Mau Mauing The Media

Radical Chic and Mau-Mauing the Flak Catchers is classic Tom Wolfe, a funny, irreverent, and "delicious" (The Wall Street Journal) dissection of class and status by the master of New Journalism The phrase 'radical chic' was coined by Tom Wolfe in 1970 when Leonard Bernstein gave a party for the Black Panthers at his duplex apartment on Park Avenue. That incongruous scene is re-created here in high fidelity as is another meeting ground between militant minorities and the liberal white establishment. Radical Chic provocatively explores the relationship between Black rage and White guilt. Mau-Mauing the Flak Catchers, set in San Francisco at the Office of Economic Opportunity, details the corruption and dysfunction of the anti-poverty programs run at that time. Wolfe uncovers how much of the program's money failed to reach its intended recipients. Instead, hustlers gamed the system, causing the OEO efforts to fail the impoverished communities.

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What has media freedom entailed over the couple of centuries and successive governments of the geopolitical region that became South Africa since it was colonised by Westerners? And why can media freedom be described as both pillar and cornerstone of a democracy? It’s simple, as in the words of Nelson Mandela, first state president of a democratic South Africa: Press freedom is the “lifeblood of democracy”. This book tells the tale of the various states of press freedom, or unfreedom, from colonial times to today – from a British governor called a dictator and a despot, through apartheid’s “pigmentocracy”, or “sjambokracy”, where the rule of law “has been replaced by the rule of the whip”, up to the dawn of liberation, with media freedom entrenched in Article 16 of South Africa’s Bill of Rights. And why should all of this concern you? Because media freedom is not about the freedom of the media. It is about your freedom. As was formulated by an editor under apartheid: “If we don’t have a public sympathetic to a free press, not only will we not have a free press, we won’t have a democracy either.” Or, in the words of former Sowetan editor and SANEF chair, Mpumelelo Mhkabela: “Media freedom has nothing to do with the media, but with the freedom of citizens.” And that is why you should know that a free media is the only guarantee for your freedom. As we have seen, both under apartheid and also under a democratic dispensation, it is a matter of a luta continua. The struggle continues. But you, the public, are the guardian of those that guard democracy. Help ensure the rights of a free media, and thereby your democratic rights and a democratic South Africa.

This book provides an in-depth analysis of the economic difficulties facing journalism, including the impact of television's increasing share of the advertising market. It focuses on the alternative press, which arose in the mid-1980s at the height of the government's crackdown on dissent.

The memoirs of former Opposition leader Tony Leon provide a unique glimpse into the political life of South Africa in the democratic era. In incisive, finely focused prose, On the Contrary records Leon's thirteen-year leadership of the Democratic Alliance and its predecessor, the Democratic Party, years in which the party grew from its marginal position on the brink of political extinction into the second largest political force in South Africa. This is an adventure in ideas that involves vivid real people - friends, colleagues and enemies alike. There is new light shed on many of the figures who have shaped modern South Africa, including Nelson Mandela, FW de Klerk and Thabo Mbeki. A trained lawyer, Tony Leon entered Parliament at age 32 at the dawn of South Africa's period of revolution and reform. He actively participated in the constitutional negotiations that led to the birth of the democratic South Africa.