Marx And Whitehead

Marx and Whitehead boldly asks us to reconsider capitalism, not merely as an "economic system" but as a fundamentally self-destructive mode that, by its very nature and operation, undermines the cohesive fabric of human existence. Author Anne Fairchild Pomeroy asserts that it is impossible to appreciate fully the impact of Marx's critique of capitalism without understanding the philosophical system that underlies it. Alfred North Whitehead's work is used to forge a systematic link between process philosophy and dialectical materialism via the category of production. Whitehead's process thought brings Marx's philosophical vision into sharper focus. This union provides the grounds for Pomeroy's claim that the heart of Marx's critique of capitalism is fundamentally ontological, and that therefore the necessary condition for genuine human flourishing lies in overcoming the capitalist form of social relations.

According to some social theorists, we are ‘at the end of the social’. This book argues that such pronouncements may be premature, as we need to reengage with what sociologists have previously meant by ‘the social’. ‘Rethinking the Social’ is the first book to systematically analyse the different concepts of the social developed by Durkheim, Marx and Weber. It examines how the concept of the social became unproblematic for twentieth-century writers and suggests that debates surrounding this concept remain very much alive. Building on A. N. Whitehead’s work, Halewood develops a novel ‘philosophy of the social’.

Process, Praxis, and Transcendence is a North American philosophy of liberation that defends both metaphysics and philosophy of religion. The book moves from an existential phenomenology of the knowing and choosing subject through affirmation of a processive and liberating Christ to a critique and overcoming of neo-imperialism. Its ultimate theme explores what the appropriate theory and praxis of liberation is for those of us living "in the center of the empire" in North America and Western Europe.

This revolutionary book fuses the enduring legacy of socialism--government for the common good--with the best of the environmental movement and the newest insights from sustainability studies. The result is a manifesto--a roadmap forward in the face of the growing environmental catastrophe, which is the most complex crisis humanity has ever faced. American conservatives like to say that Marxism was destroyed by its opponents and by the mistakes of Marxist governments. Organic Marxism provides the definitive answer to this charge. As we approach the planet's limits, however, there is no other option but to shift to an organic, ecological civilization. Clayton and Heinzekehr show how scientists and economists, farmers and small business people, artists and religious leaders are coming together around the globe, building communities for the common good.

Despite there being deep lines of convergence between the philosophies of Alfred North Whitehead, C. S. Peirce, William James, John Dewey, and other classical American philosophers, it remains an open question whether Whitehead is a pragmatist, and conversation between pragmatists and Whitehead scholars have been limited. Indeed, it is difficult to find an anthology of classical American philosophy that includes Whitehead’s writings. These camps began separately, and so they remain. This volume questions the wisdom of that separation, exploring their connections, both historical and in application. The essays in this volume embody original and creative work by leading scholars that not only furthers the understanding of American philosophy, but seeks to advance it by working at the intersection of experience and reality to incite novel and creative thought. This exploration is long overdue. Specific questions that are addressed are: Is Whitehead a pragmatist? What contrasts and affinities exist between American pragmatism and Whitehead’s thought? What new questions, strategies, and critiques emerge by juxtaposing their distinct perspectives?

In this work the theories of Marx and Laozi are dialectically combined. The resulting synthesis is a positive materialist negation of Hegel’s idealist dialectics. Syntheses are presented for Marx and Laozi in ontology, metaphysics, epistemology, scientific method, ethics and politics: the full spectrum of their foundational principles. The book is an attempt to reconstruct a materialist interpretation of Laozi, which can be put to work for Marxist theory.

How computer animation technologies became vital visualization tools in the life sciences Who would have thought that computer animation technologies developed in the second half of the twentieth century would become essential visualization tools in today’s biosciences? This book is the first to examine this phenomenon. Molecular Capture reveals how popular media consumption and biological knowledge production have converged in molecular animations—computer simulations of molecular and cellular processes that immerse viewers in the temporal unfolding of molecular worlds—to produce new regimes of seeing and knowing. Situating the development of this technology within an evolving field of historical, epistemological, and political negotiations, Adam Nocek argues that molecular animations not only represent a key transformation in the visual knowledge practices of life scientists but also bring into sharp focus fundamental mutations in power within neoliberal capitalism. In particular, he reveals how the convergence of the visual economies of science and entertainment in molecular animations extends neoliberal modes of governance to the perceptual practices of scientific subjects. Drawing on Alfred North Whitehead’s speculative metaphysics and Michel Foucault’s genealogy of governmentality, Nocek builds a media philosophy well equipped to examine the unique coordination of media cultures in this undertheorized form of scientific media. More specifically, he demonstrates how governmentality operates across visual practices in the biosciences and the popular mediasphere to shape a molecular animation apparatus that unites scientific knowledge and entertainment culture. Ultimately, Molecular Capture proposes that molecular animation is an achievement of governmental design. It weaves together speculative media philosophy, science and technology studies, and design theory to investigate how scientific knowledge practices are designed through media apparatuses.