Material Evidence And Narrative Sources

This book is a collected volume that crosses traditional boundaries between methodologies. Each of its sixteen articles is based on imaginative combinations of data provided by excavations, artifacts, monuments, urban topography, rural layouts, historical narratives and/or archival records. The volume as a whole demonstrates the effectiveness of interdisciplinary research applied to historical, cultural and archaeological problems. Its five sections - Economics and Trade, Governmental Authority, Material Culture, Changing Landscapes, and Monuments – bring forth original studies of the medieval, Ottoman and modern Middle East, amongst others, of voiceless and silenced social groups. Contributors are: Nitzan Amitai-Preiss, Jere L. Bacharach, Simonetta Calderini, Delia Cortese, Katia Cytryn-Silverman, Miriam Frenkel, Haim Goldfus, Hani Hamza, Stefan Heidemann, Miriam Kühn, Ayala Lester, Nimrod Luz, Yoram Meital, Daphna Sharef-Davidovich, Oren Shmueli, Yasser Tabbaa, Daniella Talmon-Heller, and Bethany Walker.

In The Amorite Dynasty of Ugarit Mary Buck pursues a nuanced view of populations in the Bronze Age Levant, with the objective of understanding the ancient polity of Ugarit as a kin-based culture that shares close ties with neighbouring Amorite populations.

Drawing on numismatic, diplomatic, liturgical, and iconographic evidence, this book offers a comprehensive view of political signs, images, and fixed formulas in the Carolingian period and of their use in the indirect communication of royal/imperial authority.

The Oxford Handbook of the Age of Shakespeare presents a broad sampling of current historical scholarship on the period of Shakespeare's career that will assist and stimulate scholars of his poems and plays. Rather than merely attempting to summarize the historical 'background' to Shakespeare, individual chapters seek to exemplify a wide variety of perspectives and methodologies currently used in historical research on the early modern period that can inform close analysis of literature. Different sections examine political history at both the national and local levels; relationships between intellectual culture and the early modern political imagination; relevant aspects of religious and social history; and facets of the histories of architecture, the visual arts and music. Topics treated include the emergence of an early modern 'public sphere' and its relationship to drama during Shakespeare's lifetime; the role of historical narratives in shaping the period's views on the workings of politics; attitudes about the role of emotion in social life; cultures of honour and shame and the rituals and literary forms through which they found expression; crime and murder; and visual expressions of ideas of moral disorder and natural monstrosity, in printed images as well as garden architecture.

Honouring Erica Cruikshank Dodd, Art and Material Culture in the Byzantine and Islamic Worlds analyzes aspects of the constructed narratives and reconstructed realities of the visual-material record of diverse Mediterranean faith communities from medieval into contemporary times.

Concepts such as influence, imitation, emulation, transmission or plagiarism are transcendental to cultural history and the subject of universal debate. They are not mere labels imposed by modern historiography on ancient texts, nor are they the result of a later interpretation of ways of transmitting and teaching, but are concepts defined and discussed internally, within all cultures, since time immemorial, which have yielded very diverse results. In the case of culture, or better Arab-Islamic cultures, we could analyze and discuss endlessly numerous terms that refer to concepts related to the multiple ways of perceiving the Other, receiving his knowledge and producing new knowledge. The purpose of this book evolves around these concepts, and it aims to become part of a very long tradition of studies on this subject that is essential to the understanding of the processes of reception and creation. The authors analyze them in depth through the use of examples that are based on the well-known idea that societies in different regions did not remain isolated and indifferent to the literary, religious or scientific creations that were developed in other territories and moreover that the flow of ideas did not always occur in only one direction. Contacts, both voluntary and involuntary, are never incidental or marginal, but are rather the true engine of the evolution of knowledge and creation. It can also be stated that it has been the awareness of the existence of multidimensional cultural relations which has allowed modern historiography on Arab cultures to evolve and be enriched in recent decades.

Structured as five microhistories c. 632-705, this book offers a counternarrative for the formation of Islamic architecture and the Islamic state. It adopts a novel periodization informed by moments of historical violence and anxiety around caliphal identities in flux, animating histories of the minbar, throne, and maqsura as a principal nexus for navigating this anxiety. It expands outward to re-assess the mosque and palace with a focus on the Qubbat al-Khadraʾ and the Dar al-Imara in Kufa. It culminates in a reading of the Dome of the Rock in Jerusalem as a site where eschatological anxieties and political survival converge.

The only Arabic voice to have witnessed the Ottoman conquest of Cairo, Ibn Iyās, is an eminent historical source for the late Mamluk period. This book is the first to take stock of the author's complete works, approaching him through an examination of his narrative voice and writing strategies. Tracing Ibn Iyās's working process by compilation analysis, it shows how the author adapted his representations of Egyptian history to his writing projects and audience. Ibn Iyās's ways of worldmaking are shaped deeply by beliefs, biases and intellectual trends as well as the impact of the social and historical context the author wrote in. Knowing these conditioning factors allows to understand his presentation of history as an individual voice of his time.