Masters Of Animals

Anthropologist and filmmaker Chapman (Centre National de la Recherche Scientifique, Paris) describes the distinctive tales and beliefs of a native people who have maintained their traditional life in the tropical forests of central Honduras, as related by one member. Accessible to general readers. Translated from Enfants de la Mort (1978). Paper edition (unseen), $17. Annotation copyright by Book News, Inc., Portland, OR

Old World iconography from the Upper Paleolithic to the Christian era consistently features symbolic representations of both female and male protagonists in conflict with, accompanied by or transmuted partly or completely into, animals. Adversarial relationships are made explicit through hunting and sacrifice scenes, including heraldic compositions featuring a central figure grasping beasts arrayed on either side, while more implicit expressions are manifested in zoomorphic attributes (horns, headdresses, skins, etc.) and composite or hybrid figures that blend animal and human elements into a single image. While the so-called Mistress of Animals has attracted significant scholarly attention, her male counterpart, the Master of Animals, so far has not been accorded a correspondingly comprehensive synthetic study. In an effort to fill this gap in scholarship, The Master of Animals in Old World Iconography assembles archaeological, iconographical, and literary evidence for the Master of Animals from a variety of cultural contexts and disparate chronological horizons throughout the Old World, with a particular focus on Europe and the Mediterranean basin as well as the Indus Valley and Eurasia. The volume does not seek to demonstrate relatedness between different manifestations of this fi gure, even though some are clearly ontologically and geographically linked, but rather to interpret the role of this iconographic construct within each cultural context. In doing so, it provides an important resource for scholars confronting similar symbolic paradigms across the Old World landscape that foregrounds comparative interpretation in diverse ritual and socio-political environments.

Reprint of the original, first published in 1875.

You are Masters of the Fish and Birds and All the Animals is the first monograph from Shane Rocheleau, and the second project from Gnomic Book.