Masters Of Photography

From the pioneers of the early part of the century to the experimental artists who will take us into the future, "Masters of Photography" is an indispensable guide to over 50 of the world's best-known and most influential photographers. Arranged in alphabetical order by photographer, from Eve Arnold to Weegee, each entry contains fascinating biographical and technical details along with sumptuous reproductions of representative and groundbreaking works."

Popular, accessible reference work for both an informed and lay audience Covers every genre of photography from the earliest prints through war photography, still lifes, landscapes and digital images The ideal collection for easily locating a specific photographer or for simply browsing through hundreds of beautiful photographs Foreword by Holly Hughes, editor of Photo District News Arranged in alphabetical order by photographer, each entry contains a selection of sumptuous reproductions of some of the photographer's most interesting and representative works. In addition there is an incisive appreciation of each of these most well-known or ground-breaking artists, including the technical background to their pictures, and a key facts panel detailing biographical details and the development of each photographer's career. Featured photographers include: Eve Arnold, Cecil Beaton, Henri Cartier- Bresson, Robert Capa, Robert Doisneau, Tony Duffy, Bert Hardy, Horst P. Horst, Karsh, Nick Knight, Dorothea Lange, Helmut Newton, Norman Parkinson, Rankin, Herb Ritts, Weegee, Cindy Sherman, Robert Capa, Andreas Gursky, Bill Brandt, James Nachtwey, William Klein, Nan Goldin."

Masters of Street Photography explores the craft and creative secrets of 16 leading lights of the genre. Through probing Q&A style interviews, beautifully reproduced images, captions telling the story of each picture, and detailed technical information, the reader is given an insight into the photographers' working practices, from their career paths and inspirations, to the equipment, techniques, tropes and tricks they employ to create their breathtaking and visionary works. The result is a book that combines visual inspiration with tried and tested "street smart" advice from leading professionals, providing everything the aspiring street photographer needs to create their own distinctive urban portfolio. Contributors include The Bragdon Brothers, Melissa Breyer, Giacomo Brunelli, Paul Burgess, Sally Davies, George Georgiou, Ash Shinya Kawaoto, Jay Maisel, Jesse Marlow, Dimitri Mellos, Rui Palha, Ed Peters, Alan Schaller, Marina Sersale, Alexey Titarenko, and Martin U Waltz.

Photographs by Wynn Bullock, Harry Callahan, Eikoh Hosoe, Tina Modotti, Barbara Morgan, W. Eugene Smith.

David Godlis captures the grit and grandeur of 1970s-'80s New York City in his street photography When he is on the street armed with his camera, photographer David Godlis (born 1951) describes himself as "a gunslinger and a guitar picker all in one." Ever since he bought his first 35mm camera in 1970, Godlis has made it his mission to capture the world on film just as it appears to him in reality. Godlis is most famous for his images of the city's punk scene and serving as the unofficial official photographer for the Film Society of Lincoln Center. For 40 years, his practice has also consisted of walking around the streets of New York City and shooting whatever catches his eye: midnight diner patrons, stoop loiterers, commuters en route to the nearest subway station. With an acute sense of both humor and pathos, Godlis frames everyday events in a truly arresting manner. This publication presents Godlis' best street photography from the 1970s and '80s in a succinct celebration of New York's past. The book is introduced by an essay written by cultural critic Luc Sante and closes with an afterword written by Blondie cofounder and guitarist Chris Stein.

Photographs.

"Raymond Meeks is renowned for his use of photography and the book form to poetically distill the liminal junctures of vision, consciousness and comprehension. In 'ciprian honey cathedral', he brings this scrutiny close to home, delicately probing at the legibility of our material surroundings and the people closest to us. Meeks has long been fascinated by the way we construct the world around us; how we carry our possessions, these accumulated comforts, inheritances, markers of material success; how we adorn homes with trees and shrubs, a mantle clock to count the hours. Stumbling across an abandoned house or unkempt lawn becomes a search for common clues to tiny hidden transgressions. This question of knowledge and understanding is perhaps most drastic in our solipsistic reality. Meeks also photographed his partner, Adrianna Ault, in the early mornings before she awoke, on the threshold at which daily domestic life converges with the deepest state of sleep. This plight of supine trance is a place of reprieve beneath the surface of consciousness, free from the chaos and uncertainty of the sentient world above, and alludes to the veiled threat that, ultimately, we are utterly unknowable to one another."--Publisher's web page for the book.