execution of beautiful Christian women first appeared in late antiquity and proliferated during the early Middle Ages. A thousand years later, virgin martyrs were still the most popular female saints. Their legends, in countless retellings through the centuries, preserved a standard plot—the heroine resists a pagan suitor, endures cruelties inflicted by her rejected lover or outraged family, works miracles, and dies for Christ. That sequence was embellished by incidents emblematic of the specific saint: Juliana's battle with the devil, Barbara's immurement in the tower, Katherine's encounter with spiked wheels. Karen A. Winstead examines this seemingly static story form and discovers subtle shifts in the representation of the virgin martyrs, as their legends were adapted for changing audiences in late medieval England.